| Piano Sonata NO. 2 in G sharp minor, Op. 19 ('Sonata-Fantasia'): Second movement: Presto |
Arne Akselberg
|
Scriabin: Preludes; Piano Sonata Nos. 2, 4, 5, 7, 10; Etudes etc |
| Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato |
Arne Akselberg
|
Britten: Chamber & Instrumental Works |
| Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto |
Arne Akselberg
|
Britten: Chamber & Instrumental Works |
| The Diary of One Who Disappeared, JW V12:No. 7, Con moto "Ztratil jsem kolicek" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| Idomeneo KV 366, Act 3, Ballet:Chaconne: Pour le ballet (KV 367January 1781) |
Arne Akselberg
|
Mozart: Idomeneo |
| Macbeth, Act III: Ove son io? ... Vada in flamme |
Stephen Johns
Arne Akselberg
|
Verdi Arias |
| Idomeneo KV 366, Act 3, Scena Ultima:Recitativo: Popoli, a voi l'ultima legge impone Idomeneo qual re (Idomeneo) |
Arne Akselberg
|
Mozart: Idomeneo |
| Five Eliot Landscapes Op. 1: II. Virginia |
Thomas Adès
|
British Composers - Ades: Life Story |
| Quatre motets sur des thèmes grégoriens, Op. 10: I. Ubi caritas et amor |
Stephen Johns
|
Cathedral Voices - Sacred Choruses |
| Concerto Grosso in A Minor, HWV 322 (No. 4 from "12 Concerti grossi", Op. 6): III. Largo e piano |
Stephen Johns
|
100 Best Handel |
| Giulio Cesare in Egitto, HWV 17, Act 1:"Cara speme, questo core" (Sesto) |
Arne Akselberg
|
Handel : Anniversary Edition 1759-2009 |
| The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Giulio Cesare in Egitto: Aria: Va tacito e nascosto |
Arne Akselberg
|
100 Best Handel |
| Idomeneo KV 366, Act 3, Scene X:Recitativo: Oh ciel pietoso! (IdomeneoIdamanteIliaArbaceElettra) |
Arne Akselberg
|
Mozart: Idomeneo |
| Ave verum corpus K618 |
Stephen Johns
|
Un Año Con Jesucristo |
| The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Macbeth, Act III:Ove son io? ... Vada in flamme |
Stephen Johns
Arne Akselberg
|
Thomas Hampson: A Portrait (Inspiration) |
| Asyla, Op. 17: IV |
Thomas Adès
|
Modern Classical Music |
| Pesni milosne Hafiza, Op.26 (Love songs of Hafiz): Zakochany wiatr - The infatuated East wind |
Stephen Johns
|
Szymanowski: Songs |
| The Diary of One Who Disappeared, JW V12:No. 22, Andante "Sbohem, rodny kraju" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Piesni ksiezniczki z basni, Op.31 (Songs of a Fairy-Tale Princess):I. Samotny ksiezyc - The lonely moon |
Stephen Johns
|
Szymanowski |
| The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293, "Autumn": III. Allegro |
Stephen Johns
|
100 Best Violin |
| Scherzos: No. 3 in C sharp minor Op. 39 - Presto con fuoco |
Arne Akselberg
|
Chopin: Piano Sonata No. 2 Op. 35 & 4 Scherzos |
| Cello Concerto in E Minor, Op.85:IV. Allegro - Moderato - Allegro, ma non troppo |
Stephen Johns
|
Britten - Cello SymphonyElgar - Cello Concerto |
| The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Violin Sonata No. 2 in G Major, M. 77:III. Perpetuum mobile (Allegro) |
Stephen Johns
|
Franck: Violin Sonata - Saint-Saëns: Violin Sonata No.1 - Ravel: Violin Sonata |
Sonatina No. 3 'ad usum infantis': III. Vivace (alla Marcia)