1 |
Symphony No. 3 "The Song of the Night": III. Largo |
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2 |
The Eternal Gospel: IV. All this the angel told me at my vigil |
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3 |
Daphnis et Chloé, M. 57, Part 3: Lever du jour – Daphnis cherche pour Chloé et il rêve d'elle – Daphnis et Chloé miment l'aventure d |
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4 |
St John of Damascus, Op. 1: I. Adagio ma non troppo |
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5 |
3 Russian Songs, Op. 41: II. Ah, Vanka, you are so dashing |
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6 |
3 Russian Songs, Op. 41: III. My cheeks, so white, so rosy! |
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7 |
Daphnis et Chloé, M. 57, Part 1: Danse grotesque de Dorcon |
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8 |
The Eternal Gospel: III. O hearken, you whose heart is faint and wilted! |
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9 |
Daphnis et Chloé, M. 57, Part 3: Animé - Danse Générale – Danse de Daphnis et Chloé – Danse de Dorcon – Danse finale (Bacchanale) |
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10 |
Symphony No. 3 "The Song of the Night": I. Moderato assai |
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11 |
Daphnis et Chloé, M. 57, Part 2: Danse suppliante de Chloé – Bryaxis veut l'entraîner – L'ombre de Pân apparaît |
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12 |
Daphnis et Chloé, M. 57, Part 1: Un lumière irréelle enveloppe le paysage – Danse lente et mystérieuse – Daphnis se prosterne suppliant |
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13 |
Symphony No. 3 in C Major, Op. 21: II. Vivace, ma non troppo - Largo pesante - Tempo I |
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14 |
Daphnis et Chloé, M. 57, Part 1: Introduction et Danse religieuse |
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15 |
Symphony No. 3 in C Major, Op. 21: III. Lento, ma non troppo |
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16 |
3 Russian Songs, Op. 41: I. Over the stream, the swift stream |
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17 |
Daphnis et Chloé, M. 57, Part 3: Chloé réapparait |
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18 |
Daphnis et Chloé, M. 57, Part 1: Les jeunes filles attirent Daphnis – Danse Générale |
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19 |
Symphony No. 3 "The Song of the Night": II. Allegretto tranquillo |
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20 |
Daphnis et Chloé, M. 57, Part 2: Voix, très lointaines – Animé et très rude (Danse guerrière) |
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21 |
St John of Damascus, Op. 1: III. Fuga |
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22 |
The Eternal Gospel: II. See the angel flying, silently soaring |
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23 |
Psalm 23, Op. 14 |
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24 |
The Eternal Gospel: I. And so it will pass, as written in the scriptures! |
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25 |
Daphnis et Chloé, M. 57, Part 1: Danse légère et gracieuse de Daphnis – Lyceion danse – Les pirates |
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26 |
St John of Damascus, Op. 1: II. Andante sostenuto |
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