| Chanson d’Ophélie: de Shakespeare, Op. 28: No. 3, Chanson d’Ophélie |
Carolyn Sampson
|
Reason in Madness |
| St. Matthew Passion, BWV 244, Pt. 2:No. 46, Wie wunderbarlich ist doch diese Strafe |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
| Welcome as the dawn of day (from Solomon) |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
| Yet can I hear that dulcet lay (from The Choice of Hercules) |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
| St. Matthew Passion, BWV 244, Pt. 2:No. 57, Komm, süßes Kreuz, so will ich sagen |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
| La Dame de Monte-Carlo: FP 180 (Arr. for Voice & Piano) |
Carolyn Sampson
|
Reason in Madness |
| Psalm 121 (I Will Lift-Up Mine Eyes) [Version for Mixed Choir & Organ] |
Carolyn Sampson
|
From 5 Continents: Choral Music & Songs |
| Mein Herze schwimmt im Blut, BWV 199: VII. Recitativo "Ich lege mich in diese Wunden" |
Carolyn Sampson
|
Bach: Cantata, BWV 199 |
| A Carol of Christmas Morning |
Carolyn Sampson
|
From 5 Continents: Choral Music & Songs |
| Mein Herze schwimmt im Blut, BWV 199: VI.Choral "Ich, dein betrübtes Kind" |
Carolyn Sampson
|
Bach: Cantata, BWV 199 |
| Der König in Thule, Op. 5, No. 5, D. 367 |
Carolyn Sampson
|
A Sopranos Schubertiade |
| A Song for the Lord Mayor's Table (Version for Soprano & Piano):No. 4, Holy Thursday |
Carolyn Sampson
|
The Contrast: English Poetry in Song |
| Gretchen im Zwinger, D. 564, "Gretchens Bitte" (completed by B. Britten) |
Carolyn Sampson
|
A Sopranos Schubertiade |
| Lieder und Gesänge, Book 4, Op. 96: No. 1, Nachtlied |
Carolyn Sampson
|
Lost Is My Quiet |
| Who calls my parting soul from death (from Esther) |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
| 3 Zweistimmige Lieder, Op. 43: No. 3, Schön Blümelein |
Carolyn Sampson
|
Lost Is My Quiet |
| 6 Zweistimmige Lieder, Op. 63: No. 6, Maiglöckchen und die Blümelein, MWV J 7 |
Carolyn Sampson
|
Lost Is My Quiet |
| Overture to Samson: Menuetto |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
| St. Matthew Passion, BWV 244, Pt. 2:No. 34, Mein Jesus schweigt zu falschen Lügen stille |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
| Reverie |
Carolyn Sampson
|
From 5 Continents: Choral Music & Songs |
| St. Matthew Passion, BWV 244, Pt. 2:No. 44, Befiehl du deine Wege |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
| All the Days of Christmas |
Carolyn Sampson
|
From 5 Continents: Choral Music & Songs |
| 6 Zweistimmige Lieder, Op. 63: No. 1, Ich wollt' meine Lieb' ergösse sich, MWV J 5 |
Carolyn Sampson
|
Lost Is My Quiet |
| Drei Lieder der Ophelia, Op.67:6 Lieder, Op. 67, TrV 238 (Excerpts): No. 1, Wie erkenn ich mein Treulieb vor andern nun? |
Carolyn Sampson
|
Reason in Madness |
| St. Matthew Passion, BWV 244, Pt. 2:No. 49, Aus Liebe will mein Heiland sterben |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
| Au pays où se fait la guerre |
Carolyn Sampson
|
Reason in Madness |
| St. Matthew Passion, BWV 244, Pt. 1:No. 13, Ich will dir mein Herze schenken |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
| Walkabout (Arr. for Soprano, Mixed Choir, Guitar, String Bass & Piano) |
Carolyn Sampson
|
From 5 Continents: Choral Music & Songs |
| Mignon Lieder from Goethe-Lieder:Goethe-Lieder (Excerpts): No. 9, Kennst du das Land? |
Carolyn Sampson
|
Reason in Madness |
| Overture to Jephtha: Menuet |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
mortal是think that time is sleeping (from the triumph of time and truth)