| The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Under Hamelin Hill Op. 6: Preambulum (2 hands) |
Thomas Adès
|
British Composers - Ades: Life Story |
| Five Eliot Landscapes Op. 1: II. Virginia |
Thomas Adès
|
British Composers - Ades: Life Story |
| Asyla, Op. 17: IV |
Thomas Adès
|
Modern Classical Music |
| The Origin of the Harp, Op.13 (1994): II. Largo con moto |
Louise Hopkins
Thomas Adès
Lynsey Marsh
|
Adès: Living Toys |
| Sonata da Caccia, Op.11 (1993): I. Gravement - |
Thomas Adès
|
Adès: Living Toys |
| The Diary of One Who Disappeared, JW V12:No. 16, Adagio "Co jsem to udelal" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| A Recollection, for Piano, JW VIII32 |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| The Diary of One Who Disappeared, JW V12:No. 15, Allegro "Moji sivi volci" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Diary of One Who Disappeared, JW V12:No. 9, Andante "Vita, Janicku" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| The Diary of One Who Disappeared, JW V12:No. 7, Con moto "Ztratil jsem kolicek" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| Catch Op. 4 |
Louise Hopkins
Thomas Adès
Lynsey Marsh
|
British Composers - Ades: Life Story |
| The Diary of One Who Disappeared, JW V12:No. 12, Adagio "Tmava olsinka, chladna studanka" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo |
Louise Hopkins
Thomas Adès
Lynsey Marsh
|
Adès: Living Toys |
| The Diary of One Who Disappeared, JW V12:No. 21, Meno mosso "Muj drahy taticku" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| The Diary of One Who Disappeared, JW V12:No. 22, Andante "Sbohem, rodny kraju" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe |
Thomas Adès
|
British Composers - Ades: Life Story |
| The Diary of One Who Disappeared, JW V12:No. 8, Andante "Nehled'te, volecci, tesklivo k uvratim" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| The Importance of Being Earnest:Act II: And this is what you call Bunburying!? (Jack, Algernon) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act III: I am Miss Cardew's guardian (Jack, Lady Bracknell, Chasuble) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Catch Op. 4