| The Importance of Being Earnest:Act III: I am Miss Cardew's guardian (Jack, Lady Bracknell, Chasuble) |
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Missa Brevis, Op. 63:Benedictus |
Elizabeth Atherton
|
Britten: A Ceremony Of Carols |
| Wonderful Town, Act 2: No. 18, Ballet at the Village Vortex |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
| The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Innocente |
Michael Wendeberg
|
Laurent Korcia: Cinema |
| Deflation - Eine kleine Marxmusik |
Michael Wendeberg
Birmingham Contemporary Music Group
|
Wilde Lieder Marx Music |
| Dansas Españolas Number 5 |
Michael Wendeberg
|
Laurent Korcia: Cinema |
| Wonderful Town, Act 1: No. 2, Christopher Street (Guide, Tourists, Villagers, Violet) |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
| The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Missa Brevis, Op. 63:Kyrie |
Elizabeth Atherton
|
Britten: A Ceremony Of Carols |
| Wonderful Town, Act 2: No. 17, It's Love (Eileen, Robert, Chorus) |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
| Die Produktion des Bewusstseins |
Michael Wendeberg
Birmingham Contemporary Music Group
|
Wilde Lieder Marx Music |
| Wonderful Town, Act 2: No. 20, Finale. It's Love Reprise (All) |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
| Letter to H. Marx |
Michael Wendeberg
Birmingham Contemporary Music Group
|
Wilde Lieder Marx Music |
| The Importance of Being Earnest:Act II: You are my little cousin Cecily (Algernon, Cecily) |
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Wonderful Town, Act 1: No. 4, Conquering New York (Ruth, Eileen, A Cadet, Violet, Villagers) |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
| Wonderful Town, Act 2: No. 14, Swing! (Villagers, Ruth) |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
| Missa Brevis, Op. 63:Sanctus |
Elizabeth Atherton
|
Britten: A Ceremony Of Carols |
| The Importance of Being Earnest:Act II: And this is what you call Bunburying!? (Jack, Algernon) |
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Chamber Symphony, Op.2:IV |
Birmingham Contemporary Music Group
|
Adès: Asyla |
| The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Speak Softly Love |
Michael Wendeberg
|
Laurent Korcia: Cinema |
| manifesto |
Michael Wendeberg
Birmingham Contemporary Music Group
|
Wilde Lieder Marx Music |
| The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Wonderful Town, Act 2: No. 12, Entr'acte |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
Pierrot Laborieux III. The Work