| 2 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part One: 13. Die Himmel erzählen die Ehre Gottes - Dem kommenden Tage sagt es der Tag (Terzett mi |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 4 |
IO藍天和, or the peer按DT和PE日: act i, when I問題TOT和bar ASA very young滿 |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 6 |
IO藍天和, or the peer按DT和PE日: overture |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 8 |
IO藍天和, or the peer按DT和PE日: act i, go away, madam |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 10 |
cantata on old English text是for soprano, tenor, female voices and instrumental ensemble:rice如car 2 to-莫rows hall be |
Cantata on Old English texts
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| 12 |
IO藍天和, or the peer按DT和PE日: act II, when有relying awake with A dismal headache |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 14 |
St. John Passion, BWV 245 - Part One:No.10Evangelist, Ancilla, Petrus, Jesus, Servus: "Derselbige Jünger war dem Hohenpriester bekannt&qu |
Mass in B minor, BWV 232
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| 16 |
the yeomen of the guard (or, theme RR隱瞞and his maid) (1987 remastered version):overture |
100 Best British Classics
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| 18 |
Iolanthe, or The Peer and the Peri: Act II, In vain to us you plead |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 20 |
Iolanthe, or The Peer and the Peri: Act II, If you go in youre sure to win |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 22 |
Rodelinda - Rodelinda: Atto Secondo:No. 15 Aria: Spietati io vi giurai" |
Symphonie fantastique, Op.14
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| 24 |
Iolanthe, or The Peer and the Peri: Act II, Soon as we may |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 26 |
St. John Passion, BWV 245Part One:No.13: "Ach mein Sinn" |
J.S. Bach: Johannes-Passion BWV 245
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| 28 |
Iolanthe, or The Peer and the Peri: Act II, When all night long a chap remains |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 30 |
Iolanthe, or The Peer and the Peri: Act II, If were weak enough to tarry |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 32 |
Iolanthe, or The Peer and the Peri: Act I, For riches and rank I do not long |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 34 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Three: 33. O glücklich Paar (Rezitativ) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 36 |
The Crucifixion: For the Love of Jesus (All for Jesus, All for Jesus) |
Stainer: The Crucifixion
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| 38 |
The Crucifixion: And One of the Malefactors |
Stainer: The Crucifixion
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| 40 |
Iolanthe, or The Peer and the Peri: Act I, When darkly looms the day |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 42 |
Iolanthe, or The Peer and the Peri: Act I, To you I give my heart |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 44 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Two: 27. Zu dir, o Herr, blickt alles auf (Terzett) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 46 |
Iolanthe, or The Peer and the Peri: Act I, My well-loved lord and guardian dear |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 48 |
Rodelinda - Rodelinda: Atto Terzo:Coro: "Dopo la notte oscura" |
Westminster Legacy - The Collectors Edition (Volume 2)
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| 50 |
Rodelinda - Rodelinda: Atto Terzo:Recitativo: "Che miro? Amica sorte...Ecco ti innanzi il reo" |
Westminster Legacy - The Collectors Edition (Volume 2)
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| 52 |
St. John Passion, BWV 245 - Part One:No.13Aria (Tenor): "Ach mein Sinn" |
Mass in B minor, BWV 232
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| 54 |
St. John Passion, BWV 245 - Part One:No.12Evangelist, Chorus, Evangelist, Petrus, Servus: " Und Hannas sandte ihn gebunden " |
Mass in B minor, BWV 232
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| 56 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:4. Sanctus |
Mass No.14 Harmoniemesse in B flat. Hob.XXII14 (1802)
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| 58 |
The Crucifixion: The Appeal of the Crucified (from the Throne of His Cross) |
Stainer: The Crucifixion
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| 60 |
The Crucifixion: Is It Nothing to You? |
Stainer: The Crucifixion
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| 62 |
The Lodger, Act II Scene 2: "The Lodger Gropes His Way Out of the House" |
Tate: The Lodger
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| 64 |
The Lodger, Act II Scene 2: Epilogue, "When Did You Know Who He Was?" |
Tate: The Lodger
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| 66 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:Agnus Dei |
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor (7 CDs)
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| 68 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:Sanctus |
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor (7 CDs)
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| 70 |
The Seasons: IV. Winter |
Haydn: The Seasons
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| 72 |
The Seasons: II. Summer |
Haydn: The Seasons
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| 74 |
The Seasons: I. Spring |
Haydn: The Seasons
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| 76 |
3 Fragments from a Portrait of the Artist as a Young Man: No. 1, Lento |
Seiber: The Joyce Settings
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| 78 |
Fair House of Joy |
The Voice of Alexander Young
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| 80 |
Love's Philosophy |
The Voice of Alexander Young
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| 82 |
3 Fragments from a Portrait of the Artist as a Young Man: No. 2, Feroce |
Seiber: The Joyce Settings
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| 84 |
Ulysses: No. 1, The Heaventree |
Seiber: The Joyce Settings
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| 86 |
To Daisies |
The Voice of Alexander Young
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| 88 |
The Withering of the Boughs |
The Voice of Alexander Young
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| 90 |
The Night-Piece |
The Voice of Alexander Young
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| 92 |
Julia's Hair |
The Voice of Alexander Young
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| 94 |
Music, When Soft Voices Die |
The Voice of Alexander Young
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| 96 |
With a Man of Leisure |
Eight Songs by Li-Po
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| 98 |
Mockery |
The Voice of Alexander Young
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| 100 |
The Faithless Shepherdess |
The Voice of Alexander Young
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