Concerto for Orchestra No. 5, "4 Russian Songs" |
Bournemouth Symphony Orchestra
Kirill Karabits
|
SHCHEDRIN, R.K.: Concertos for Orchestra Nos. 4 and 5Khrustal'niye gusli (Bournemouth Symphony, Karabits) |
Spiegel Im Spiegel |
Nicola Benedetti
|
Classical Study: Minimalism |
In an Eastern Garden (No.2 from The Garden of Allah) |
Bournemouth Symphony Orchestra
|
Dan Godfrey - Encores |
Die Regentrude:Entdeckung des Geheimnisses |
Bournemouth Symphony Orchestra
|
WÜSTHOFF, K.: Regentrude (Die) [Ballet]Die Schelde (Gedeck, Frankfurt Brandenburg State Orchestra, U. Kern) |
Dante Symphony. A Symphony to Dante's Divina Commedia, S. 109: II. Purgatorio |
Kirill Karabits
|
Liszt: Dante Symphony, Tasso, Künstlerfestzug & Vor hundert Jahren (Bonus Track Edition) |
The Immortal Hour - Love Duet for Orchestra |
Bournemouth Symphony Orchestra
|
Dan Godfrey - Encores |
Old Hundreth Psalm |
Bournemouth Symphony Orchestra
|
50 Greatest Royal Classics |
In the Path of Thunder Suite: VI. Lullaby |
Bournemouth Symphony Orchestra
|
KARAYEV, K.: Orchestral Works - The Seven Beauties SuiteLeyli and MejnunDon Quixote (Bournemouth Symphony, K. Karabits) |
Death Valley Suite: Sand Storm |
Bournemouth Symphony Orchestra
|
GROFE: Death Valley SuiteHudson River SuiteHollywood Suite |
Rhapsody in Blue (for symphonic orchestra) [1988 Remastered Version] |
Bournemouth Symphony Orchestra
|
Warsaw Concerto |
Vedro Con Mio Diletto - Aria From Giustino |
Nicola Benedetti
|
Vivaldi for Brainpower |
Suite from "Henry V" - Concert Suite from Film Score - Arr. Muir Mathieson (Excerpts):Touch her soft lips, and part; |
Bournemouth Symphony Orchestra
|
50 Greatest British Classics |
Skazka pro shuta (The Tale of the Buffoon), Op. 21bis, "Chout":II. Danse des bouffonnes (Dance of the Wives) |
Kirill Karabits
|
FALLA, M. de: Sombrero de tres picos (El)PROKOFIEV, S.: The Tale of the Buffoon (Les Ballets Russes, Vol. 5) (Bolon, Karabits) |
The Dream of Olwen (1988 Remastered Version) |
Bournemouth Symphony Orchestra
|
100 Best British Classics |
20 Irish Songs, WoO 153:No. 11, When Far From the Home |
Nicola Benedetti
|
Beethoven: Triple Concerto, Op. 56 |
The Morning of the DragonSun & Moon (Reprise) |
Bournemouth Symphony Orchestra
|
Symphonic Pieces from Les Misérables and Miss Saigon |
Concerto for Orchestra No. 2:I. Allegro - |
Bournemouth Symphony Orchestra
|
KARABITS, I.: Concertos for Orchestra Nos. 1-3SILVESTROV, V.: ElegyAbschiedsserenade (Bournemouth Symphony, K. Karabits) |
Symphony No. 3, "Pastoral Symphony":I. Molto moderato |
Bournemouth Symphony Orchestra
|
VAUGHAN WILLIAMS: Symphonies Nos. 3, 'Pastoral', and 6 |
Meditation:Méditation from Thaïs |
Nicola Benedetti
|
50 Reasons To Love Classical |
Macbeth (Excerpts):Nel dì della vittoria io le incontrai |
Bournemouth Symphony Orchestra
|
I vespri verdiani: Verdi Arias |
Violin Concerto In E Minor Op.64 MWV O14:2. Andante |
Nicola Benedetti
|
50 Relaxing Classics by Classic FM |
Carmina Burana:In trutina |
Bournemouth Symphony Orchestra
|
100 Best Relaxing Classics |
And All the Trumpets Sounded: Tuba mirum |
Bournemouth Symphony Orchestra
|
Ronald Corp: And All the Trumpets Sounded - Michael Hurd: The Shepherd's Calendar |
The Boatswain's Mate: Overture |
Bournemouth Symphony Orchestra
|
Dan Godfrey - Encores |
Havanaise For Violin And Orchestra, Op. 83 |
Nicola Benedetti
|
Classics for Autumn: Saint-Saëns |
Suite from "Henry V" - Concert Suite from Film Score:Touch her soft lips and part |
Bournemouth Symphony Orchestra
|
Shakespeare in Music & Words |
Piano Concerto No. 1 in B flat minor Op. 23:III. Allegro con fuoco |
Bournemouth Symphony Orchestra
|
Tchaikovsky: Complete Music for Piano and Orchestra - Violin Concerto - Rococo Variations |
Short Symphony, "Symphony No. 2":III. quarter note = 144 |
Bournemouth Symphony Orchestra
|
COPLAND, A.: Dance SymphonySymphony No. 1Short Symphony (Bournemouth Symphony, Alsop) |
Symphony No. 8 in D Minor:II. Scherzo alla Marcia (per stromenti a fiato): Allegro alla marcia - Andante - Tempo primo |
Bournemouth Symphony Orchestra
|
VAUGHAN WILLIAMS: Symphonies Nos. 7 and 8 |