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Bach 100 Best |
2007-02-19 |
1.Cantata "Jauchzet Gott in allen Landen", BWV 51:No. 1, Aria "Jauchzet Gott in allen Landen" (Soprano)
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| 2 |
Purcell: Songs and Airs |
2001-06-05 |
1.Tyrannic Love, Z.613: Ah! how sweet it is to love
2.Pausanias, Z.585: Sweeter than roses
3.The Tempest, Z.631: Dear pretty youth
4.The fatal hour comes on apace, Z.421
5.Stripp'd of their green, Z.444
6.The Fairy Queen, Z.629: Hark! the echoing air
7.Nymphs and Shepherds, Z.600
8.Love in their little veins inspires, Z.632
9.If music be the food of love, Z.379
10.A Divine Hymn, Z.192: Lord, what is man?
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| 3 |
100 Best 20th Century Classics |
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1.The Protecting Veil (Finale)
2.Requiem: III. Pie Jesu
3.Gianni Schicchi: O mio babbino caro (Lauretta)
4.Kammermusik No. 1, Op.24 No.1: IV. Finale: 1921 (Lebhaft)
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| 4 |
100 Best Tunes |
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1.La Bohème, 'Bohemian Life': Che gelida manina
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| 5 |
100 Best Verdi |
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1.La traviata, Act 1 Scene 2: No. 2b, Brindisi, "Libiamo ne' lieti calici" (Alfredo, Violetta, Chorus)
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| 6 |
100 Best Adagios |
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1.4 Lieder, Op. 27, TrV 170: No. 4, Morgen! "Und morgen wird die Sonne"
2.Symphony No. 2 in E Minor, Op. 27: III. Adagio
3.The Protecting Veil, for Cello and Strings: No. 8, The Protecting Veil
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| 7 |
Dmitri Shostakovich: Chamber music |
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1.Piano Trio No. 2 in E Minor, Op. 67:IV. Allegretto
2.Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto
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| 8 |
Britten: Serenade, Nocturne, Les Illuminations |
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1.Nocturne, Op. 60: I. Prometheus Unbound, "On a Poet’s Lips I Slept"
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| 9 |
100 Best Relaxing Classics |
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1.Requiem: III. Pie Jesu
2.The Protecting Veil, for Cello and Strings: No. 8, The Protecting Veil
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| 10 |
The Ultimate Wedding Collection |
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1.Morning has broken (Bunessan)
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| 11 |
Classical Chillout |
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1.Cinema Paradiso Love Theme
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| 12 |
The Essential Vaughan Williams |
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1.Come Down, O Love Divine
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| 13 |
100 Best Classics |
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1.La Bohème, 'Bohemian Life': Che gelida manina
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| 14 |
Classics For My Baby |
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1.4 Lieder, Op. 27, TrV 170: No. 4, Morgen! "Und morgen wird die Sonne"
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| 15 |
Barbara Hendricks: Strauss Lieder |
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1.8 Gedichte aus "Letzte Blätter" von Hermann von Gilm, Op. 10, TrV 141: No. 7, Die Zeitlose, "Auf frisch gemähtem Weideplatz
