| Symphony No.8 In B Minor, D.759 - "Unfinished":2. Andante con moto |
Lorin Maazel
|
The Art of Lorin Maazel |
| The Nutcracker Suite, Op. 71a: II. Dance of the Sugar Plum Fairy |
Orchestra of the Royal Opera House, Covent Garden
|
100 Classics To Start Your Collection |
| I Capuleti e i Montecchi, ATTO PRIMA Scena 1: Si: m'abbraccia |
Chorus of the Royal Opera House, Covent Garden
Orchestra of the Royal Opera House, Covent Garden
Gwynne Howell
|
Bellini: Capulets et Montaigus |
| Eugene Onegin, Op.24, TH.5Act 2:(Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" |
Orchestra of the Royal Opera House, Covent Garden
|
Eugene Onegin, Op.24Act 2 |
| TurandotAct 2:In questa Reggia |
Katia Ricciarelli
Plácido Domingo
|
Puccini - Great Recordings |
| 12 Contredanses, WoO 14:10. Contredanse - Trio in C Major |
Lorin Maazel
|
Winter Classical: Beethoven |
| Faust, CG 4, Act 5 Scene 6:No. 31, Trio-Finale, (a) "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. |
Plácido Domingo
|
Gounod: Faust |
| Norma - "Vieni In Roma" |
Orchestra of the Royal Opera House, Covent Garden
Chorus of the Royal Opera House, Covent Garden
|
Vincenzo Bellini : Norma (1952), Volume 1 |
| Don CarloAct 2:"La Regina!" |
Orchestra of the Royal Opera House, Covent Garden
Chorus of the Royal Opera House, Covent Garden
|
La traviataAct 3 |
| Quels regards! Quelle effronterie! … Parle moi de mère! |
Plácido Domingo
|
An Evening with Placido Domingo |
| Carmen, WD 31, Act 2: "Tu devrais décider ton dragon à venir avec nous" (Le Dancaïre, Carmen) |
Lorin Maazel
|
Bizet: Carmen |
| L'Enfant et les sortilèges M.71Deuxième partie:Sauve-toi sotte! Et la cage? La cage? |
Lorin Maazel
|
Ravel: L'enfant et les sortilèges; L'heure espagnole |
| Serenata Tapatia |
Plácido Domingo
|
All-Star Tenors Salute The World |
| Italienisches Konzert, BWV 971: II. Andante |
Orchestra of the Royal Opera House, Covent Garden
|
The Greatest Composer Vol. 5, Classical |
| Samson Et Dalila - Acte I:Arrêtez, Ô Mes Frères ! (Samson, Choeur) |
Plácido Domingo
|
Samson Et Dalila Chung |
| Spartacus: Variation Aegina-Bacchanalia |
Lorin Maazel
|
30 Great Conductors - Lorin Maazel, Vol. 17 |
| Idomeneo re di Creta K.366Act 2:"Fuor del mar" |
Plácido Domingo
|
Mozart 225 - Legendary Opera Performances |
| AidaAct 1:Mortal, diletto ai Numi |
Lorin Maazel
|
Verdi: Aida |
| Nabucco, Act IV, Final Scene:Oh! chi vegg'io? (Nabucco, Chorus) |
Renato Bruson
|
Verdi: Nabucco |
| Béatrice et BénédictAct 2:Dieu qui guidas nos bras |
Plácido Domingo
|
Berlioz: Béatrice et Bénédict |
| Eugene Onegin, Op.24, TH.5Act 2:Mazurka and Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski? |
Orchestra of the Royal Opera House, Covent Garden
|
Tchaikovsky: A Classical Atmosphere |
| Also sprach Zarathustra Op.30:Einleitung |
Lorin Maazel
|
The 101 Most Essential Classical Music Pieces Ever |
| L'heure espagnole, Comédie en un acte, M.52 - Poème de Franc-Nohain:Il n'est pour l'horloger (Scenes XX-XXI) |
Lorin Maazel
|
The Art of Lorin Maazel |
| La traviataAct 1 : "E strano!" - "Ah, fors'è lui" (Live In London1994) |
Orchestra of the Royal Opera House, Covent Garden
|
La traviataAct 3 |
| Così fan tutteAct 1:"Oh la saria da ridere!" |
Orchestra of the Royal Opera House, Covent Garden
|
Mozart: Complete Edition Box 15: Late Italian Operas |
Luisa MillerAct 1:Fra'mortali ancora oppressa