| Triple Concerto in C Major, Op. 56: II. Largo |
Gerd Berg
|
100 Best Violin |
| The Bells Of Yale (Battell Chimes Or Chapel Chimes - 1897) |
Gerd Berg
|
American Classics: Charles Ives |
| Ottone in Villa, RV 729, Act 2:"L'ombre, l'aure, e ancora il rio" (Caio, Tullia) |
Gerd Berg
|
100 Best Vivaldi |
| Divertimento No. 7 in B flat, K.deest:III. Andante |
Gerd Berg
|
Mozart: Music for Wind Instruments |
| 4 Preludes, Op. 48: IV. Festivamente |
Neville Boyling
|
Scriabin: Preludes; Piano Sonata Nos. 2, 4, 5, 7, 10; Etudes etc |
| Missa brevis D-dur KV 194 (186h):III. Credo |
Gerd Berg
|
Mozart: Sämtliche MessenComplete Masses |
| Piano Concerto No. 21 in C Major, K. 467:III. Allegro vivace assai (Cadenza by Zacharias) |
Gerd Berg
|
Mozart: Piano Concertos Nos. 13, 15, 20, 21, 22, 23, 25 & 26 "Coronation" |
| The Hymn of Jesus, Op. 37, H. 140:II. Hymn, 3. "Divine Grace is dancing" (Allegro) |
Neville Boyling
|
Holst: Hymn of Jesus etc |
| The Four Seasons, Concerto No. 1 in E (La primavera Spring) RV269 (Op. 8 No. 1): II. Largo |
Neville Boyling
|
100 Best Menuhin |
| Clarinet Quintet in B minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento |
Gerd Berg
|
100 Best Chamber Music |
| God Save the King (arr. Jeremy Barlow) |
John Potter
|
English National Songs |
| Mass in C minor, K.139 "Orphanage mass":Agnus Dei: Agnus Dei |
Gerd Berg
|
Mozart: Sämtliche MessenComplete Masses |
| Das Musikalische Opfer BWV1079 (1985 Remastered Version): Sonata sopr'il soggetto reale: IV. Allegro |
Gerd Berg
|
100 Best Chamber Music |
| Over The Pavements (Scherzo - 1906-1913) |
Gerd Berg
|
American Classics: Charles Ives |
| Nancy Dawson (arr. Jeremy Barlow) |
John Potter
|
English National Songs |
| Concerto Grosso in G Minor, Op. 6 No. 6, HWV 324:III. Musette (Larghetto) |
Neville Boyling
|
Essential Strings |
| Mass in C Major, K. 167 'Missa in honorem Sanctissimae Trinitatis': VI. Agnus Dei |
Gerd Berg
|
Un Año Con Jesucristo |
| Monteverdi: Ut queant laxis |
London Baroque
|
Stabat Mater |
| Natus est Jesus |
Charles Medlam
London Baroque
|
Vocal Recital (Baroque): Kirkby, Emma (The Artistry of Emma Kirkby) |
| Matthäus-Passion, BWV 244, Pt. 2:No. 54, Choral. "O Haupt voll Blut und wunden" |
Gerd Berg
|
Essential Bach |
| The Four Seasons, Concerto No. 4 in F minor (L'inverno Winter) RV297 (Op. 8 No. 4): I. Allegro non molto |
Neville Boyling
|
Die Moldau: Nature Classics for Kids |
| 3 Lecons de tenebres:Premiere Lecon de Tenebres pour le Mercredi Saint |
Charles Medlam
|
Vocal Recital (Baroque): Kirkby, Emma (The Artistry of Emma Kirkby) |
| Clarinet Concerto in A Major, K. 622: II. Adagio |
Neville Boyling
|
100 Best Mozart |
| Sancta Maria, mater Dei, K. 273 |
Gerd Berg
|
Mozart: Sämtliche MessenComplete Masses |
| Drink to Me Only With Thine Eyes (arr. Jeremy Barlow) |
John Potter
|
English National Songs |
| Mass brevis in C major, K.220 "Sparrow Mass":Agnus Dei |
Gerd Berg
|
Mozart: Sämtliche MessenComplete Masses |
| Cello Sonata in G Minor, Op. 65:IV. Finale. Allegro |
Neville Boyling
|
The Sound of Jacqueline Du Pré |
| Missa in c-moll, KV427:Credo in unum Deum |
Gerd Berg
|
Mozart: Sämtliche MessenComplete Masses |
| Sonata decima terza in G Minor: IV. Spiritoso |
London Baroque
|
Italian Concert for Recorder |
L'Orfeo, favola in musica, SV 318, Act 1: Choro, "Alcun no sia che disperato" (Pastore I, Pastore III) - Ritornello