2.8 Gedichte aus "Letzte Blätter" von Hermann von Gilm, Op. 10, TrV 141: No. 4, Die Georgine, "Warum so spät erst, Georgine?&
3.5 Lieder, Op. 15: No. 5, Heimkehr, "Leiser schwanken die Äste" (Andante molto cantabile)
4.4 Lieder, Op. 27, TrV 170: No. 4, Morgen!, "Und morgen wird die Sonne" (Langsam)
5.Mädchenblumen, Op. 22, TrV 153: No. 4, Wasserrose, "Kennst du die Blume, die märchenhafte" (Larghetto)
6.8 Gedichte aus "Letzte Blätter" von Hermann von Gilm, Op. 10, TrV 141: No. 8, Allerseelen, "tell auf den Tisch die duftende
7.Mädchenblumen, Op. 22, TrV 153: No. 2, Mohnblumen, "Mohnblumen sind die runden" (Allegro giocoso)
8.4 Lieder, Op. 27, TrV 170: No. 3, Heimliche Aufforderung, "Auf, hebe die funkelnde Schale empor zum Mund" (Lebhaft)
9.4 Lieder, Op. 27, TrV 170: No. 1, Ruhe, meine Seele!, "Nicht ein Lüftchen regt sich leise" (Langsam)
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| 16 |
The Best of John Tavener |
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1.Magnificat and Nunc Dimittis, "Collegium Regale":II. Nunc dimittis
2.The Protecting Veil:The Protecting Veil
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| 17 |
HANDEL |
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1.Zadok the Priest: Zadok the Priest
2.Concerto Grosso in C Major for "Alexander's Feast", HWV 320: III. Allegro
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| 18 |
20th Century Classics: John Tavener |
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1.The Protecting Veil:VI. The Resurrection
2.The Protecting Veil:I. The Protecting Veil
3.The Protecting Veil:IV. The Incarnation
4.The Protecting Veil:II. The Nativity of the Mother of God
5.The Protecting Veil:VII. The Dormition
6.The Protecting Veil:III. The Annunciation
7.The Protecting Veil:V. The Lament of the Mother of God at the Cross
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| 19 |
Music at the time of the Crusades |
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1.Nesciens mater virgo virum
2.Nesciens mater (Plainchant)
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| 20 |
20th Century Classics: Paul Hindemith (Volume 2) |
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1.Kammermusik Nr.6: VARIATIONEN. Mässig schnell bewegt - Gleiches Zeitmass - Ein wenig ruhiger - Langsam bewegt - Sehr langsam, frei im Zeitmass -
2.Kammermusik Nr.3: Lebhaft und lustig - Ein wenig ruhiger
3.Kammermusik Nr.2: FINALE. Schnelle Viertel - Fugato. Ein wenig ruhiger - Im Hauptzeitmass
4.Kammermusik Nr.3: Majestätisch und stark. Mässig schnelle Achtel
5.Kammermusik No. 1, Op.24 No.1: III. Quartett. Sehr langsam und mit Ausdruck
6.Kammermusik No. 1, Op.24 No.1: IV. Finale: 1921 (Lebhaft)
7.Kammermusik Nr.2: Sehr lebhafte Achtel
8.Kammermusik No. 1, Op.24 No.1: II. Mässig schnelle Halbe. Sehr streng im Rhythmus
9.Kammermusik Nr.7: Nicht zu schnell ('minim' [=symbol] bis etwa 116)
10.Kammermusik Nr.2: KLEINES POTPOURRI. Sehr lebhafte Viertel
11.Kammermusik Nr.6: Langsam - Sehr zart und ruhig - Im Hauptzeitmass - Sehr langsam
12.Kammermusik No. 5 (Bratsche-Konzert) für Solo-Bratsche und grösseres Kammerorchester Op. 36 No. 4: II. Langsam
13.Kammermusik Nr.6: Mässug schnell, majestätisch - Doppel so schnell
14.Kammermusik Nr.6: Lebhaft, wie früher
15.Kammermusik Nr.3: Sehr ruhige und gesmessen schreitende Viertel - Im gleichen ruhigen Zeitmass - Sehr ruhig
16.Kammermusik Nr.7: Sehr langsam und ganz ruhig
17.Kammermusik No. 5 (Bratsche-Konzert) für Solo-Bratsche und grösseres Kammerorchester Op. 36 No. 4: III. Mässig schnell
