| 2 |
Che gelida manina (La Bohème) |
Lebendige Vergangenheit - Eugene Conley
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| 4 |
Spirto gentil (La Favorita) |
Lebendige Vergangenheit - Eugene Conley
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| 6 |
La Favorita - Italian version - Act 4:"Spirto gentil, de'sogni miei" |
Operatic Recital
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| 8 |
La fleur que tu m´avais jetée (Carmen) |
Lebendige Vergangenheit - Eugene Conley
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| 10 |
Le Rêve |
Air Checks
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| 12 |
Missa Solemnis, Op. 123:I. Kyrie |
Beethoven: Missa Solemnis, Op. 123 - Cherubini: Requiem Mass No. 1 in C Minor
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| 14 |
I Hear You Calling Me |
Air Checks
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| 16 |
If I Could Tell You - La Bohème |
Air Checks
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| 18 |
Missa Solemnis, Op. 123:V. Agnus Dei |
Beethoven: Missa Solemnis, Op. 123 - Cherubini: Requiem Mass No. 1 in C Minor
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| 20 |
Lucia di Lammermoor - after Walter Scott - Act 3:"Tu che a Dio spiegasti l'ali" |
Operatic Recital
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| 22 |
Danny Boy |
Lebendige Vergangenheit - Eugene Conley
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| 24 |
ToscaAct 1:"Recondita armonia" |
Operatic Recital
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| 26 |
Salut! demeure chaste et pure (Faust) |
Lebendige Vergangenheit - Eugene Conley
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| 28 |
I puritani: A te, o cara |
Air Checks
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| 30 |
Ah! Sweet Mystery Of Life |
Lebendige Vergangenheit - Eugene Conley
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| 32 |
Collector's Corner (Interview) |
Air Checks
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| 34 |
ToscaAct 3:"E lucevan le stelle" |
Operatic Recital
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| 36 |
The Rake's Progress: Act I |
Stravinsky: The Rakes Progress
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| 38 |
A Te, O Cara (Interview) |
Air Checks
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| 40 |
The Lost Chord in F Major |
Air Checks
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| 42 |
Forgotten |
Lebendige Vergangenheit - Eugene Conley
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| 44 |
Missa Solemnis, Op. 123:III. Credo |
Beethoven: Missa Solemnis, Op. 123 - Cherubini: Requiem Mass No. 1 in C Minor
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| 46 |
Il trovatore: Di quella pira |
Air Checks
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| 48 |
A te, o cara, amor talora (I Puritani) |
Lebendige Vergangenheit - Eugene Conley
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| 50 |
Faust - Version 18601869 - Act 3:"Salut! Demeure chaste et pure" |
Operatic Recital
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| 52 |
Missa Solemnis, Op. 123:IV. Sanctus |
Beethoven: Missa Solemnis, Op. 123 - Cherubini: Requiem Mass No. 1 in C Minor
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| 54 |
Danny Boy |
Operatic Recital
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| 56 |
Eileen - Thine Alone |
Operatic Recital
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| 58 |
Missa Solemnis in D Major, Op. 123:III. Credo - Allegro ma non troppo |
Beethoven: Missa solemnis in D major, Op. 123
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| 60 |
Martha: M'appari |
Air Checks
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| 62 |
E lucevan le stelle (Tosca) |
Lebendige Vergangenheit - Eugene Conley
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| 64 |
CarmenAct 2:"La fleur que tu m'avais jetée" |
Operatic Recital
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| 66 |
Beloved |
Operatic Recital
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| 68 |
ah, moon of沒有delight, WHO know St now按E |
Air Checks
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| 70 |
CI El OEM AR (LA Gioconda) |
Lebendige Vergangenheit - Eugene Conley
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| 72 |
the rakes progress, "here is彈彈 - since IT is not by merit" |
Music Inspired by "On the Basis of ***" - A Night at the Opera with Ruth Bader Ginsburg
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| 74 |
Martha: map帕RI TUT ta默認 |
Air Checks
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| 76 |
TU然DOTA CT 1:"non片隔熱, l IU" |
Operatic Recital
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| 78 |
l Africa I呢act 4:"op Arad ISO" |
Operatic Recital
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| 80 |
the rakes progress: act III and epilogue |
Stravinsky: The Rakes Progress
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| 82 |
LA Gioconda act 2:"CI El OEM AR!" |
Operatic Recital
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| 84 |
La BohèmeAct 1:"Che gelida manina" |
Operatic Recital
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| 86 |
forgotten |
Operatic Recital
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| 88 |
LE李Sir對阿默熱: u那副RT IV阿拉貢日媽 |
Air Checks
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| 90 |
ending (signoff) |
Air Checks
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| 92 |
one alone |
Air Checks
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| 94 |
quest AO去Ella |
Air Checks
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| 96 |
Rigoletto act 1:"quest AO去Ella" (ball ATA) |
Operatic Recital
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| 98 |
La donna è mobile (Rigoletto) |
Lebendige Vergangenheit - Eugene Conley
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| 100 |
Martha act 3:"map帕RI" |
Operatic Recital
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