| Symphony No. 6 in F Major, Pastoral, Op. 68: Peasants' Merrymaking |
The London Symphony Orchestra
|
Beethoven: Symphonies Nos. 4, 5 & 6 |
| Havanaise For Violin And Orchestra, Op. 83 |
The London Symphony Orchestra
|
Classics for Autumn: Saint-Saëns |
| Le Sacre du Printemps, Part 1: "The Adoration Of The Earth": Ritual of the Rival Tribes |
The London Symphony Orchestra
|
Classical Revision: Stravinsky |
| Herminie, H. 29: "Que Clorinde est heureuse ! " |
The London Symphony Orchestra
|
Berlioz: The Complete Works |
| The Cunning Little Vixen (Příhody lišky Bystroušky), JW I9, Act II: Scene V, Memnesthó anér agathos einai |
The London Symphony Orchestra
|
Janáček: The Cunning Little Vixen, Sinfonietta |
| Rhapsody On A Theme Of Paganini, Op.43:Variation 2 |
André Previn
The London Symphony Orchestra
|
Landscapes: Rachmaninoff |
| Le Sacre du Printemps, Part 2: "The Sacrifice": Glorification of the Chosen One |
The London Symphony Orchestra
|
Classical Revision: Stravinsky |
| Prelude to A Kiss |
André Previn
|
Honolulu Vibes |
| Symphony No. 92 in G Major, Hob. I:92 - "Oxford Symphony": III. Menuetto: Allegretto |
The London Symphony Orchestra
|
Haydn: Symphonies Nos. 92, 93, &97 - 99 |
| Snowball, Op. 471 |
The London Symphony Orchestra
|
A Viennese New Year Concert |
| The Barber Of Seville, Act I: There Is A Voice Within My Heart |
The London Symphony Orchestra
|
Favourite Coloratura Arias And Songs |
| Born to Be Blue |
André Previn
|
You and the Blues |
| Summer |
The London Symphony Orchestra
|
Melodyphony~Best of Joe Hisaishi~ |
| Who's On First |
André Previn
|
Chameleon |
| Children's Corner Suite: II. Jimbo's Lullaby |
The London Symphony Orchestra
|
Classics for Children |
| Tapiola, Op. 112 |
The London Symphony Orchestra
|
Jean Sibelius - Essential Works |
| On The Town:No. 10 "Carnegie Hall Pavane" (Live From Barbican Centre, London 1992) |
The London Symphony Orchestra
|
The Leonard Bernstein Collection - Volume 1 - Part 2 |
| Le Carnaval des Animaux, R. 125:5. L'Eléphant |
André Previn
|
The Best of Saint-Saëns |
| Carmen Suite, WD 31: II. "Les dragons d'Alcala" |
The London Symphony Orchestra
|
Spanish Fiesta |
| What am I Here for |
André Previn
|
Street Dance |
| The Planets, Op. 32: VI. Uranus, the Magician |
André Previn
|
Holst: The Planets, Op. 32 |
| Valses nobles et sentimentales, M.61:8. Epilogue (Lent) |
The London Symphony Orchestra
|
Ravel: The Complete Edition |
| Béatrice et Bénédict H.138Act 1:"Vous soupirez madame?...Nuit paisible et sereine!" |
The London Symphony Orchestra
|
Shakespeare in Music & Words |
| Symphony No. 8: Part II: xii. Alles Vergangliche |
London Symphony Chorus
|
Mahler: Symphonies Nos.1-9 |
| Piano Concerto No. 1 in E-Flat Major, S. 124:IIb. Allegretto vivace - Allegro animato |
The London Symphony Orchestra
|
Cosy Fireplace with Liszt |
| CandideAct I:Candide Begins His Travels - It Must Be Me (Candide's Second Meditation) |
The London Symphony Orchestra
|
Theatre Works on Deutsche Grammophon |
| L'heure espagnole, Comédie en un acte, M.52:Il n'est pour l'horloger (Scenes XX-XXI) |
André Previn
The London Symphony Orchestra
|
Ravel Autumn Study Vibes |
| Háry János Suite:Viennese Musical Clock |
The London Symphony Orchestra
|
Decca Sound: The Analogue Years 1954 – 1968 |
L'Enfant et les sortilèges, M.71:"Ah! C'est l'Enfant au couteau"