18.Kammermusik Nr.7: ('quaver' [=symbol] bis 184)
19.Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild
20.Kammermusik Nr.3: Mässig bewegte Halbe. Munter, aber immer gemächlich
21.Kammermusik Nr.2: Sehr langsame Achtel - Etwa doppelt so schnell - Im ersten Zeitmass (doffelt so langsam)
22.Kammermusik No. 5 (Bratsche-Konzert) für Solo-Bratsche und grösseres Kammerorchester Op. 36 No. 4: I. Schnelle Halbe
23.Kammermusik No. 5 (Bratsche-Konzert) für Solo-Bratsche und grösseres Kammerorchester Op. 36 No. 4: IV. Variante eines Militärmarsches
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| 21 |
Ses Plus Beaux Chefs-D'Oeuvre |
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1.Concerto for 4 Harpsichords in A Minor, BWV 1065 (after Vivaldi's Concerto for 4 Violins, Op. 3 No. 10, RV 580): II. Largo::II. Largo
2.Concerto for 4 Harpsichords in A Minor, BWV 1065 (after Vivaldi's Concerto for 4 Violins, Op. 3 No. 10, RV 580): I. (without tempo indication
3.Cantata "Jauchzet Gott in allen Landen", BWV 51: No. 1, Aria "Jauchzet Gott in allen Landen" (Soprano)::No. 1, Ari
4.Concerto for 4 Harpsichords in A Minor, BWV 1065 (after Vivaldi's Concerto for 4 Violins, Op. 3 No. 10, RV 580): III. Allegro::III. Allegro
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| 22 |
Haydn - Cello Concertos Nos. 1 & 2; Sinfonia Overtura |
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1.Cello Concerto No. 2 in D Hob. VIIb2:III. Rondo: Allegro
2.Cello Concerto No. 2 in D Hob. VIIb2:II. Adagio (Cadenza by Maurice Gendron)
3.Cello Concerto No. 2 in D Hob. VIIb2:I. Allegro moderato (Cadenza by Mstislav Rostropovich)
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| 23 |
Mozart: Quartets for Flute, Violin, Viola & Cello |
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1.Flute Quartet in A Major, K. 298: I. Andante con variazioni, 5. Variation IV
2.Flute Quartet No. 3 in C Major, K. Anh. 171285b: II. Andantino con variazioni, 7. Variation VI (Allegro)
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| 24 |
100 Best Placido Domingo |
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1.Götterdämmerung, WWV 86D, Act 3 Scene 2: "Brünnhilde! Heilige Braut!" (Siegfried)
2.Tristan und Isolde, WWV 90, Act 2 Scene 2: "Lausch, Geliebter!" (Isolde, Tristan)
3.Götterdämmerung, WWV 86D, Prologue: "Zu neuen Taten, teurer Helde" (Brünnhilde, Siegfried)
4.Tristan und Isolde, WWV 90, Act 2 Scene 2: "O sink hernieder, Nacht der Liebe" (Tristan, Isolde)
5.Tristan und Isolde, WWV 90, Act 2 Scene 2: "Soll ich lauschen?" (Tristan, Isolde)
6.Tristan und Isolde, WWV 90, Act 2 Scene 2: "So stürben wir, um ungetrennt … Habet acht!" (Tristan, Isolde, Brangäne)
7.Tristan und Isolde, WWV 90, Act 2 Scene 2: "Nie-wieder-Erwachtens wahnlos … Einsam wachend in der Nacht" (Tristan, Isolde, Brangäne)
8.Götterdämmerung, WWV 86D, Prologue: Tagesgrauen (Sehr rugig, ohne zu schleppend)
9.Tristan und Isolde, WWV 90, Act 2 Scene 2: "Doch unsre Liebe" (Isolde, Tristan)
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| 25 |
Christmas At King's |
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1.The Truth from Above:"This Is the Truth Sent from Above" (Arr. Vaughan Williams)
2.In dulci jubilo, BWV 729
3.Adam Lay Ybounden
4.Gabriel's Message (Arr. Pettman)
5.Up! Good Christen Folk and Listen:"Ding-dong, ding - Ding-a-dong-a-ding" (Arr. Woodward)
6.In dulci jubilo (Arr. Pearsall)
7.A Tender Shoot:"A Tender Shoot Has Started up from a Root of Grace"
8.I Saw Three Ships (Arr. Willcocks)
