| Cello Suite No. 1 in G Major, BWV 1007:I. Prelude |
Alexander Rudin
|
BACH (THE VERY BEST OF) |
| Christmas Oratorio, BWV 248: Jauchzet, frohlocket |
Budapest Failoni Orchestra
|
BACH (THE VERY BEST OF) |
| Wachet auf, ruft uns die Stimme, BWV 140 |
Wolfgang Rubsam
|
BACH (THE VERY BEST OF) |
| St. Matthew Passion, BWV 244: O Haupt voll Blut und Wunden |
Geza Oberfrank
|
BACH (THE VERY BEST OF) |
| Cello Suite No. 1 in G Major, BWV 1007:VII. Gigue |
Alexander Rudin
|
BACH (THE VERY BEST OF) |
| Concerto in the Italian Style in F Major, BWV 971, "Italian Concerto": I. Allegro |
Janos Sebestyen
|
BACH (THE VERY BEST OF) |
| Violin Concerto in A Minor, BWV 1041: III. Allegro assai |
西崎崇子
|
BACH (THE VERY BEST OF) |
| Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro |
Helmut Müller-Brühl
|
BACH (THE VERY BEST OF) |
| Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": I. Adagio |
Friederike Wagner
|
BACH (THE VERY BEST OF) |
| The Well-Tempered Clavier, Book 1, BWV 846-869: I. Prelude and Fugue in C Major, BWV 846 |
Jenő Jandó
|
BACH (THE VERY BEST OF) |
| Magnificat in D Major, BWV 243: Magnificat |
Northern Chamber Orchestra
|
BACH (THE VERY BEST OF) |
| Mass in B Minor, BWV 232: Agnus dei |
Martina Koppelstetter
|
BACH (THE VERY BEST OF) |
| Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie |
Helmut Müller-Brühl
|
BACH (THE VERY BEST OF) |
| Harpsichord Concerto in D Minor, BWV 1052: I. Allegro |
Robert Hill
|
BACH (THE VERY BEST OF) |
| St. Matthew Passion, BWV 244: Erbarme dich, mein Gott |
Geza Oberfrank
|
BACH (THE VERY BEST OF) |
| Concerto for Violin and Oboe in C Minor, BWV 1060: II. Adagio |
Emilia Csanky
|
BACH (THE VERY BEST OF) |
| Ich habe genug, BWV 82 (version for choir and orchestra): III. Schlummert ein |
Nicholas Gedge
|
BACH (THE VERY BEST OF) |
| Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro |
Helmut Müller-Brühl
|
BACH (THE VERY BEST OF) |
Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": I. Adagio