Saint Ludmila, Oratorio for Soloists, Chorus and Orchestra, Op. 71, Part III: XXXVIII. Duetto - Soprano E Tenore Solo |
Antonín Dvořák
|
Dvořák: Saint Ludmila. Oratorio for Soloists, Chorus and Orchestra, Op.71 |
Slavonic Dances, Op. 72: No. 8 In A Flat Major - Sousedská |
Antonín Dvořák
|
Dvorak, Vol. 2: Slavonic Dances, Op. 72 - Symphony No. 8 in G Major, Op.88 |
String Quartet No. 3, Op. 94: I. Duets: With moderate movement |
Antonín Dvořák
|
Easy Listening Violin Works |
Capriccio, Op. 85: "Nun gleich an die Arbeit" (Olivier, Flamand, Direktor) |
Wolfgang Sawallisch
|
Richard Strauss: Capriccio |
Opening |
Antonín Dvořák
|
Instrumentale Relaxante Classiques |
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio |
Antonín Dvořák
|
Study Classical Music |
String Quartet No.10 In E Flat Major, Op.51, B.92:3. Romanze. Andante con moto |
Antonín Dvořák
|
Dvorak Cosy Moments |
Norwegian Dances, Op. 35: III. Allegro moderato alla marcia in G Major |
Antonín Dvořák
|
Classical Music for Deep Sleep |
Offenbach:Die schöne Helena (Gesamt) II (1994 Remastered Version): Nr. 18: Dialog und Melodram |
Brigitte Fassbaender
|
Offenbach: Die schöne Helena |
Serenade for Wind in D minor, Op.44:1. Moderato, quasi marcia |
Antonín Dvořák
|
Dvorak Cosy Moments |
Klänge aus Mähren, Op.31:No. 3 Wenn die Sense scharf geschliffen wäre |
Brigitte Fassbaender
|
The Brigitte Fassbaender Edition |
Capriccio, Op. 85:"Ich diene den ew'gen Gestzen des Theatres" (Direktor) |
Wolfgang Sawallisch
|
Richard Strauss: Capriccio |
The Bartered Bride: Act 1 - "Let us rejoice, let's be merry" |
Prague Philharmonic Choir
Czech Philharmonic Orchestra
|
Best of Smetana |
Tannhäuser:Act II Scene 4: Der Unglucksel'ge, den gefangen (Elisabeth) |
Wolfgang Sawallisch
|
WAGNER, R.: Tannhäuser [Opera] (V. de los Angeles, Bumbry, Windgassen, Fischer-Dieskau, Greindl, Bayreuth Festival Chorus and Orchestra, Sawallisch) |
Six Orchestral Pieces Op. 6 (revised version):II. Bewegt |
Thomas Moser
|
Simon Rattle Edition: The Second Viennese School |
Violin Concerto in D Major, Op. 61:III. Rondo. Allegro |
Wolfgang Sawallisch
|
Schneiderhan Meets Beethoven: Violin Sonatas Nos. 7 & 10 & Violin Concerto in G Major |
Capriccio, Op. 85:"Du Spiegelbild der verliebten Madeleine" (Gräfin) |
Wolfgang Sawallisch
|
Richard Strauss: Capriccio |
Tritsch-Tratsch-Polka, Op. 214 |
Antonín Dvořák
|
The Students Guide to Classical Music |
Capriccio, Op. 85: Oktett (Zweiter Teil - Streitensemble): "Aber so hört doch!" (Direktor, Flamand, Olivier, Graf, Gräfin, Clairon, |
Wolfgang Sawallisch
|
R. Strauss: Capriccio |
Jakobín: Act I, Scene 6 |
Lubomír Mátl
|
Antonín Dvoràk: Jakobín |
Die schöne Müllerin, D.795:2. Wohin? |
Brigitte Fassbaender
|
Schubert: Die schöne Müllerin, D. 795 |
Mikeš of the Mountains, H. 375 |
Prague Philharmonic Choir
|
Martinů: Cantatas |
Tchaikovsky: Romeo & Juliet Fantasy Overture, TH.42 |
Czech Philharmonic Orchestra
|
Tchaikovsky: Symphony No.6 in B Minor, Op.74 - 2: Allegro con grazia |
La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Villes entourées ... Jam nox stellata velamina pandit" (Chorus, Faust, Méphistophélès |
Thomas Moser
|
Berlioz: The Complete Works |
Czech Christmas Mass for Soloists, Choir, Organ and Orchestra: VII. Benedictus |
Lubomír Mátl
|
Ryba: Czech Christmas Mass |
The Spectre´s Bride, Op. 69, B. 135: "But Hark! a Sound from Close at Hand" |
Prague Philharmonic Choir
Antonín Dvořák
|
Dvořák: Sacred Works & Cantatas |
Quattro pezzi sacri: II. Stabat Mater |
Prague Philharmonic Choir
Czech Philharmonic Orchestra
|
Quattro pezzi sacri |