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| 26 |
Tavener: Song for Athene etc. |
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1.Funeral Ikos
2.The Lamb:"Little lamb, who made thee"
3.Magnificat and Nunc Dimittis "Collegium Regale":Nunc dimittis
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| 27 |
Puccini: La Rondine |
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1.La rondine, Act 1:"Forse, come la rondine" (Prunier, Magda, Rambaldo, Ruggero, Bianca)
2.La rondine, Act 1:"Forse, come la rondine" (Magda)
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| 28 |
100 Best Mozart |
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1.Serenade No. 12 in C Minor, K. 388384a, "Nacht Musique": IIIa. Menuetto in canone
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| 29 |
50 Best Bach |
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1.Concerto for Four Harpsichords in A Minor, BWV 1065:III. Allegro
2.Cantata "Jauchzet Gott in allen Landen", BWV 51:No. 1, Aria "Jauchzet Gott in allen Landen" (Soprano)
3.Concerto for Four Harpsichords in A Minor, BWV 1065:II. Largo
4.Concerto for Four Harpsichords in A Minor, BWV 1065:I. —
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| 30 |
Essential Guitar |
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1.Yesterday (Arr. Toru Takemitsu)
2.Penny Lane (Arr. Leo Brouwer)
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| 31 |
Hindemith: Kammermusik 1-7 & Der Schwanendreher |
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1.Kammermusik No. 5 (Bratsche-Konzert) für Solo-Bratsche und grösseres Kammerorchester Op. 36 No. 4: III. Mässig schnell
2.Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: II.Sehr langsam und ganz ruhig
3.Kammermusik No. 5 (Bratsche-Konzert) für Solo-Bratsche und grösseres Kammerorchester Op. 36 No. 4: IV. Variante eines Militärmarsches
4.Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: III.quaver equals 184
5.Kammermusik No. 2 for Piano and 12 Instruments, Op. 24 No. 1: I. Sehr schnell und wild
6.Kammermusik No. 5 (Bratsche-Konzert) für Solo-Bratsche und grösseres Kammerorchester Op. 36 No. 4: I. Schnelle Halbe
7.Kammermusik No. 6 for Viola and Chamber Orchestra, Op. 46 No. 1: IV.Lebhaft, wie früher
8.Kammermusik No. 3 for Cello and 10 Instruments, Op. 36 No. 2: III.Sehr ruhige und gemessen schreitende Viertel - Im gleichen rehigen Zeitmaß - Sehr ru
9.Kammermusik No. 2 for Piano and 12 Instruments, Op. 36 No. 1: Sehr langsame Achtel - Etwa doppelt so schnell - Im ersten Zeitmass (doffelt so langsam)
10.Kammermusik No. 2 for Piano and 12 Instruments, Op. 24 No. 1: III. Quartett. Sehr langsam und mit Ausdruck
11.Kammermusik No. 5 (Bratsche-Konzert) für Solo-Bratsche und grösseres Kammerorchester Op. 36 No. 4: II. Langsam
12.Kammermusik No. 2 for Piano and 12 Instruments, Op. 24 No. 1: II. Mässig schnelle Halbe. Sehr streng im Rhythmus
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| 32 |
100 Best British Classics |
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1.Requiem:Requiem aeternam
2.Dear Lord and Father of Mankind
3.Come Down, O Love Divine
4.Praise, My Soul, the King of Heaven
5.The Day Thou Gavest, Lord, Is Ended (Arr. Rutter)
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| 33 |
Massenet: Werther |
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1.Werther, Act 4 Tableau 2:"Noël! … Ces cris joyeux, ce rire en ce moment cruel!" (Les Enfants, Charlotte, Werther, Sophie)
2.Werther, Act 1 Scene 2:"Bravo pour les enfants!" (Johann, Schmidt, Les Enfants, Le Bailli, Sophie)
