| Don Carlos, Act 1: "Fontainebleau ! Forêt immense et solitaire !" (Don Carlos) [Live] |
Daniel Zalay
|
50 Best Verdi |
| Concerto in G minor per flauto diritto ed orchestra Op. 10 No. 2 RV439, 'La notte':Largo |
Alain Lanceron
|
The Very Best of Vivaldi |
| Fernando, rè di Castiglia, HWV 30, Act 2 Scene 1: No. 12, Aria, "Padre, germano, e sposo" (Elvida) |
Alain Lanceron
|
100 Best Handel |
| Orphée aux enfers, ACT 1, Premier tableau:la campagne aux environs d'Athènes: Oh Vénus, belle déesse (EurydiceOrphee) |
Daniel Zalay
Alain Lanceron
|
Offenbach: Orphée aux enfers |
| La Passione di Gesù Cristo Signor Nostro (La Passion de Jésus-Christ Notre Seigneur): Aria: Potea quel pianto (Maddalena) |
Alain Lanceron
|
La bonne cuisine |
| Fernando, rè di Castiglia, HWV 30, Act 3:"Sincero affetto dolce preghiere" (Sancio) |
Alain Lanceron
|
Handel : un'opera immaginaria [International Version] |
| Der Rosenkavalier, Op. 59, Act II:"Mir ist die Ehre widerfahren" (Octavian, Sophie) |
Alain Lanceron
|
Great Opera Duets |
| La tabernera del puerto, Act 2: No. 9, Romanza, "No puede ser!" (Leandro) |
Daniel Zalay
Alain Lanceron
|
100 Best Tenor Arias |
| Benvenuto Cellini, H. 76a, Act 1: "Viens, pas à pas" (Fieramosca, Cellini, Teresa, Chorus, Pompeo, Ascanio, Balducci, Francesco, Ber |
Daniel Zalay
|
Berlioz: The Complete Works |
| Symphonic Dances from West Side Story: III. Scherzo |
Alain Lanceron
|
The Sound of Bernstein |
| Benvenuto Cellini, H. 76a, Act 1: "À boire, à boire !" (Cellini, Francesco, Bernardino, Chorus) |
Daniel Zalay
|
Berlioz: The Complete Works |
| Benvenuto Cellini, H. 76a, Act 2: "Sur les monts les plus sauvages" (Cellini) |
Daniel Zalay
|
Berlioz: The Complete Works |
| Prelude in B Minor, Op. 28 No. 6 |
Alain Lanceron
|
Chopin: Sonata for cello & piano etc. |
| Don Giovanni, K. 527, Act 2 Scene 10: No. 21a, Aria, "Il mio tesoro intanto" (Don Ottavio) |
Daniel Zalay
Alain Lanceron
|
Mozart - Don Giovanni |
| Benvenuto Cellini, H. 76a, Act 1: "Teresa ! Mais où peut-elle être ?" (Balducci, Teresa) |
Daniel Zalay
|
Berlioz: The Complete Works |
| Te Deum, Op. 22, H. 118: VII. Marche pour la présentation aux drapeaux |
Alain Lanceron
|
Berlioz: The Complete Works |
| La Sonnambula, Act II, Scene 2: Ah! non giunge uman pensiero (AminaTutti) |
Daniel Zalay
|
Bellini La Sonnambula |
| Concertino for Piano and Chamber Ensemble, JW VII11:III. Con moto |
Alain Lanceron
|
20th Century Classics: Leos Janácek |
| Giulio Cesare in Egitto: Aria: Va tacito e nascosto |
Alain Lanceron
|
100 Best Handel |
| I Saw My Lady Weepe |
Alain Buet
|
Dowland: Lachrimæ |
| Benvenuto Cellini, H. 76a, Act 2: "Ah ! qu'est-il devenu ?" (Teresa, Ascanio, Chorus) |
Daniel Zalay
|
Berlioz: The Complete Works |
| Messiaen : Harawi : I "La ville qui dormait, toi" |
Gilles Pézerat
|
Messiaen : Edition |
| Cello Concerto in E Minor, Op.85:IV. Allegro - Moderato - Allegro, ma non troppo |
Alain Lanceron
|
Britten - Cello SymphonyElgar - Cello Concerto |
| Faust, Ballet Music:V. Les Troyennes (Moderato con moto) |
Alain Lanceron
|
Légendes, les musiques enchantées |
| Benvenuto Cellini, H. 76a, Act 1: "Ah ! Qui pourrait me résister ?" (Fieramosca) |
Daniel Zalay
|
Berlioz: The Complete Works |
| Don Giovanni, K. 527, Act 2 Scene 10: No. 21c, Aria, "Mi tradi quell'alma ingrata" (Donna Elvira) |
Daniel Zalay
Alain Lanceron
|
Mozart - Don Giovanni |
Audite caeli quae loquor, S. 7: "Vidit Dominus et ad iracundiam concitatus est" (Bass)