| The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Diary of One Who Disappeared, JW V12:No. 7, Con moto "Ztratil jsem kolicek" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| Five Easy Preludes and Fugues, Op. 56 No. 2 in D Minor: II. Fugue |
David Goode
|
Max Reger: Organ Works - Symphony Organ of Symphony Hall, Birmingham |
| The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Introduction, Variations and Fugue on an Original Theme, Op. 73: III. Fugue |
David Goode
|
Max Reger: Organ Works - Symphony Organ of Symphony Hall, Birmingham |
| Introduction, Passacaglia and Fugue in E Minor, Op. 127: II. Passacaglia |
David Goode
|
Max Reger: Organ Works - Symphony Organ of Symphony Hall, Birmingham |
| Five Eliot Landscapes Op. 1: II. Virginia |
Thomas Adès
|
British Composers - Ades: Life Story |
| Introduction, Passacaglia and Fugue in E Minor, Op. 127: III. Fugue |
David Goode
|
Max Reger: Organ Works - Symphony Organ of Symphony Hall, Birmingham |
| The Diary of One Who Disappeared, JW V12:No. 8, Andante "Nehled'te, volecci, tesklivo k uvratim" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| Concerto No. 5 in D Major: III. Allegro |
Stephen Farr
|
Stanley, Bach, Hayes & Hook: Organ Concertos |
| The Diary of One Who Disappeared, JW V12:No. 12, Adagio "Tmava olsinka, chladna studanka" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| 3 Choral-Phantasien für Orgel, Op. 52: I. Phantasie über den Choral "Alle Menschen müssen sterben" |
David Goode
|
Max Reger: Complete Organ Works, Vol. 1 (The Major Works Based on Chorales) |
| A Recollection, for Piano, JW VIII32 |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe |
Thomas Adès
|
British Composers - Ades: Life Story |
| Six Fantasies on Hymn Tunes, Op. 72: II. Aus der Tiefe (Heinlein) |
Stephen Farr
|
Kenneth Leighton: Complete Organ Works |
| The Diary of One Who Disappeared, JW V12:No. 21, Meno mosso "Muj drahy taticku" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| 7 Organ Pieces, Op. 145: I. Trauerode |
David Goode
|
Max Reger: Complete Organ Works, Vol. 1 (The Major Works Based on Chorales) |
| Six Fantasies on Hymn Tunes, Op. 72: I. Helmsley |
Stephen Farr
|
Kenneth Leighton: Complete Organ Works |
| Catch Op. 4 |
Thomas Adès
|
British Composers - Ades: Life Story |
| Sonata da Caccia, Op.11 (1993): I. Gravement - |
Thomas Adès
|
Adès: Living Toys |
| Es kommt ein Schiff geladen |
David Goode
|
Max Reger: Complete Organ Works, Vol. 1 (The Major Works Based on Chorales) |
| Hear, O Heav'ns |
Stephen Farr
|
Purcell, Blow, Locke & Humfrey: Chapel Royal Anthems |
| Introduction, Passacaglia and Fugue in E Minor, Op. 127: I. Introduction |
David Goode
|
Max Reger: Organ Works - Symphony Organ of Symphony Hall, Birmingham |
| The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Six Fantasies on Hymn Tunes, Op. 72: III. Lumetto |
Stephen Farr
|
Kenneth Leighton: Complete Organ Works |
| The Diary of One Who Disappeared, JW V12:No. 22, Andante "Sbohem, rodny kraju" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
| Asyla, Op. 17: IV |
Thomas Adès
|
Modern Classical Music |
| The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Five Easy Preludes and Fugues, Op. 56 No. 5 in B Minor: I. Prelude |
David Goode
|
Max Reger: Organ Works - Symphony Organ of Symphony Hall, Birmingham |
Under Hamelin Hill Op. 6: Fuga (2-6 hands)