3.Werther, Act 3 Scene 2:"Tiens, Charlotte, crois-moi, ne reste pas ici" (Sophie, Charlotte)
4.Werther, Act 1 Scene 6:"Monsieur Werther! … Et qui donc a promis d'aller au Raisin d'Or?" (Le Bailli, Charlotte, S
5.Werther, Act 1 Scene 8:"Sophie! … Albert! toi de retour?" (Albert, Sophie)
6.Werther, Act 3 Scene 2:"Bonjour, grande soeur!" (Sophie, Charlotte)
7.Werther, Act 2 Scene 6:"Frère, voyez le beau bouquet!" (Sophie, Werther, Albert)
8.Werther, Act 1 Scene 6:"Arrivez donc, Brülhmann!" (Le Bailli, Brühlmann, Kätchen, Charlotte, Werther, Sophie)
9.Werther, Act 2 Scene 9:"Mais venez donc, le cortège s'approche" (Sophie, Werther, Charlotte, Albert)
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| 34 |
Sonatas and Dances for Violin |
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1.Sonata for Solo Violin in D major Op. 115: III. Con brio
2.Violin Sonata No. 2 in D major Op. 94: IV. Allegro con brio
3.Violin Sonata No. 1 in F minor Op. 80: III. Andante
4.Violin Sonata No. 1 in F minor Op. 80: I. Andante assai
5.Violin Sonata No. 2 in D major Op. 94: I. Moderato
6.Violin Sonata No. 2 in D major Op. 94: II. Presto
7.Violin Sonata No. 1 in F minor Op. 80: IV. Allegrissimo - Andante assai, come prima
8.Sonata for Solo Violin in D major Op. 115: I. Moderato
9.Sonata for Solo Violin in D major Op. 115: II. Andante dolce (Theme and Variations)
10.Violin Sonata No. 1 in F minor Op. 80: II. Allegro brusco
11.Violin Sonata No. 2 in D major Op. 94: III. Andante
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| 35 |
Mozart Voices |
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1.Così fan tutte, K. 588, Act 1 Scene 11:No. 14, Aria, "Come scoglio" (Fiordiligi)
2.Così fan tutte, K. 588, Act 1 Scene 9:No. 11, "Smanie implacabili che m'agitate" (Dorabella)
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| 36 |
100 Best Tenor Arias |
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1.Così fan tutte, K. 588, Act 1 Scene 12: No. 17, Aria, "Un'aura amorosa del nostro tesoro" (Ferrando)
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| 37 |
100 Best Guitar Classics |
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1.Yesterday (Arr. Toru Takemitsu)
2.Penny Lane (Arr. Leo Brouwer)
3.Koln Concert, Pt IIc
4.Bookends
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| 38 |
100 Best Puccini |
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1.Il tabarro: "Nulla! Silenzio!" (Michele)
2.La rondine, Act 1: "Parigi è la città dei desideri" (Ruggero)
3.Le Villi, Act 2 Scene 2: "Torna ai felici dì" (Roberto)
4.La rondine, Act 1: "Chi il bel sogno di Doretta" (Prunier, Magda)
5.Gianni Schicchi: "Firenze è come un albero fiorito" (Rinuccio)
6.Le Villi, Act 2 Scene 2: No. 9, Scena drammatica e Romanza, "Ecco la casa.. dio, che orrenda notte!" (Roberto)
7.Il tabarro: "Dimmi, perchè gli hai chiesto di sbarcarti a Rouen?" (Giorgetta, Luigi)
8.Gianni Schicchi: Lauretta, mia Lauretta! (RinuccioLaurettaSchicchi)
9.La rondine, Act 1: Denaro ... nient'altro che denaro!" (Magda, Bianca, Yvette, Suzy)
10.Il tabarro: "O Luigi, ancora una passata" (Il Talpa, Luigi, Giorgetta, Il Tinca)
11.Le Villi, Act 2: No. 7, Parte sinfonica "La tregenda" (Orchestra)
12.Le Villi, Act 2: No. 6, Parte sinfonica "L'abbandono", "Come un giglio reciso nel feretro ella giace!" (C
13.Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi)
14.La rondine, Act 2: "Paulette! I nostri amici son gia partiti" (Ruggero, Magda)
15.La rondine Act III: E siam fuggiti qui per nasconderlo...Dimi che vuoi seguirmi alla mia casa (RuggeroMagda)
