| Il Pirata (1992 Remastered Version), Act I, Scene 3: Più temuto, più splendido nome |
Montserrat Caballé
|
100 Best Choruses |
| I Lombardi alla prima crociata: Gerusalem! |
Orchestra del Teatro alla Scala di Milano
|
100 Best Choruses |
| Mefistofele, Prologue: "Salve, Regina!" (Penitenti, Falangi celesti, Cherubini) |
John McCarthy
|
100 Best Choruses |
| Aida (1987 Remastered Version): Gloria all' Egitto (Act II) |
Chorus of the Royal Opera House, Covent Garden
|
100 Best Choruses |
| I Puritani (1988 Remastered Version), Act II: Ah, dolor! ah terror ... (Coro) |
John McCarthy
|
100 Best Choruses |
| Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) (1990 Remaster) |
Robert Heger
|
100 Best Choruses |
| Der Wildschütz, Act 1 Scene 9: No. 5, Jagdlied, "Seht dort den muntern Jäger" (Baron, Graf, Männer) |
Robert Heger
|
100 Best Choruses |
| Così fan tutte, Act 1, Scene 2: No. 8 Coro: Bella vita militar! (Coro) |
Konzertvereinigung der Wiener Staatsopernchor
|
100 Best Choruses |
| Cavalleria Rusticana (1987 Remastered Version): Gli aranci olezzano (Chorus) |
John McCarthy
|
100 Best Choruses |
| Orphée et Eurydice, Wq. 41, Act 3 Scene 3: Choeur général, "L'amour triomphe, et tout ce qui respire" (Orphée, Eurydice, L& |
Barbara Hendricks
|
100 Best Choruses |
| Die Zauberflöte, K.620, Act II: O Isis und Osiris (chorus) |
Norman Bailey
|
100 Best Choruses |
| Mefistofele, Act 1 Scene 1: "Juhé! Juhé! Juheisa! Juhé!" (Popolani) |
John McCarthy
|
100 Best Choruses |
| Summ' und brumm', du gutes Rädchen (Der fliegende Holländer: Spinnerinnen-Chor, 2.Akt) (1990 Remaster) |
Robert Heger
|
100 Best Choruses |
| Wach' auf, es nahet gen den Tag (Die Meistersinger von Nürnberg: Wach-auf-Chor, 3.Akt) (1990 Remaster) |
Robert Heger
|
100 Best Choruses |
| Norma (1997 Remastered Version), Act I, Scene 1: Norma viene (Coro) |
Orchestra del Teatro alla Scala di Milano
|
100 Best Choruses |
| Fidelio Op. 72, ACT 2: Fidelio : Heil sei dem Tag |
Berliner Philharmoniker
|
100 Best Choruses |
| La Gioconda (1997 Remastered Version), Act I: Feste! Pane! |
Piero Cappuccilli
|
100 Best Choruses |
| I Capuleti e i Montecchi, Act I - Scene 3: Lieta notte, avventurosa (Coro) |
Dano Raffanti
|
100 Best Choruses |
| Macbeth, Act 4: "Patria oppressa!" |
Chorus of the Royal Opera House, Covent Garden
|
100 Best Choruses |
| "Wachet auf, ruft uns die Stimme" Kantate BWV 140 (1989 Remastered Version): IV. Zion hört die Wächter singen (Choral) |
Süddeutscher Madrigalchor
|
100 Best Choruses |
| Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) |
John McCarthy
|
100 Best Choruses |
| La forza del destino: Nella guerra, è la follia |
Dolora Zajick
|
100 Best Choruses |
| O süßer Mond (Die lustigen Weiber von Windsor: Mondchor, 3.Akt) (1990 Remaster) |
Robert Heger
|
100 Best Choruses |
| Lucia di Lammermoor, ATTO SECONDO, Scena seconda: Per te d'immenso giubilo |
Chorus of the Royal Opera House, Covent Garden
|
100 Best Choruses |
| Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (ChoeursEnfants) |
Joël Suhubiette
|
100 Best Choruses |
| Norma (1997 Remastered Version), Act II, Scene 2: Non parti? ... Finora è la campo (Coro) |
Orchestra del Teatro alla Scala di Milano
|
100 Best Choruses |
| Norma (1997 Remastered Version), ACT 2, Scene 3: Guerra, guerra! La galliche selve (Coro) |
Orchestra del Teatro alla Scala di Milano
|
100 Best Choruses |
| Mose in Egitto (1987 Remastered Version): Dal tuo stellato soglio (Act 3) |
Chorus of the Royal Opera House, Covent Garden
|
100 Best Choruses |
| me fist of E樂, pro咯股額: "ave, Signor的管理Angel IE得三體" (fa狼ice了STI) |
John McCarthy
|
100 Best Choruses |
| Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE I: Sur la grève en feu (Choeur) |
Barbara Hendricks
|
100 Best Choruses |
| Mefistofele, Act 1 Scene 1: "Perchè di là?" (Popolani) |
John McCarthy
|
100 Best Choruses |
| TU然dot (1994 remastered version), act i: GI RA拉Cote! G IRA! (crowd, executioners們) |
Alain Lombard
