| Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 2:XII. "Alles vergängliche" (Live) |
Stephanie Blythe
|
Mahler: Symphony No. 8 (Live) |
| A Streetcar named desireAct 3:Me and you when we first met (Stanley Stella) |
Elizabeth Futral
|
A Streetcar named desireAct 3 |
| January sixteenth |
Ricky Ian Gordon
|
Ellen West |
| Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria, "Es ist vollbracht!" (Alto)::No. 30, Aria, "Es ist vollbracht!" (A |
Stephanie Blythe
|
Ses Plus Beaux Chefs-D'Oeuvre |
| A Streetcar named desireAct 3:Scene 1: (Humming)"What's all this for?" (Blanche Stanley Stella) |
Elizabeth Futral
|
A Streetcar named desireAct 3 |
| Brief Encounter Act 2Act 1:Scene 6: The station refreshment room - "Hallo!" "This is the face of the woman I love" |
Elizabeth Futral
|
Brief EncounterAct 2 |
| Serse: Aria: Ombra mai fu |
Stephanie Blythe
|
100 Best Adagio Voices |
| What the Living Do |
Ricky Ian Gordon
|
Once I Was. Songs of Ricky Ian Gordon |
| Transition |
Ricky Ian Gordon
|
Ellen West |
| Matthäus-Passion, BWV 244, Pt. 2:No. 39, Aria, "Erbarme dich, mein Gott" (Alto) |
Stephanie Blythe
|
Bach 100 Best |
| L'Enfant et les sortilèges, M.71Première partie:"Ah! C'est Elle! C'est Elle!" |
Elizabeth Futral
|
The Art of André Previn |
| Die Walküre, WWV 86BZweiter Akt:So ist es denn aus mit den ewigen Göttern |
Stephanie Blythe
|
My morning with Wagner |
| On the third day of being home |
Ricky Ian Gordon
|
Ellen West |
| A Streetcar named desireAct 1:Scene 3: "Well I ought to be getting home" (Mitch Stanley Steve Stella Blanche) |
Elizabeth Futral
|
A Streetcar named desireAct 3 |
| Symphony No. 1 'Jeremiah': II. Profanation - Vivace con brio |
St. Louis Symphony
|
Bernstein: Symphony No. 1 'Jeremiah' & On The Town (Ballet Music) |
| On The Town (Ballet Music): Lonely Town - Pas de deux |
St. Louis Symphony
|
Bernstein: Symphony No. 1 'Jeremiah' & On The Town (Ballet Music) |
| You're far too near me from The Firebrand of Florence |
Elizabeth Futral
|
20th Century Classics: Weill |
| A Streetcar named desireAct 1:You must be Stanley. I'm Blanche (Blanche Stanley Stella) |
Elizabeth Futral
|
A Streetcar named desireAct 3 |
| L'Enfant et les sortilèges, M.71Première partie:Arrière! Je réchauffe les bons |
Elizabeth Futral
|
André Previn - Great Recordings |
| January twenty-first |
Ricky Ian Gordon
|
Ellen West |
| 6. Lament |
Michael Christie
|
The Art Of The Didgeridoo: Music For Didgeridoo And Orchestra |
| Das Rheingold, Scene 4: "Fasolt und Fafner nahen von fern" |
Stephanie Blythe
|
Wagner: Der Ring des Nibelungen |
| L'Enfant et les sortilèges, M.71Première partie:"Ah! C'est Elle! C'est Elle!" |
Elizabeth Futral
|
Ravel Autumn Study Vibes |
| Love is my enemy from The Firebrand of Florence |
Elizabeth Futral
|
20th Century Classics: Weill |
| Die Walküre, WWV 86BZweiter Akt:So ist es denn aus mit den ewigen Göttern |
Stephanie Blythe
|
Wagner - Christmas Present |
| From Ubirr |
Michael Christie
|
The Best of Peter Sculthorpe |
| Giulio Cesare in Egitto, HWV 17, Act 1 Scene 11:Recitativo, "Madre! Mia vita!" - No. 16a, Duetto, "Son nata a lagrimar& |
Stephanie Blythe
|
Great Opera Duets |
| February fifteenth |
Ricky Ian Gordon
|
Ellen West |
| Callas is my favorite singer |
Ricky Ian Gordon
|
Ellen West |
| Das Rheingold, Scene 2: "Zu mir, Freia!" |
Stephanie Blythe
|
Wagner: Der Ring des Nibelungen |
27, Act I: Scene 3, Back at the Salon