16.La rondine Act III: Amore mio!...Donale il bacio mio! (RuggeroMagda)
17.Le Villi, Act 1: No. 1, Preludio (Andante mosso)
18.La rondine, Act 3: "Senti?… anche il mare respira sommesso" (Magda, Ruggero)
19.La rondine Act II: Scusatemi...Scusate...Nella dolce carezza (MagdaRuggeroChorusGeorgetteGabriellaLolette)
20.Morire?, S. 89
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| 39 |
Bach 100 Best |
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1.Concerto for 4 Harpsichords in A Minor, BWV 1065 (after Vivaldi's Concerto for 4 Violins, Op. 3 No. 10, RV 580):I. (without tempo indication)
2.Concerto for 4 Harpsichords in A Minor, BWV 1065 (after Vivaldi's Concerto for 4 Violins, Op. 3 No. 10, RV 580):II. Largo
3.Concerto for 4 Harpsichords in A Minor, BWV 1065 (after Vivaldi's Concerto for 4 Violins, Op. 3 No. 10, RV 580):III. Allegro
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| 40 |
The Very Best of Rachmaninov |
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1.Symphony No. 2 in E Minor, Op. 27:III. Adagio
2.Symphony No. 1 in D Minor, Op. 13:II. Allegro animato
3.Symphony No. 2 in E Minor, Op. 27:II. Allegro molto
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| 41 |
50 Best Handel |
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1.Concerto Grosso in A Minor, HWV 322 (No. 4 from "12 Concerti grossi", Op. 6): II. Allegro
2.Concerto Grosso in A Minor, HWV 322 (No. 4 from "12 Concerti grossi", Op. 6): III. Largo e piano
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| 42 |
Bach: Harpsichord Concertos etc. |
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1.Italian Concerto in F major BWV 971: I. Allegro
2.3 Concertos for Two Harpsichords and Strings BWV1060-62, Concerto in C minor BWV1060: I. Allegro
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| 43 |
The Best Classics...Ever ! |
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1.La traviata, Act 1 Scene 2: No. 2b, Brindisi, "Libiamo ne' lieti calici" (Alfredo, Violetta, Chorus)
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| 44 |
100 Best Tenor Arias |
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1.Werther, Act 3 Scene 3: "Toute mon âme est là! … Pourquoi me réveiller, ô souffle du Printemps?" (Werther)
2.Gianni Schicchi: "Firenze è come un albero fiorito" (Rinuccio)
3.Roméo et Juliette, CG 9, Act 2 Scene 1: No. 7, Cavatine, "L'amour, l'amour! … Ah! lève-toi, soleil!" (Roméo)
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| 45 |
100 Best Handel |
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1.Concerto Grosso in A Minor, HWV 322 (No. 4 from "12 Concerti grossi", Op. 6): III. Largo e piano
2.Concerto Grosso in A Minor, HWV 322 (No. 4 from "12 Concerti grossi", Op. 6): II. Allegro
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| 46 |
Mozart Opera Favourites |
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1.Così fan tutte, K. 588, Act 2 Scene 8:No. 26, Aria, "Donne mie, la fate a tanti a tanti" (Guglielmo)
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| 47 |
CatMúsica: 30 Anys Intensament Clàssics |
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1.La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébill
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| 48 |
Martha Argerich - The Warner Classics Recordings |
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1.Contrasts for Violin, Clarinet and Piano, Sz. 111, BB 116: I. Verbunkos (Moderato ben ritmato - Più tranquillo)
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