| 2 |
The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 4 |
Giulio Cesare in Egitto HWV 17Atto primo:Recitativo "La Reggia Tolomeo t'offre" |
Giulio Cesare in Egitto HWV 17Act 3
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| 6 |
The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 8 |
The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 10 |
Giulio Cesare in Egitto HWV 17Atto secondo:No.20 Aria "Se a me non sei crudele" |
Giulio Cesare in Egitto HWV 17Act 3
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| 12 |
Giulio Cesare in Egitto HWV 17Atto terzo:Recitativo "In tal modi si premia" |
Giulio Cesare in Egitto HWV 17Act 3
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| 14 |
Les Troyens, Acte I, No 8. "Châtiment effroyable! |
Berlioz: Les Troyens – DeYoung, Heppner, Davis, LSO
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| 16 |
The Importance of Being Earnest:Act III: I am Miss Cardew's guardian (Jack, Lady Bracknell, Chasuble) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 18 |
Giulio Cesare in Egitto HWV 17Atto primo:Recitativo "Cesare alla tua destra" |
Giulio Cesare in Egitto HWV 17Act 3
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| 20 |
WakinUpEarly |
WakinUpEarly
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| 22 |
The Importance of Being Earnest:Act I: Did you hear what I was playing? (Algernon, Lane, Jack, Choir) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 24 |
Giulio Cesare in Egitto HWV 17Atto primo:No.15 Aria "Tu sei il cor di questo core" |
Giulio Cesare in Egitto HWV 17Act 3
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| 26 |
Giulio Cesare in Egitto HWV 17Atto terzo:No.40 Coro e Duetto "Ritorni omai nel nostro core" |
Giulio Cesare in Egitto HWV 17Act 3
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| 28 |
Giulio Cesare in Egitto HWV 17Atto secondo:Recitativo "Bella non lagrimare"Live At Vienna Konzerthaus Grosser Saal2002 |
Giulio Cesare in Egitto HWV 17Act 3
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| 30 |
The Importance of Being Earnest:Act I: What should I do? (reprise) (Jack, Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 32 |
The Importance of Being Earnest:Act III: Pretty child! (Lady Bracknell, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 34 |
The Importance of Being Earnest:Act I: Freude, schöner Gotterfunken (Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 36 |
The Importance of Being Earnest:Act I: What should I do? (Jack, Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 38 |
The Importance of Being Earnest:Act III: What do you think this means (Chasuble, Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 40 |
Giulio Cesare in Egitto HWV 17Atto primo:Recitativo "Cornelia in quei tuoi lumi" |
Giulio Cesare in Egitto HWV 17Act 3
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| 42 |
The Importance of Being Earnest:Act III: Miss Prism! (Lady Bracknell, Chasuble) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 44 |
The Importance of Being Earnest:Act III: Lady Bracknell (Merriman, Lady Bracknell, Gwendolen, Jack, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 46 |
Giulio Cesare in Egitto HWV 17Atto primo:Recitativo "Sire con Sesto il figlio" |
Giulio Cesare in Egitto HWV 17Act 3
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| 48 |
Giulio Cesare in Egitto HWV 17Atto terzo:Recitativo "Cerco in van Tolomeo" |
Giulio Cesare in Egitto HWV 17Act 3
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| 50 |
The Importance of Being Earnest:Act III: Explosion! (All, Jack, Gwendolen, Chasuble, Miss Prism, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 52 |
The Importance of Being Earnest:Act III: Twenty-eight years ago (Lady Bracknell, Orchestral Players) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 54 |
The Importance of Being Earnest:Act I: Lady Bracknell and Miss Fairfax (Lane, Lady Bracknell, Algernon, Gwendolen, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 56 |
Giulio Cesare in Egitto HWV 17Atto secondo:Recitativo "Sire prendi" |
Giulio Cesare in Egitto HWV 17Act 3
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| 58 |
The Importance of Being Earnest:Act III: Mister Worthing, is Miss Cardew (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 60 |
Giulio Cesare in Egitto HWV 17Atto primo:Recitativo "Sire Signor!" |
Giulio Cesare in Egitto HWV 17Act 3
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| 62 |
Giulio Cesare in Egitto HWV 17Atto primo:No.1 Coro "Viva viva il nostro Alcide!" |
Giulio Cesare in Egitto HWV 17Act 3
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| 64 |
The Importance of Being Earnest:Act I: Mister Worthing! (Lady Bracknell, Gwendolen, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 66 |
Giulio Cesare in Egitto HWV 17Atto secondo:Recitativo "Bella placa lo sdegno!" |
Giulio Cesare in Egitto HWV 17Act 3
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| 68 |
Giulio Cesare in Egitto HWV 17Atto terzo:No.30 Aria "Dal fulgor di questa spada" |
Giulio Cesare in Egitto HWV 17Act 3
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| 70 |
Giulio Cesare in Egitto HWV 17Atto secondo:No.25 Aria e Coro "Al lampo dell'armi" |
Giulio Cesare in Egitto HWV 17Act 3
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| 72 |
The Importance of Being Earnest:Act I: Are your parents living? (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 74 |
Les Troyens, Acte I, No. 9: "Que la déesse… A cet objet sacré" |
Berlioz: Les Troyens – DeYoung, Heppner, Davis, LSO
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