| Violin Concerto No. 4 in D Major, K. 218: I. Allegro |
Czech Radio Symphony Orchestra
|
Bach, Mozart, Paganini: Violin Concertos of 3 Epochs |
| Stabat Mater, FP 148: VI. Vidit suum |
Czech Philharmonic Orchestra
|
Britten: A Ceremony of Carols - Honegger: Une cantate de Noël - Poulenc: Stabat Mater |
| Die Entführung aus dem Serail, K. 384:O, wie will ich triumphieren |
Czech Philharmonic Orchestra
|
ORFEO 40th Anniversary Edition: 40 Ultimate Recordings |
| My Country, a Cycle of Symphonic Poems: II. Vltava |
Czech Philharmonic Orchestra
|
Smetana: My Country |
| Ave Maria. Moteto, . |
Miroslav Venhoda
|
Despres: Vocal Compositions. Selection |
| Symphony No. 7 in E major: IV. Finale - Bewegt, doch nicht schnell |
Czech Philharmonic Orchestra
|
Bruckner: Symphony No. 7 in E major |
| The Cunning Little Vixen Suite, JW I9 (arr. V. Talich for orchestra):I. Andante |
Czech Philharmonic Orchestra
|
JANACEK: IdyllSuite for StringsSinfoniettaJealousyThe Fiddler's ChildTaras Bulba |
| From the House of the Death. Opera in 3 Acts XYZ: Act 3 - The next day, drunk as a sod |
Czech Philharmonic Orchestra
|
Janáček: From the House of the Dead. Opera in 3 Acts |
| The Magic Toy Shop: VII. Allegretto moderato |
Czech Philharmonic Orchestra
|
Antonio Pedrotti in Prague |
| Kalin i mera archondes |
Prague Madrigal Singers
|
Carols Of European Nations |
| Symphony No.10 In E Minor, Op.93:2. Allegro |
Czech Philharmonic Orchestra
|
Shostakovich: Classics for Creativity |
| Suite (From "Judgement at Nuremberg") |
Czech Philharmonic Orchestra
|
Scored! - Crime Movie Music |
| Symphony No. 3 in E flat Major, Op. 55: I. Allegro con brio |
Czech Philharmonic Orchestra
|
Beethoven: Symphony No. 3 in E flat Major, Op. 55 (Eroica) |
| Biblical Songs, Op. 99, B. 185: VII. By the Shore of the River Babylon - Andante |
Czech Philharmonic Orchestra
|
Dvořák: Sacred Works & Cantatas |
| Quattro pezzi sacri: II. Stabat Mater |
Czech Philharmonic Orchestra
|
Quattro pezzi sacri |
| Das Land des Lächelns. Romantic Operetta in 3 Acts, Erster Akt - Nr.3 Entrée des Sou-Chong "Immer nur Lächeln" |
Czech Philharmonic Orchestra
|
Lehár : Das Land des Lächelns. Romantische Operette in drei Akten |
| Noční hodiny: I. Hodina osmá - Divertimento |
Czech Philharmonic Orchestra
|
Eben: Noční hodiny - Klega: Pantomima - Křička: Severní noci |
| 4 Pieces for Violin & Piano, Op. 78:No. 2, Romance |
Czech Philharmonic Orchestra
|
ORFEO 40th Anniversary Edition: 40 Ultimate Recordings |
| The Bartered Bride. Comic opera in Three Acts: Act 3, Scene 2 Recitativo "Oh, oh, oh, oh, that will be lovely ..." |
Czech Philharmonic Orchestra
|
Smetana: The Bartered Bride. Opera In 3 Acts |
| Symphony No. 6 in B Minor, Op. 74 - "Pathetique": I. Adagio - Allegro non troppo |
Czech Philharmonic Orchestra
|
Dvorak: CarnivalNovak: In the TatrasTchaikovsky: Symphony No. 6 "Pathetique" |
| The Lantern, Act I, Scene 5: So He´s Not Here! (Mlynář, Zajíček, učitelský mládenec, Klásková) |
Czech Radio Symphony Orchestra
|
Novák: The Lantern |
| The Bartered Bride: Act 1 - "Let us rejoice, let's be merry" |
Czech Philharmonic Orchestra
|
Best of Smetana |
| Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour |
Czech Philharmonic Orchestra
|
Antonio Pedrotti in Prague |
| Romance for Violin and Orchestra in F minor Op.11 (Edit) |
Czech Philharmonic Orchestra
|
Yellow Lounge Vol.3 |
| Nacvičujeme se sborem, .:Rozeslyšení |
Miroslav Venhoda
|
Nacvičujeme se sborem |
| Schicksalslied Op.54:Ihr wandelt droben im Licht |
Czech Philharmonic Orchestra
|
Triumphlied Op.55 |
| Antonín Dvo?ák : Symphony No. 8 - Othello Op. 93 |
Czech Philharmonic Orchestra
|
Antonín Dvo?ák : Symphony No. 8 - 1948,1952 |
| Messe solennelle de Ste. Cécile:No.3 Credo |
Czech Philharmonic Orchestra
|
Messe solennelle de Ste. Cécile |
| Symphony No. 7 in E major: I. Allegro moderato |
Czech Philharmonic Orchestra
|
Bruckner: Symphony No. 7 in E major |
| Tchaikovsky: Romeo & Juliet Fantasy Overture, TH.42 |
Czech Philharmonic Orchestra
|
Tchaikovsky: Symphony No.6 in B Minor, Op.74 - 2: Allegro con grazia |
Madrigals: IV. Seconds