|
100 Best Choruses |
| MA大媽butterfly, act 2 scene 1: intermezzo. co RO ABO cc A吃USA |
Lamberto Gardelli
|
100 Best Choruses |
| Gloria Ind, RV 589: i. Gloria in excel死神d EO |
Barbara Hendricks
|
100 Best Choruses |
| LES peche u RS的per LES) (new edition of original 1863 version: par torch. A. Hammond), act EI: so is LA比恩Venue (C ho Eur) |
Barbara Hendricks
|
100 Best Choruses |
| Andrea Chénier, ATTO PRIMO: O Pastorelle, addio! (Coro di Pastori e Pastorelle) |
Chorus of the Royal Opera House, Covent Garden
|
100 Best Choruses |
| Hérodiade - Acte IV - 1er Tableau - Scène XIV : Romains ! Romains ! Nous Sommes Romains ! (Choeur) |
Jean-Philippe Courtis
|
100 Best Choruses |
| Ehrt eure deutschen Meister (Die Meistersinger von Nürnberg: Schlußchor, 3. Akt) (1990 Remaster) |
Robert Heger
|
100 Best Choruses |
| Attila: Viva il ré dalla mille foreste (Prologo) |
Orchestra del Teatro alla Scala di Milano
|
100 Best Choruses |
| Cavalleria rusticana: Regina Coeli ... Inneggiamo, il Signor non è morto (1987 Remastered Version) |
Montserrat Caballé
|
100 Best Choruses |
| i Capulet IE i Monte遲遲, act i - scene 1: Aggi or那AP噴A ... (co RO) |
Dano Raffanti
|
100 Best Choruses |
| Fidelio, op. 72, act 1: no. 10, final "owe列車lust" (chorus of prisoners) |
Berliner Philharmoniker
|
100 Best Choruses |
| Les Pêcheurs de perles - Acte I - Une plage de lîle de Ceylan - N°5 - Air et choeur : O Dieu Brahma ! (Leïla, Nadir, Choeur) |
Barbara Hendricks
|
100 Best Choruses |
| Der Freischütz: Was gleicht wohl auf Erden dem Jägervergnügen? (Huntsmens Chorus) (Act 3) |
Chorus of the Royal Opera House, Covent Garden
|
100 Best Choruses |
| Freudig begrüßen wir die edle Halle (Tannhäuser: Einzug der Gäste, 2.Akt) (1990 Remaster) |
Robert Heger
|
100 Best Choruses |
| Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE III - Seconde partie: Dès que le soleil (Choeur) |
Barbara Hendricks
|
100 Best Choruses |
| las sed IO DIC or into (1992 remastered version), act II: div in Prof ETA, DAT or滴笨哦 (co RO) |
Beverly Sills
|
100 Best Choruses |
| i Lombardi all Apr iMac ROC IATA: OS ignore, 德倫特體貼哦那題哦 (chorus) |
Orchestra del Teatro alla Scala di Milano
|
100 Best Choruses |
| NA不出co, act 3 scene 4: no. 11啊, co RO, "VA, 噴絲兒哦, 蘇聯拉力的orate" (chorus) |
Orchestra del Teatro alla Scala di Milano
|
100 Best Choruses |
| Turandot: Turandot : Perchè tarda la luna?...Là, sui monti dell'est |
Eduard Tumagian
|
100 Best Choruses |
| Attila: Urli, rapine (Prologo) |
Orchestra del Teatro alla Scala di Milano
|
100 Best Choruses |
| Fidelio Op. 72, ACT 2: Fidelio : Wer ein holdes Weib errungen |
Berliner Philharmoniker
|
100 Best Choruses |
| Tannhäuser, Act 3: "Beglückt darf nun dich, o Heimat" (Chorus) |
Robert Heger
|
100 Best Choruses |
| Lohengrin, WWV 75, Act 3 Scene 1: "Treulich geführt ziehet dahin" (Chorus) |
Robert Heger
|
100 Best Choruses |
| Iris (1990 Remastered Version): L'aurora: Son io! Son lo la vita! (Hymn to the Sun, Act 1) |
Gabriele Santini
|
100 Best Choruses |
| Guillaume Tell, Act 3 Scene 2: No. 14, Marche et Choeur, "Gloire au povoir suprême!" (Chorus) |
John McCarthy
|
100 Best Choruses |
| Guillaume Tell, Act 3 Scene 2: "Toi que l'oiseau ne suivrait pas!" (Chorus) |
John McCarthy
|
100 Best Choruses |
| Don Carlo (1886 Modena Five-Act Version), Act 3 Scene 2: No. 13, Gran Finale, "Spuntato ecco il dì d'esultanza" (Il Popolo, |
John McCarthy
|
100 Best Choruses |
| I Puritani (1988 Remastered Version), Act I, Scena prima: A festa! (Coro) |
John McCarthy
|
100 Best Choruses |
| Turandot (1994 Remastered Version), Act II, Scene 2: Ai tuoi peidi ci prostriam (Crowd) |
Alain Lombard
|
100 Best Choruses |
| Idomeneo KV 366, Act 1, Intermezzo: Coro: Nettuno s'onori (Coro con soli) |
Anthony Rolfe Johnson
|
100 Best Choruses |
| I Puritani (1988 Remastered Version), Act I, Scena terza: Ad Arturo onore (Coro) |
John McCarthy
|
100 Best Choruses |
Fidelio, op. 72, act 1: no. 10, final "owe列車lust" (chorus of prisoners)