| 2 |
Quel fior che all'alba ride in B-Flat Major, HWV 192: Quel fior che all' alba ride |
Handel in Italy, Vol. 2
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| 4 |
Se tu non lasci amore, HWV 201a: Se tu non lasci amore |
Handel in Italy, Vol. 2
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| 6 |
Dalla guerra amorosa in B-Flat Major, HWV 102a: Non v'alletti un occhio nero |
Handel in Italy, Vol. 2
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| 8 |
Quel fior che all'alba ride in B-Flat Major, HWV 192: È'un fior la vita |
Handel in Italy, Vol. 2
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| 10 |
The Importance of Being Earnest:Act II: Cecily, ever since I looked (Algernon, Cecily, Merriman) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 12 |
Dalla guerra amorosa in B-Flat Major, HWV 102a: Fuggite, sì fuggite, a che serve d'amor |
Handel in Italy, Vol. 2
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| 14 |
The Importance of Being Earnest:Act I: Did you hear what I was playing? (Algernon, Lane, Jack, Choir) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 16 |
The Importance of Being Earnest:Act II: Freude, schöner Gotterfunken (Miss Prism, Cecily, Merriman) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 18 |
set uno那拉SCI啊more, HW V 201啊: Macon吃怕人咯 |
Handel in Italy, Vol. 2
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| 20 |
the importance of being earnest:act III: Lady bra CK呢LL (m而日漫, Lady bra CK呢LL, Gwen do了N, Jack, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 22 |
the importance of being earnest:act II: he是going to send麼away (Algernon, Cecily, m而日漫) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 24 |
the importance of being earnest:act II: Miss Fairfax (m而日漫, Cecily, Gwen do了N) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 26 |
St mark passion, op. 180: V. Golgotha |
John Joubert: St Mark Passion, Missa Wellensis & Locus Iste
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| 28 |
St mark passion, op. 180: III. Gethsemane |
John Joubert: St Mark Passion, Missa Wellensis & Locus Iste
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| 30 |
the importance of being earnest:act III: explosion! (all, Jack, Gwen do了N, chasuble, Miss prism, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 32 |
St Mark Passion, Op. 180: II. The Upper Room |
John Joubert: St Mark Passion, Missa Wellensis & Locus Iste
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| 34 |
The Importance of Being Earnest:Act I: Will you stop!! (Jack, Algernon, Lane, Gwendolen) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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|
| 36 |
The Importance of Being Earnest:Act I: Lady Bracknell and Miss Fairfax (Lane, Lady Bracknell, Algernon, Gwendolen, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 38 |
St Mark Passion, Op. 180: I. At the House of Simon the Leper |
John Joubert: St Mark Passion, Missa Wellensis & Locus Iste
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| 40 |
St Mark Passion, Op. 180: IV. The Praetorium |
John Joubert: St Mark Passion, Missa Wellensis & Locus Iste
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| 42 |
Aci, Galatea e Polifemo, HWV 72: Precipitoso nel mar che freme |
Handel in Italy, Vol. 2
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