Die Entführung aus dem Serail, K.384Act 2:"Wenn unsrer Ehre wegen" |
Robert Tear
|
Mozart: Die Entführung aus dem Serail (Complete Mozart Edition) |
Dedications: No. 1, To Dafodils |
Robert Tear
|
Dring: The Far Away Princess and Other Songs |
Manon Lescaut, Act 1:"Ave, sera gentile, che discendi" (Edmondo, Des Grieux, Chorus) |
Robert Tear
|
Puccini: Manon Lescaut |
Concerto grosso in F Op.3 No.4:1a. Andante |
Raymond Leppard
|
Ultimate Handel |
Samson, HWV 57:Act I Scene 1: Total eclipse! No sun, no moon! (Samson) |
Raymond Leppard
|
HANDEL, G.F.: Samson [Oratorio] (Vickers, Carlyle, Elms, Rouleau, Pease, Covent Garden Chorus and Orchestra, Leppard) (1959) |
L'Orfeo: Act III: Saliam cantand'al cielo |
Claudio Monteverdi
|
Pinchgut Opera: LOrfeo – Favola in Musica |
Concerto for 3 Harpsichords Strings and Continuo No.2 in C BWV 1064:3. Allegro |
Raymond Leppard
|
Bach, J.S.: The Complete Orchestral Works |
Il quarto libro de madrigali (1603):Quel augellin che canta |
Robert Tear
Claudio Monteverdi
Raymond Leppard
|
Monteverdi: The Madrigals, Books 3,4,7,8 & 9 (8 CD set) |
Die Entführung aus dem Serail, K.384Act 2:"Vivat Bacchus! Bacchus lebe!" |
Robert Tear
|
Mozart: Complete Edition Box 16: German Operas |
Die Entführung aus dem Serail, K.384Act 3:"In Mohrenland gefangen war" |
Robert Tear
|
Mozart: Complete Edition Box 16: German Operas |
Le nozze di FigaroAct 2:"Voi signor che giusto siete" |
Robert Tear
|
Mozart: Complete Edition Box 15: Late Italian Operas |
Suite aus L'Orfeo - Toccata - Prologue |
Claudio Monteverdi
|
Stage Entrance |
Messiah, HWV 56, Part 2:"Hallelujah" (Chorus) |
Raymond Leppard
|
Jubilee Street Party |
Nisi Dominus a 3, SV 200 |
Claudio Monteverdi
|
Monteverdi: Messa a quattro voci et salmi of 1650 Volume I |
Concerto in C Major for Mandolin, Strings and Harpsichord, P. 134:I. Allegro |
Raymond Leppard
|
Great CBS Masterworks Recordings of Baroque Favorites from "Kramer vs. Kramer" |
Duo seraphim |
Claudio Monteverdi
|
Monteverdi: Vespers of 1610 |
Roméo et Juliette Op.17Part 1:Récitatif et Scherzetto: "Bient?t de Roméo" - "Mab! la messagère" - "Bient? |
Robert Tear
|
Roméo et Juliette, Op.17Part 7 |
L'Orfeo, Act I: "Vieni Imeneo, deh vieni" II |
Claudio Monteverdi
|
Monteverdi: LOrfeo |
Monteverdi: Ut queant laxis |
Claudio Monteverdi
|
Stabat Mater |
Vespers of 1610, Magnificat (High): Sicut erat |
Claudio Monteverdi
|
Monteverdi: Vespers of 1610 |
Sonata in D for Trumpet, Strings and Continuo: I. Allegro (Instrumental) |
Raymond Leppard
|
Kramer VS Kramer |
Samson, HWV 57:Act II Scene 4: Chorus: Fix'd in his everlasting seat (Chorus) |
Raymond Leppard
|
HANDEL, G.F.: Samson [Oratorio] (Vickers, Carlyle, Elms, Rouleau, Pease, Covent Garden Chorus and Orchestra, Leppard) (1959) |
Mass in C Major, Op. 86:Sanctus: Sanctus Dominus Deum Sabaoth |
Robert Tear
|
Colin Davis - Beethoven Odyssey |
Magnificat:3. Quia respexit |
Claudio Monteverdi
|
The History Of Classical Music - Part 1 - From Gregorian Chant To C.P.E. Bach |
Folk Song Arrangements: Sweet Polly Oliver |
Robert Tear
|
Canticles And Song Cycles |
Fair Caelia love pretented:Recit: Fair Caelia love pretented |
Robert Tear
|
Fair Caelia love prevented |
Ecco mormorar l'onde |
Claudio Monteverdi
|
The History Of Classical Music - Part 1 - From Gregorian Chant To C.P.E. Bach |
L'Orfeo: Act III: Ritornello... Questi i campi di Tracia |
Claudio Monteverdi
|
Pinchgut Opera: LOrfeo – Favola in Musica |