Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! |
Felix Prohaska
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme |
Felix Prohaska
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil |
Felix Prohaska
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Sonata in A major for flute and keyboard, BWV 1032: I. Vivace |
Paula Robison
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Sonata in A major for flute and keyboard, BWV 1032: II. Largo e dolce |
Paula Robison
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Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande |
Paula Robison
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Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise |
Paula Robison
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt |
Felix Prohaska
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Partita in A Minor for Solo Flute, BWV 1013: i. Allemande |
Paula Robison
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper&# |
Felix Prohaska
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Sonata in A major for flute and keyboard, BWV 1032: III. Allegro |
Paula Robison
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Sonata in G minor for violin & keyboard, BWV 1020: II. Adagio |
Paula Robison
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen |
Felix Prohaska
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Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente |
Paula Robison
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir |
Felix Prohaska
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Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt |
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Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast Chorus: Wahrlich, du |
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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio |
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Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha! |
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Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend |
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Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen |
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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo |
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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn |
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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 10 (fughetta a 1 clav.) |
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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen |
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Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere |
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn |
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt |
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Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du |
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Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen |
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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro |
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben v |
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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen! |
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Cantata No. 53: Schlage doch, gewünschte Stunde, BWV53: Aria, “Schlage doch, gewunschte Stunde” |
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French Suite No. 3 in B Minor BWV814: v. Gavotte |
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Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war |
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70:vii. Chorale: Freu dich sehr, o meine Seele |
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Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna |
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser große Tag |
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Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz |
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70:x. Aria (Bass): Seligster Erquickungstag |
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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe |
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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro |
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Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan |
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Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Recitative: “Die art verruchter Sünden” |
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib |
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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante |
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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: xi. Chorus: Preis und Dank |
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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor |
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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 5 (a 1 o vero 2 clav.) |
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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 15 (canone alla quinta a 1 clav.: Andante) |
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione |
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Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco |
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French Suite No. 3 in B Minor BWV814: iii. Sarabande |
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmlischen Verlangen |
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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe |
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen |
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Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen |
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French Suite No. 4 in E-flat Major, BWV815: v. Air |
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Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe |
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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft |
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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu |
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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 20 (a 2 clav.) |
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes |
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70:viii. Aria (Tenor): Hebt euer Haupt empor |
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Passion According to St. Matthew, BWV244: Recitative, “Du Lieber Heiland” |
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Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut |
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus |
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders ni |
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Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio |
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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 1 (a 1 clav.) |
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Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder |
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Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's? Chorale: Ich bin's, ich sollte büßfen |
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in |
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Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid |
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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace |
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen Himmel fahren |
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Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen! |
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Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm |
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich |
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Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig |
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Sonata in G minor for violin & keyboard, BWV 1020: I. Allegro moderato |
Paula Robison
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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein Herze haben |
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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 16 (ouverture a 1 clav.) |
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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir |
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Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerrißChorus: Wahrlich, dieser ist Gottes |
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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto |
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Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano |
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Italian Concerto, BWV971: ii. Andante |
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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 26 (a 2 clav.) |
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Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete |
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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga) |
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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): Höchster, mache deine Güte |
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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen |
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz |
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Sonata in G minor for violin and keyboard, BWV 1020: III. Allegro |
Paula Robison
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an |
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