Legende |
Georges Enesco
|
Meuhin |
Legend |
Georges Enesco
Matthias Hoefs
Stephan Kiefer
|
Solo De Concours |
Allegro moderato ed amabile |
Georges Enesco
|
Georges ENESCO - Sonates op. 26 pour violoncelle et piano |
folies DES怕G呢, part 2 |
Georges Enesco
|
Violin 6: The Definitive Collection Of The 19th Centurys Greatest Virtuosos (pre-1940 Vintage Record) |
serenade, op.4 |
Georges Enesco
|
Violin 6: The Definitive Collection Of The 19th Centurys Greatest Virtuosos (pre-1940 Vintage Record) |
trumpet sonata in B-flat: 2. Mae審死官be we gt |
Matthias Hoefs
Stephan Kiefer
|
Solo De Concours |
Three Miniatures:2 Adagio |
Matthias Hoefs
Stephan Kiefer
|
Solo De Concours |
allegro A GI TAT噢, no NTR OPPO Moss O |
Georges Enesco
|
Georges ENESCO - Sonates op. 26 pour violoncelle et piano |
Solo De Concours |
Matthias Hoefs
Stephan Kiefer
|
Solo De Concours |
son ate no. 2 inf minor, part 2 |
Georges Enesco
|
Georges Enesco Plays Enesco |
Presto |
Georges Enesco
|
Georges Enesco - son ate SOP. 26 pour viol once來了ET piano |
Aubade Provencale |
Georges Enesco
|
Violin 6: The Definitive Collection Of The 19th Centurys Greatest Virtuosos (pre-1940 Vintage Record) |
Final à la roumaine |
Georges Enesco
|
Georges ENESCO - Sonates op. 26 pour violoncelle et piano |
sonata Ind: III allegro con spirit O |
Georges Enesco
|
Views of the Piano Sonata |
Sonatine:1 Prelude |
Matthias Hoefs
Stephan Kiefer
|
Solo De Concours |
Three Miniatures:3 Allegro Vivace |
Matthias Hoefs
Stephan Kiefer
|
Solo De Concours |
trumpet sonata in B-flat: 1. MIT Kraft |
Matthias Hoefs
|
Solo De Concours |
Sonate pour violon et piano No. 2 en Fa Mineur, Op. 6: II. Tranquillo |
Georges Enesco
|
G. Enesco: Impressions denfance - Sonate "Torso" - Les 3 sonates (Intégrale des oeuvres pour violon et piano) |
Gavotte De Concert |
Matthias Hoefs
Stephan Kiefer
|
Solo De Concours |
Rustiques |
Matthias Hoefs
Stephan Kiefer
|
Solo De Concours |
Romanian Rhapsody |
Georges Enesco
|
In Concert With the University of Illinois Symphonic Band - The Begian Years, Vol. III |