2 |
Left Bank Waltz |
Swoon – Piano Rapture
|
|
4 |
Ave, Generosa |
Ave Maria
|
|
6 |
Tutto 'l dì piango (1614) |
Caccini: Le Nuove Musiche
|
|
8 |
M.Mussorgsky. Opera "Khovanshchina". Scene of Marfa's fortune-telling |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
10 |
Alme, luci beate |
The Voice of Emotion
|
|
12 |
G.Verdi. Opera "Ball-Masquerade". Aria of Ulrika |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
14 |
Amarilli, mia bella |
Arie Antiche
|
|
16 |
Love Me Sweet |
Swoon – Piano Rapture
|
|
18 |
Solitario Augellino |
The Camerata Fiorentina
|
|
20 |
Toccata Settima |
Lasciatemi morire
|
|
22 |
Alessandro, HWV 21, Act 1: Aria: "Lusinghe più care" |
Vocal Music of the 16th-18th Centuries
|
|
24 |
P.Tchaikovsky. Opera "Pique Dame". Scene and song of the Countness |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
26 |
In qual parte del ciel |
The Camerata Fiorentina
|
|
28 |
Valse Frontenac |
Swoon – Piano Rapture
|
|
30 |
Toccata Seconda |
Lasciatemi morire
|
|
32 |
Amarilli, mia bella |
Vocal Music of the 16th-18th Centuries
|
|
34 |
Torna, deh torna (1614) |
Caccini: Le Nuove Musiche
|
|
36 |
Pietà Signore |
Vocal Music of the 16th-18th Centuries
|
|
38 |
Vaga su spina ascosa |
The Camerata Fiorentina
|
|
40 |
In tristo umor |
The Camerata Fiorentina
|
|
42 |
Ave Maria |
Swoon – Piano Rapture
|
|
44 |
The Well-Tempered Clavier, Book I, BWV 853: Prelude in E-flat Minor |
Swoon – Piano Rapture
|
|
46 |
J.Offenbach. Operetta "Pericola". Arietta of Pericola |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
48 |
Asleep the Snow Came Flying |
Swoon – Piano Rapture
|
|
50 |
Più l'altrui fallo |
The Camerata Fiorentina
|
|
52 |
Se l'Aura spira |
Lasciatemi morire
|
|
54 |
Oscure selve |
Lasciatemi morire
|
|
56 |
D.Caccini. Ave Maria |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
58 |
Partite sopra Passacagli |
Lasciatemi morire
|
|
60 |
nocturne in B major, op. 32 no. 1 |
Swoon – Piano Rapture
|
|
62 |
Serse, HWV 40, Act 1 Scene 1: Aria: "Ombra mai fù" |
Vocal Music of the 16th-18th Centuries
|
|
64 |
G.Bizet. opera "Carmen". habanera |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
66 |
quest E lag日MA媽熱 (1601) |
Caccini: Le Nuove Musiche
|
|
68 |
Così mi disprezzate |
Lasciatemi morire
|
|
70 |
UC此地mid o lore |
The Camerata Fiorentina
|
|
72 |
Thaïs: Méditation |
Swoon – Piano Rapture
|
|
74 |
intermezzo Ina major, op. 118 no. 2 |
Swoon – Piano Rapture
|
|
76 |
TU澄海了盆呢 (1614) |
Caccini: Le Nuove Musiche
|
|
78 |
AL Mel UCI beat E (1614) |
Caccini: Le Nuove Musiche
|
|
80 |
Movetevi à pietà (1601) |
Caccini: Le Nuove Musiche
|
|
82 |
A VE Maria |
Lute Music
|
|
84 |
A馬日拉里, Mia Bella (my beautiful amaryllis) |
Love Me Sweet - Songs of Love Through the Ages
|
|
86 |
keyboard concerto inf minor, BW V 1056: II. largo |
Swoon – Piano Rapture
|
|
88 |
B OVA G列’SP來的 |
Swoon – Piano Rapture
|
|
90 |
A馬日拉厘米啊Bella |
Resonances: Music for Harp
|
|
92 |
air from county Derry |
Swoon – Piano Rapture
|
|
94 |
J.Offenbach. operetta "PE Rico啦". scene of the declaration of PE Rico啦 |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
96 |
Vedrò l mio sol (1601) |
Caccini: Le Nuove Musiche
|
|
98 |
Serena的in E-flat major ‘Gran partita’, K. 361: III. adagio |
Swoon – Piano Rapture
|
|
100 |
Belle rose胖or破日呢 (1601) |
Caccini: Le Nuove Musiche
|
|