| 2 |
The Nutcracker, Op. 71, Act II, Scene 3: No. 12. Divertissement - Dance of the Reed Flutes |
Tanz der Zuckerfee: Dance Classics for Kids
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| 4 |
Giselle (1996 Digital Remaster), Act II, No.15: Albrecht's Variation |
Adam: Giselle
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| 6 |
Giselle (1996 Digital Remaster), Act II, No.15: Pas de deux (Giselle & Albrecht) |
Adam: Giselle
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| 8 |
La jolie fille de Perth, WD 15, Suite:2. Sérénade |
Cardio Classics
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| 10 |
Thomas and Alain |
La Fille Mal Gardee
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| 12 |
Giselle (1996 Digital Remaster), Act I, No.4: Return of the Grape Harvesters |
Adam: Giselle
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| 14 |
Swan Lake, Op. 20, TH 12, Act 3: No. 22, Neapolitan Dance (Allegro moderato - Andantino quasi moderato) |
100 Best Tchaikovsky
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| 16 |
Dancing Nights - Concert Waltz |
The Perfect Evening - England
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| 18 |
La fille mal gardéeAct 2:27. Thomas Alain And The Notaries |
Decca Sound: The Analogue Years 1954 – 1968
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| 20 |
The Nutcracker Op. 71, Divertissement: Waltz of the Flowers |
Essential Tchaikovsky [Essential Tchaikovsky - January 2011] (Essential Tchaikovsky - January 2011)
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| 22 |
Swan Lake, Op. 20, Act II:No. 13e, Dance of the Swans. Pas d'action |
Essential Ballet
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| 24 |
Madame Butterfly, Act II (Arr. John Lanchbery): Butterfly and Suzuki (One Fine Day) |
Puccini: Madame Butterfly
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| 26 |
Giselle (1996 Digital Remaster), Act I: No.6 Hilarion enters |
Adam: Giselle
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| 28 |
Giselle (1996 Digital Remaster), Act II: No.6 Myrtha's Dance |
Adam: Giselle
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| 30 |
Swan Lake (Ballet), Op. 20, Act 3: No. 21, Spanish Dance (Allegro non troppo. Tempo di bolero) |
100 Best Tchaikovsky
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| 32 |
Swan Lake, Op. 20, Act III:No. 22, Neapolitan Dance |
100 Best Ballet
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| 34 |
Swan Lake (Ballet), Op. 20, Act 3: No. 23, Mazurka |
100 Best Tchaikovsky
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| 36 |
Swan Lake, Op.20, Act I, 5. Pas de deux: I. Tempo di valse |
Pas de Deux
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| 38 |
Swan Lake (Ballet), Op. 20, Act 1: No. 2, Waltz (Tempo di Valse) |
The Very Best of Tchaikovsky
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| 40 |
The Two Pigeons, Act 1:Dance of the Gypsies |
100 Best Ballet
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| 42 |
Swan Lake Op.20: No.10: Scene (Moderato) |
100 Best Tchaikovsky
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| 44 |
The Nutcracker, Op. 71, TH 14, Act 2: No. 12e, Dance of the Reed Flutes |
100 Best Tchaikovsky
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| 46 |
The Nutcracker Op. 71, Divertissement: Tea (Chinese Dance) |
100 Best Tchaikovsky
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| 48 |
The Nutcracker Op. 71, Scene 2:Waltz of the Snowflakes |
Winterträume - Winter Dreams
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| 50 |
The Nutcracker, Op. 71, Act I, Scene 1:No. 2, March |
100 Best Ballet
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| 52 |
Tatiana's Bedroom: Apparition of Onegin - Pas De Deux (Onegin Ballet Suite No 11 & 12) |
Pas de Deux
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| 54 |
Tales of Beatrix Potter - Music from the Royal Ballet film: The Mouse Waltz |
Lanchbery: Tales of Beatrix Potter
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| 56 |
Swan Lake, Op. 20, Act II:No. 10, Scene. Moderato |
100 Best Ballet
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| 58 |
Roma, WD 37:3. Andante molto |
Spirit Of France
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| 60 |
Swan Lake, Op. 20, TH 12, Act 3: No. 20, Hungarian Dance - Czardas (Moderato assai - Allegro moderato - Vivace) |
100 Best Tchaikovsky
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| 62 |
The Merry Widow, Act II: Pas de Deux, Camille and Valencienne (Arr. John Lanchbery and Alan Abbott) |
The Merry Widow – Ballet Music by John Lanchbery and Alan Abbott Based on the Franz Lehár Operetta
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| 64 |
Patrie – Overture, Op. 19 |
Spirit Of France
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| 66 |
Swan Lake, Op. 20, TH 12, Act 2: No.10, Scene (Moderato) |
100 Best Tchaikovsky
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| 68 |
Madame Butterfly, Act I (Arr. John Lanchbery): Entrance of Butterfly |
Puccini: Madame Butterfly
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| 70 |
The Nutcracker Op. 71, Divertissement: Variation 2: Dance of the Sugar-Plum Fairy - Coda [to Pas de deux] |
50 Best Ballet
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| 72 |
The Two Pigeons, Act 2, Scene 1:Hungarian Dance |
100 Best Ballet
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| 74 |
The Merry Widow, Act II: Opening Polonaise (Arr. John Lanchbery and Alan Abbott) |
The Merry Widow – Ballet Music by John Lanchbery and Alan Abbott Based on the Franz Lehár Operetta
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| 76 |
Introduction - Dance of the Cock and Hens - Lise and the Ribbon |
La Fille Mal Gardee
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| 78 |
La Bayadere: Pas De Trois |
Adam: Giselle
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| 80 |
Madame Butterfly, Act I (Arr. John Lanchbery): Pinkerton and Butterfly Alone |
Puccini: Madame Butterfly
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| 82 |
La Bayadere: Entrance Of The Shades |
Adam: Giselle
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| 84 |
Giselle (1996 Digital Remaster), Act I: No.5a End of Hunting Scene |
Adam: Giselle
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| 86 |
Scene: Onegin and Tatiana - Onegin's Variation (Onegin Ballet Suite No 7 & 8) |
Tchaikovsky: Onegin, Theme and Variations, Ballet Imperial
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| 88 |
Swan Lake, Op. 20, TH 12, Act 3: No. 21, Spanish Dance (Allegro non troppo. Tempo di bolero) |
100 Best Tchaikovsky
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| 90 |
Madame Butterfly, Act II (Arr. John Lanchbery): Arrival of Prince Yamadori |
Puccini: Madame Butterfly
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| 92 |
The Lady and the Fool (arr. C. Mackerras):III. Pas de Trois (Galop) |
SULLIVAN, A.: Pineapple Poll (arr. C. Mackerras) (excerpts)VERDI, G.: The Lady and the Fool (arr. C. Mackerras) (Lanchberry, Irving) (1951-1957)
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| 94 |
The Two Pigeons, Act 1:Dance of the Two Pigeons |
100 Best Ballet
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| 96 |
Pineapple Poll (arr. C. Mackerras):Scene II: Jasper's Solo |
SULLIVAN, A.: Pineapple Poll (arr. C. Mackerras) (excerpts)VERDI, G.: The Lady and the Fool (arr. C. Mackerras) (Lanchberry, Irving) (1951-1957)
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| 98 |
Giselle (1996 Digital Remaster), Act I, No.5: Hunting Scene |
Adam: Giselle
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| 100 |
Swan Lake, Op.20, Act I, 5. Pas de deux: III. Tempo di valse |
100 Best Sensual Classics
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