| 2 |
Concerto n. 1 per oboe e orchestra da camera: I. Introduzione |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 4 |
Interpolation - Mobile for Flute: I. (1, 2 or 3 flutes) |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 6 |
AidaAct 3:Fuggiam gli ardori inospiti |
La traviataAct 3
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| 8 |
Antiche danze et arie per liuto, Suite No. 2, P. 138: I. Laura soave. Andantino - Allegro marcato - Lo stesso tempo - Andantino |
Respighi: The Complete Orchestral Music
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| 10 |
Rossiniana Suite for Orchestra, P. 148 after Rossini: III. Intermezzo. Allegretto - Poco più mosso - Tempo I |
Respighi: The Complete Orchestral Music
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| 12 |
Epitaffio per Garcia Lorca n. 2 'Y su sangre ya viene cantando' (For flute and chamber orchestra) |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 14 |
Antiche danze et arie per liuto, Suite No. 2, P. 138: II. Danza rustica. Allegretto |
Respighi: The Complete Orchestral Music
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| 16 |
Concerto a cinque: III. Allegro vivo - Allegro moderato - Largo |
Respighi: The Complete Orchestral Music
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| 18 |
Concerto n. 1 per oboe e orchestra da camera: III. Sei Cadenze |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 20 |
Sonatine pour flûte et piano |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 22 |
Rimes pour différentes sources sonores: Première partie (Pour orchestre et bande magnétique) |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 24 |
AidaAct 1:"Alta cagion v'aduna" |
La traviataAct 3
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| 26 |
Pini di Roma: I. I pini di Villa Borghese |
Respighi: The Complete Orchestral Music
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| 28 |
Fontane di Roma, P. 106: II. La fontana del tritone al mattino |
Respighi: The Complete Orchestral Music
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| 30 |
Impressioni brasiliane, P. 153: I. Notte tropicale |
Respighi: The Complete Orchestral Music
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| 32 |
Concerto all'antica, P. 075: I. Allegro |
Respighi: The Complete Orchestral Music
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| 34 |
AidaAct 2:Ma tu, Re, tu signore possente |
La traviataAct 3
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| 36 |
Concerto gregoriano: I. Andante tranquillo - Allegro molto moderato - Calmo, tempo I |
Respighi: The Complete Orchestral Music
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| 38 |
Threnody to the Victims of Hiroshima (For 52 strings) |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 40 |
Suite in sol maggiore, P. 058: III. Pastorale |
Respighi: The Complete Orchestral Music
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| 42 |
Suite for Strings, P. 041: II. Siciliana |
Respighi: The Complete Orchestral Music
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| 44 |
Sinfonia Drammatica, P. 102: I. Allegro energico |
Respighi: The Complete Orchestral Music
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| 46 |
Feste Romane, P. 157: IV. La befana |
Respighi: The Complete Orchestral Music
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| 48 |
Suite for Strings, P. 041: III. Giga |
Respighi: The Complete Orchestral Music
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| 50 |
Pini di Roma: II. Pini presso una catacomb |
Respighi: The Complete Orchestral Music
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| 52 |
Trittico botticelliano: II. L'adorazione dei magi |
Respighi: The Complete Orchestral Music
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| 54 |
Concerto gregoriano: III. Finale (Alleluja). Allegro energico |
Respighi: The Complete Orchestral Music
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| 56 |
Quanti I (Per flauto obbligato e complesso da camera) |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 58 |
Gli Uccelli, P. 154: II. La colomba (After Jacques de Gallot) |
Respighi: The Complete Orchestral Music
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| 60 |
Vetrate di Chiesa, P. 150: I. La fuga in Egitto |
Respighi: The Complete Orchestral Music
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| 62 |
Gli Uccelli, P. 154: III. La gallina (After Jean-Philippe Rameau) |
Respighi: The Complete Orchestral Music
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| 64 |
Pini di Roma: III. I pini del Gianicolo |
Respighi: The Complete Orchestral Music
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| 66 |
Suite for Strings, P. 041: IV. Sarabanda |
Respighi: The Complete Orchestral Music
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| 68 |
Pini di Roma: IV. I pini della via Appia |
Respighi: The Complete Orchestral Music
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| 70 |
Fontane di Roma, P. 106: III. La fontana di Trevi al meriggio |
Respighi: The Complete Orchestral Music
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| 72 |
Fontane di Roma, P. 106: IV. La fontana di vita Medici al tramonto |
Respighi: The Complete Orchestral Music
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| 74 |
Antiche danze et arie per liuto, Suite No. 2, P. 138: III. Campanae parisienses. Andante mosso - Aria. Largo espressivo |
Respighi: The Complete Orchestral Music
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| 76 |
Fantasia Slava in G Minor, P. 50: Andante - Presto - Tempo I - Lento - Allegro |
Respighi: The Complete Orchestral Music
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| 78 |
Interpolation - Mobile for Flute: III (1, 2 or 3 flutes) |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 80 |
Concerto a cinque: I. Moderato - Allegro - Grave |
Respighi: The Complete Orchestral Music
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| 82 |
AidaAct 3:Tu...Amonasro!...tu!...il Re? |
La traviataAct 3
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| 84 |
Feste Romane, P. 157: I. Circenses |
Respighi: The Complete Orchestral Music
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| 86 |
Concerto in modo misolidio: III. Passacaglia. Allegro energico |
Respighi: The Complete Orchestral Music
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| 88 |
Antiche danze et arie per liuto, Suite No. 3: II. Arie di corte. Andante cantabile - Allegretto - Vivace - Lento con grande espressione - Allegro viva |
Respighi: The Complete Orchestral Music
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| 90 |
Poema autunnale, P. 146: Calmo - Molto lento - Largamente - Allegro moderato - Allegro con spirito - Moderato - Tranquillo - Lento - Calmo come al pri |
Respighi: The Complete Orchestral Music
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| 92 |
Interpolation - Mobile for Flute: II (1, 2 or 3 flutes) |
Stockhausen, Penderecki, Brown, Pousseur, Boulez, Haubenstock-Ramati, Maderna, Nono, Fukushima, Berio, Lehmann: Music of XX Century
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| 94 |
Rossiniana Suite for Orchestra, P. 148 after Rossini: I. "Capri e Taormina". Allegretto - Andantino - Allegretto |
Respighi: The Complete Orchestral Music
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| 96 |
Antiche danze et arie per liuto, Suite No. 1: IV. Passo mezzo e mascherada. Allegro vivo - Vivacissimo - Allegretto - Vivace - Allegretto - Vivo - Viv |
Respighi: The Complete Orchestral Music
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| 98 |
Impressioni brasiliane, P. 153: II. Butantan |
Respighi: The Complete Orchestral Music
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| 100 |
Gli Uccelli, P. 154: V. Il cuccù (After Bernardo Pasquini) |
Respighi: The Complete Orchestral Music
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