| Quattro Intermezzi, No. 3 |
Igor Levit
|
In Terra Pace |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 26 - In a militant manner |
Igor Levit
|
Bach, Beethoven, Rzewski |
| Diabelli Variations - 33 Variations on a Waltz by Anton Diabelli, Op. 120:Var. 33 - Tempo di Menuetto moderato (ma non tirarsi dietro) |
Igor Levit
|
Bach, Beethoven, Rzewski |
| Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande |
Igor Levit
|
Bach: Keyboard Partitas Nos. 1-6 |
| Fantasia and Fugue on the Chorale "Ad nos, ad salutarem undam", S 259 (Transcription for Piano):II. Adagio |
Igor Levit
|
Life |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 9 - Evenly |
Igor Levit
|
Bach, Beethoven, Rzewski |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 36 - Improvisation |
Igor Levit
|
Bach, Beethoven, Rzewski |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Thema. With determination |
Igor Levit
|
The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido! |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 8 - With agility, not too much pedal, crisp |
Igor Levit
|
Bach, Beethoven, Rzewski |
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto |
Igor Levit
|
Classical at Home |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 1 - Weaving, delicate but firm |
Igor Levit
|
Bach, Beethoven, Rzewski |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 21 - Relentless, uncompromising |
Igor Levit
|
Bach, Beethoven, Rzewski |
| Nothing Else Matters |
Igor Levit
|
The Metallica Blacklist |
| Partita No. 6 in E Minor, BWV 830:I. Toccata |
Igor Levit
|
Bach: Partitas, BWV 825-830 |
| Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" |
Igor Levit
|
Classical Meditation FM |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 5 - Dreamlike, frozen, a little slower, Tempo |
Igor Levit
|
Bach, Beethoven, Rzewski |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 10 - Comodo, recklessly |
Igor Levit
|
Bach, Beethoven, Rzewski |
| Peace Piece |
Igor Levit
|
Classical Meditation FM |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 23 - As fast as possible, with some rubato |
Igor Levit
|
Bach, Beethoven, Rzewski |
| Goldberg Variations, BWV 988: Aria |
Igor Levit
|
Musik zum Entspannen - Klassik zum Träumen |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 20 - Crisp, precise |
Igor Levit
|
Bach, Beethoven, Rzewski |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 29 |
Igor Levit
|
Bach, Beethoven, Rzewski |
| Liebestraum No. 3 in A-Flat Major, S. 5413 |
Igor Levit
|
Liebestraum No. 3 in A-Flat Major, S. 5413 |
| Diabelli Variations - 33 Variations on a Waltz by Anton Diabelli, Op. 120: Var. 3 - L'istesso tempo |
Igor Levit
|
Classical at Home |
| Piano Sonata No. 1 in F Minor, Op. 2, No. 1: II. Adagio |
Igor Levit
|
Classical at Home |
| 24 Preludes and Fugues, Op. 87:Prelude No. 1 in C Major |
Igor Levit
|
On DSCH |
| Quattro Intermezzi, No. 2 |
Igor Levit
|
In Terra Pace |
| Peace Piece |
Igor Levit
|
Life |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 2 - With firmness |
Igor Levit
|
Bach, Beethoven, Rzewski |
| The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 30 |
Igor Levit
|
Bach, Beethoven, Rzewski |
The People United Will Never Be Defeated! - 36 Variations on ¡El pueblo unido jamás será vencido!:Var. 11 - Tempo I. Like fragments of an absent melod