Concerto settimo Teatrale in B flat major for Strings and B.c.:Andante |
Freiburger Barockorchester
|
Zavateri: Concerti da Chiesa e da Camera |
The Prophetess, or The History of Dioclesian, Z. 627:Overture |
Freiburger Barockorchester
|
Purcell,Händel: SuiteConcerto |
Chanson d’Ophélie: de Shakespeare, Op. 28: No. 3, Chanson d’Ophélie |
Carolyn Sampson
|
Reason in Madness |
Concerto secondo in D major for Violino obligato, Strings and B.c.:Adagio |
Freiburger Barockorchester
|
Zavateri: Concerti da Chiesa e da Camera |
Overture to Jephtha: Menuet |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
The Prophetess, or The History of Dioclesian, Z. 627:Overture |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
Geist und Seele wird verwirret, BWV 35, Seconda parte: VI. Recitativo "Ach, starker Gott, laß mich" |
Freiburger Barockorchester
|
J.S. Bach: Cantatas for Alto |
St. Matthew Passion, BWV 244, Pt. 2:No. 46, Wie wunderbarlich ist doch diese Strafe |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
Sonata No. 10 a cinque in G minor |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
The Prophetess, or The History of Dioclesian, Z. 627:Chaconne |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
Overture to Samson: Menuetto |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
L'Anima del Filosofo (Orfeo ed Euridice), Hob: XXVIII:13Act 2:Mai non sia inulto (Creonte) |
Freiburger Barockorchester
|
Stay at Home with Haydn |
Missa solemnis, Op. 123: Gloria "Qui sedes ad dexteram Patris" |
Freiburger Barockorchester
|
Beethoven: Missa solemnis, Op. 123 |
Symphony No. 3 in C Major, Wq 182 No. 3H. 659:I. Allegro assai |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
The Prophetess, or The History of Dioclesian, Z. 627:Dance of the Furies |
Freiburger Barockorchester
|
Purcell,Händel: SuiteConcerto |
Dice benissimo"La scuola di gelosi", Hob. XXIVb:5 |
Freiburger Barockorchester
|
Relaxed Holidays with Haydn |
3 Zweistimmige Lieder, Op. 43: No. 3, Schön Blümelein |
Carolyn Sampson
|
Lost Is My Quiet |
Concerto sesto in A major for Violino obligato, Strings and B.c.:Adagio |
Freiburger Barockorchester
|
Zavateri: Concerti da Chiesa e da Camera |
Symphony No. 3 in C Major, Wq 182 No. 3H. 659:II. Adagio |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
Concerto grosso in G Minor, Op. 6 No. 6, HWV 324:Musette - Larghetto |
Freiburger Barockorchester
|
Purcell,Händel: SuiteConcerto |
Concerto grosso in G Minor, Op. 6 No. 6, HWV 324:IV. Allegro |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
Orlando paladino, Hob. XXVIII:11Act 3:"Ombre insepolte" |
Freiburger Barockorchester
|
Dine & Wine: Haydn |
Dido and Aeneas, Z. 626:Echo Dance of Furies in F |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
Concerto duodecimo a Tempesta di Mare in G major for Violino obligato and B.c.:Adagio, e piano (Navicella in calma) |
Freiburger Barockorchester
|
Zavateri: Concerti da Chiesa e da Camera |
All the Days of Christmas |
Carolyn Sampson
|
From 5 Continents: Choral Music & Songs |
Concerto in B Minor, Op. 310, RV 580 (from "L'Estro Armonico"):Largo - Larghetto - Largo |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
Overture-Suite in G Major, TWV55:G10, "Bourlesque de Quixotte": VI. Le galope de Rosinante. VII. Celui d'ane de Sanche Pans |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
Overture-Suite in G Major, TWV55:G10, "Bourlesque de Quixotte": V. Sanche Panse berné |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
Introduttioni teatrali, Op. 4:No. 6 in C Major |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |
Concerto duodecimo a Tempesta di Mare in G major for Violino obligato and B.c.:Adagio, e piano (Navicella in calma) |
Freiburger Barockorchester
|
Freiburger Barockorchester-Edition |