| 2 |
Left Bank Waltz |
Swoon – Piano Rapture
|
|
| 4 |
Ave, Generosa |
Ave Maria
|
|
| 6 |
Tutto 'l dì piango (1614) |
Caccini: Le Nuove Musiche
|
|
| 8 |
M.Mussorgsky. Opera "Khovanshchina". Scene of Marfa's fortune-telling |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
| 10 |
Alme, luci beate |
The Voice of Emotion
|
|
| 12 |
G.Verdi. Opera "Ball-Masquerade". Aria of Ulrika |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
| 14 |
Amarilli, mia bella |
Arie Antiche
|
|
| 16 |
Love Me Sweet |
Swoon – Piano Rapture
|
|
| 18 |
Solitario Augellino |
The Camerata Fiorentina
|
|
| 20 |
Toccata Settima |
Lasciatemi morire
|
|
| 22 |
Alessandro, HWV 21, Act 1: Aria: "Lusinghe più care" |
Vocal Music of the 16th-18th Centuries
|
|
| 24 |
P.Tchaikovsky. Opera "Pique Dame". Scene and song of the Countness |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
| 26 |
In qual parte del ciel |
The Camerata Fiorentina
|
|
| 28 |
Valse Frontenac |
Swoon – Piano Rapture
|
|
| 30 |
Toccata Seconda |
Lasciatemi morire
|
|
| 32 |
Amarilli, mia bella |
Vocal Music of the 16th-18th Centuries
|
|
| 34 |
Torna, deh torna (1614) |
Caccini: Le Nuove Musiche
|
|
| 36 |
Pietà Signore |
Vocal Music of the 16th-18th Centuries
|
|
| 38 |
Vaga su spina ascosa |
The Camerata Fiorentina
|
|
| 40 |
In tristo umor |
The Camerata Fiorentina
|
|
| 42 |
Ave Maria |
Swoon – Piano Rapture
|
|
| 44 |
The Well-Tempered Clavier, Book I, BWV 853: Prelude in E-flat Minor |
Swoon – Piano Rapture
|
|
| 46 |
J.Offenbach. Operetta "Pericola". Arietta of Pericola |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
| 48 |
Asleep the Snow Came Flying |
Swoon – Piano Rapture
|
|
| 50 |
Più l'altrui fallo |
The Camerata Fiorentina
|
|
| 52 |
Se l'Aura spira |
Lasciatemi morire
|
|
| 54 |
Oscure selve |
Lasciatemi morire
|
|
| 56 |
D.Caccini. Ave Maria |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
| 58 |
Partite sopra Passacagli |
Lasciatemi morire
|
|
| 60 |
Nocturne in B Major, Op. 32 No. 1 |
Swoon – Piano Rapture
|
|
| 62 |
Serse, HWV 40, Act 1 Scene 1: Aria: "Ombra mai fù" |
Vocal Music of the 16th-18th Centuries
|
|
| 64 |
G.Bizet. Opera "Carmen". Habanera |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
| 66 |
Queste lagrim' amare (1601) |
Caccini: Le Nuove Musiche
|
|
| 68 |
Così mi disprezzate |
Lasciatemi morire
|
|
| 70 |
Uccidimi dolore |
The Camerata Fiorentina
|
|
| 72 |
Thaïs: Méditation |
Swoon – Piano Rapture
|
|
| 74 |
Intermezzo in A Major, Op. 118 No. 2 |
Swoon – Piano Rapture
|
|
| 76 |
Tu ch'hai le penne (1614) |
Caccini: Le Nuove Musiche
|
|
| 78 |
Alme luci beate (1614) |
Caccini: Le Nuove Musiche
|
|
| 80 |
Movetevi à pietà (1601) |
Caccini: Le Nuove Musiche
|
|
| 82 |
Ave Maria |
Lute Music
|
|
| 84 |
Amarilli, mia bella (My beautiful Amaryllis) |
Love Me Sweet - Songs of Love Through the Ages
|
|
| 86 |
Keyboard Concerto in F Minor, BWV 1056: II. Largo |
Swoon – Piano Rapture
|
|
| 88 |
Bovaglie’s Plaid |
Swoon – Piano Rapture
|
|
| 90 |
Amarilli mia bella |
Resonances: Music for Harp
|
|
| 92 |
Air from County Derry |
Swoon – Piano Rapture
|
|
| 94 |
J.Offenbach. Operetta "Pericola". Scene of the declaration of Pericola |
Russian Vocal School. Irene Bogachyova - vol.2
|
|
| 96 |
Vedrò 'l mio sol (1601) |
Caccini: Le Nuove Musiche
|
|
| 98 |
Serenade in E-flat Major ‘Gran Partita’, K. 361: III. Adagio |
Swoon – Piano Rapture
|
|
| 100 |
Belle rose porporine (1601) |
Caccini: Le Nuove Musiche
|
|