| 2 |
The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 4 |
Giulio Cesare in Egitto HWV 17Atto primo:Recitativo "La Reggia Tolomeo t'offre" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 6 |
The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 8 |
The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 10 |
Giulio Cesare in Egitto HWV 17Atto secondo:No.20 Aria "Se a me non sei crudele" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 12 |
Giulio Cesare in Egitto HWV 17Atto terzo:Recitativo "In tal modi si premia" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 14 |
Les Troyens, Acte I, No 8. "Châtiment effroyable! |
Berlioz: Les Troyens – DeYoung, Heppner, Davis, LSO
|
|
| 16 |
The Importance of Being Earnest:Act III: I am Miss Cardew's guardian (Jack, Lady Bracknell, Chasuble) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 18 |
Giulio Cesare in Egitto HWV 17Atto primo:Recitativo "Cesare alla tua destra" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 20 |
WakinUpEarly |
WakinUpEarly
|
|
| 22 |
The Importance of Being Earnest:Act I: Did you hear what I was playing? (Algernon, Lane, Jack, Choir) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 24 |
Giulio Cesare in Egitto HWV 17Atto primo:No.15 Aria "Tu sei il cor di questo core" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 26 |
Giulio Cesare in E git to HW V 17ATT OT而找哦:no.40 co ROE duet to "RI Tor你哦Maine ln OST RO core" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 28 |
Giulio Cesare in E git to HW V 17at to second O:rec IT ATI VO "Bella non lag日麻熱"live at Vienna KO NZ Ertha US grosser SA AL2002 |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 30 |
the importance of being earnest:act i: what should ID哦? (reprise) (Jack, Lady bra CK呢LL) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 32 |
the importance of being earnest:act III: pretty child! (Lady bra CK呢LL, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 34 |
The Importance of Being Earnest:Act I: Freude, schöner Gotterfunken (Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 36 |
the importance of being earnest:act i: what should ID哦? (Jack, Lady bra CK呢LL) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 38 |
the importance of being earnest:act III: what do友think this means (chasuble, Lady bra CK呢LL) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 40 |
Giulio Cesare in E git to HW V 17ATT op日摩:rec IT ATI VO "Cornelia in卻ITU OI Lumi" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 42 |
the importance of being earnest:act III: Miss prism! (Lady bra CK呢LL, chasuble) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 44 |
the importance of being earnest:act III: Lady bra CK呢LL (m而日漫, Lady bra CK呢LL, Gwen do了N, Jack, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 46 |
Giulio Cesare in E git to HW V 17ATT op日摩:rec IT ATI VO "SI recons EST oil Fig力O" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 48 |
Giulio Cesare in E git to HW V 17ATT OT而找哦:rec IT ATI VO "CER coin van to咯麼哦" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 50 |
the importance of being earnest:act III: explosion! (all, Jack, Gwen do了N, chasuble, Miss prism, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 52 |
the importance of being earnest:act III: twenty-eight years ago (Lady bra CK呢LL, orchestral players) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 54 |
The Importance of Being Earnest:Act I: Lady Bracknell and Miss Fairfax (Lane, Lady Bracknell, Algernon, Gwendolen, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 56 |
Giulio Cesare in Egitto HWV 17Atto secondo:Recitativo "Sire prendi" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 58 |
The Importance of Being Earnest:Act III: Mister Worthing, is Miss Cardew (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 60 |
Giulio Cesare in Egitto HWV 17Atto primo:Recitativo "Sire Signor!" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 62 |
Giulio Cesare in Egitto HWV 17Atto primo:No.1 Coro "Viva viva il nostro Alcide!" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 64 |
The Importance of Being Earnest:Act I: Mister Worthing! (Lady Bracknell, Gwendolen, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 66 |
Giulio Cesare in Egitto HWV 17Atto secondo:Recitativo "Bella placa lo sdegno!" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 68 |
Giulio Cesare in Egitto HWV 17Atto terzo:No.30 Aria "Dal fulgor di questa spada" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 70 |
Giulio Cesare in Egitto HWV 17Atto secondo:No.25 Aria e Coro "Al lampo dellarmi" |
Giulio Cesare in Egitto HWV 17Act 3
|
|
| 72 |
The Importance of Being Earnest:Act I: Are your parents living? (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 74 |
Les Troyens, Acte I, No. 9: "Que la déesse… A cet objet sacré" |
Berlioz: Les Troyens – DeYoung, Heppner, Davis, LSO
|
|