| Kinder, Kinder was sind das heut´ für Zeiten |
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Die Besten Schlager der Goldenen 20er & 30er Jahre, Vol. 6 |
| Cantigas de Santa María:No. 247, Assi como Jheso-Cristo (Arr. F. Tricomi) |
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Nigra sum sed formosa |
| The Queen of Spades, Op. 68, TH 10, Act III Scene 3:If Pretty Girls Could Fly like Birds |
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National Theatre Belgrade: Great Russian Operas from 1955 |
| Beim ersten Kuss |
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Swinging Babylon, Vol. 5 |
| Mass in F Major, BWV 233:V. Quoniam |
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J.S. Bach: Mass in F Major, BWV 233 & Mass in A Major, BWV 234 |
| E canta il grillo (Version for Voice & Orchestra) |
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Porter, Tosti & Others: Songs |
| Lucia di Lammermoor:Tombe degl'avi miei |
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Il mito dell'opera: Muro Lomanto |
| Animal Crackers, Vol. 2:No. 2, The Eel (Live) |
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2019 Florida Music Education Association: High School Concert Chorus & All-State Reading Chorus (Live) |
| Weihnachtsoratorium, BWV 248, Pt. 6:No. 61, So geht! Genug, mein Schatz geht nicht von hier |
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J.S. Bach: Weihnachtsoratorium, BWV 248 |
| Il filosofo di campagna (Excerpts):Povera meschinella |
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Galuppi: Il filosofo di campagna (Excerpts) |
| Weihnachtsoratorium, BWV 248, Pt. 1:No. 2, Es begab sich aber zu der Zeit |
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J.S. Bach: Weihnachtsoratorium, BWV 248 |
| Danny Boy |
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Praise Him |
| St. John Passion, BWV 245:No. 37, O hilf, Christe, Gottes Sohn |
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J.S. Bach: St. John Passion, BWV 245 |
| Ausgerechnet Bananen! |
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Swinging Babylon, Vol. 1 |
| Nikola Šubić Zrinski, Op. 403, Act III Sequence VII Scene 3:U nje usta medena (Live) |
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Zajc: Nikola Šubić Zrinski, Op. 403 (Live) |
| Eugene Onegin, Op. 24, TH 5, Act II Scene 1:What a Surprise! |
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National Theatre Belgrade: Great Russian Operas from 1955 |
| Sanctus, Benedictus XVIII |
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Gregorian Requiem: Chants of the Requieum Mass |
| La favorita:Una vergine, un'angel di Dio |
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Il mito dell'opera: Alessandro Bonci (Recorded 1905-1926) |
| Mazurka in A Minor, Op. 67 No. 4 |
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Ignaz Friedman: Complete Recordings (1923-1941) |
| Boris Godunov, Act I Scene 2:Here’s What Happened at the Town of Kazan |
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National Theatre Belgrade: Great Russian Operas from 1955 |
| And So It Goes (Arr. K. Shaw) |
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No Kidding |
| Il barbiere di Siviglia:Se il mio nome saper voi bramate |
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Il mito dell'opera: Dino Borgioli (Recorded 1923-1930) |
| The Morning Breaks (Arr. R. Staheli) |
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We Sing of Christ: The Songs of Zion |
| The Diary of One Who Disappeared, JW V12 (Sung in German):No. 5, Heut ist's schwer zu pflügen |
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Milestones of a Legend: The Lyric Tenor, Vol. 6 |
| Eugene Onegin:Aria di Lenski |
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Il mito dell'opera: Dmitri Smirnov (1910-1930) |
| Torna a Surriento |
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Il mito dell'opera: Muro Lomanto |
| Violin Sonata No. 10 in G Major, Op. 96:Scherzo. Allegro |
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Beethoven, Fauré, Franck & Debussy: Violin Sonatas |
| The Queen of Spades, Op. 68, TH 10, Act I Scene 1:One Day at Versailles |
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National Theatre Belgrade: Great Russian Operas from 1955 |
| Nikola Šubić Zrinski, Op. 403, Act III Sequence VIII Scene 2:Gle milog sina, ženo! (Live) |
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Zajc: Nikola Šubić Zrinski, Op. 403 (Live) |
| Hopscotch:Chapters 32-35 (Live) |
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Hopscotch |
Our Father