| 2 |
Apollon Musagète (1947 Version), Tableau 2:Apothéose |
Stravinsky
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| 4 |
Rhapsody On A Theme Of Paganini |
Classical Heartbreakers
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| 6 |
Symphony No. 90 in C Major, Hob. I:90: IV. Finale. Allegro assai |
Haydn: Symphonies Nos. 60 "Il distratto", 70 & 90
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| 8 |
Piano Concerto No. 2, Sz.95:Allegro |
Simon Rattle: Bartok
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| 10 |
Erwartung (Monodrama), Op.17 (1909):III. Szene: Da kommt ein Licht! |
Simon Rattle Edition: The Second Viennese School
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| 12 |
Variations for Orchestra Op. 31:Introduktion und Theme - |
Simon Rattle Edition: The Second Viennese School
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| 14 |
Le sacre du printemps, Pt. 2:Le sacrifice, 3. Glorification de l'Élue (Vivo) - 4. Évocation des ancêtres (Lento) - 5. Action rituelle des anc |
Stravinsky
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| 16 |
Variations for Orchestra Op. 31:Finale |
Simon Rattle Edition: The Second Viennese School
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| 18 |
War Requiem, Op. 66:II. Dies irae, (i) Lacrimosa (Soprano, Chorus) |
Britten
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| 20 |
Violin Concerto No. 2, Op.61:Moderato - Andante sostenuto - Tempo I - Cadenza - |
Szymanowski
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| 22 |
Gurrelieder, Des Simmerwindes wilde Jagd:Orchestral Prelude |
Simon Rattle Edition: The Second Viennese School
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| 24 |
Fidelio, Op. 72, Act 2:"Nur hurtig fort, nur frisch gegraben" (Rocco, Leonore) |
Beethoven: Fidelio
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| 26 |
Canadian Carnival, Op. 19 |
Britten
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| 28 |
Nocturne, Op. 60:VI. "She Sleeps on Soft, Last Breaths" |
Britten
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| 30 |
Wonderful Town, Act 2: No. 13, My Darlin' Eileen (Cops, Chorus, Eileen) |
Bernstein: Wonderful Town
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| 32 |
Fidelio, Op. 72, Act 1:"Abscheulicher! Wo eilst du hin?" (Leonore) |
Beethoven: Fidelio
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| 34 |
Songs of Travel:1. The Vagabond |
The Very Best of English Song
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| 36 |
War Requiem, Op. 66:VI. Libera me, (a) Libera me, Domine (Soprano, Chorus) |
Britten: Choral Works & Operas for Children
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| 38 |
Glagolitic Mass, JW III9:VIII. Intrada |
20th Century Classics: Leos Janácek
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| 40 |
Variations for Orchestra Op. 31:Variation IX - |
Simon Rattle Edition: The Second Viennese School
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| 42 |
The Miraculous Mandarin - Complete Ballet, Sz.73:The chase - |
Simon Rattle: Bartok
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| 44 |
War Requiem, Op. 66:I. Requiem aeternam, (a) Requiem aeternam (Chorus, Boys' Choir) |
Britten: Choral Works & Operas for Children
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| 46 |
Pétrouchka (1947 Version), Tableau 4:La rixe. Le Maure et Pétrouchka (Più mosso) |
Stravinsky
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| 48 |
Diversions, Op. 21:Variation VIII. Burlesque |
Britten
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| 50 |
Sinfonietta, Op. 60, JW VI18, "Sokol Festival": I. Fanfare. Allegretto - Allegro - Maestoso |
Janáček: The Cunning Little Vixen, Sinfonietta
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| 52 |
Diversions, Op. 21:Variation X. Adagio |
Britten
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| 54 |
War Requiem, Op. 66:III. Offertorium, (b) So Abram rose (Tenor, Baritone) - Hostias et preces (Boy's Choir) - Reprise of Quam olim Abrahae (C |
Britten: Choral Works & Operas for Children
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| 56 |
L'oiseau de feu, Tableau 1:Jeu des princesses avec les pommes d'or (Scherzo) |
Stravinsky
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| 58 |
Pesni milosne Hafiza, Op.26 (Love songs of Hafiz):Wieczna mlodosc - Eternal youth |
Szymanowski
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| 60 |
Pétrouchka (1947 Version), Tableau 4:L'ours et un paysan (Sostenuto) |
Stravinsky
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| 62 |
The Rite of Spring, K015 (Revised 1947), Part 1: Adoration of the Earth. Introduction |
Stravinsky Ballets
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| 64 |
Symphony No. 6 in A Minor: IV. Finale. Allegro moderato |
Mahler: Symphony No. 6
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| 66 |
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6a. Recitativo. "Nicht ungestraft soll der Verwegnen Schar" |
Beethoven: Christ on the Mount of Olives (Christus Am Ölberge)
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| 68 |
Five Orchestral Pieces, Op.16: IV. Peripetie (Sehr rasch) |
100 Best 20th Century Classics
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| 70 |
War Requiem, Op. 66:Libera me. "It Seemed That out of Battle I Escaped" |
Britten: Choral Works & Operas for Children
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| 72 |
Symphony No. 3, Op.27 'Song of the Night' (Piesn o nocy):I. Moderato assai (O, nie spij, druhu, nocy tej!) - |
Szymanowski
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| 74 |
Piano Quartet No. 1 in G minor Op. 25 (orch. Schoenberg):IV. Rondo alla Zingarese (Presto) |
Simon Rattle Edition: The Second Viennese School
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| 76 |
Variations for Orchestra Op. 31:Variation IV - |
Simon Rattle Edition: The Second Viennese School
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| 78 |
Pétrouchka (1947 Version), Tableau 1:Danse russe [Allegro giusto] |
Stravinsky
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| 80 |
Symphony No. 7 in A Major, Op. 92: II. Allegretto |
100 Best Classics
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| 82 |
Apollon Musagète (1947 Version), Tableau 2:Variation de Calliope (L'Alexandrin) |
Stravinsky
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| 84 |
Pulcinella - Ballet avec chante (1986 Remastered Version):Contento forse vivere (Soprano) |
Stravinsky
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| 86 |
Fidelio, Op. 72, Act 1:"Ach! Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) |
Beethoven: Fidelio
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| 88 |
Ballad of Heroes, Op. 14:III. Recitative and Choral - Epilogue (Funeral March) |
Britten
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| 90 |
Rhapsody on a Theme of Paganini, Op.43:Variation XVIII (Andante cantabile, a tempo vivace) |
The Most Relaxing Classical Album in The World....Ever!
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| 92 |
Les illuminations, Op. 18:IIIa. Phrase |
Britten
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| 94 |
Cello Symphony, Op.68:III. Adagio |
Britten - Cello SymphonyElgar - Cello Concerto
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| 96 |
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I9, Act III: Scene IX, Neříkal jsem to? |
Janáček: The Cunning Little Vixen, Sinfonietta
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| 98 |
Apollon musagète, Tableau I:Prologue. Naissance d'Apollon (1947 Version) |
100 Best Ballet
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| 100 |
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6d. Chor der Engel. "Welten singen Lob und Ehre" |
Beethoven: Christ on the Mount of Olives (Christus Am Ölberge)
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