Trois Pieces: Sans vitesse et à l'aise |
Caroline Stinson
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Lines |
Suite for solo cello: Preludio |
Caroline Stinson
John Harbison
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Lines |
Grave |
Caroline Stinson
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Lines |
Suite No. 3: Allegro deciso |
Caroline Stinson
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Lines |
Viola Concerto: Andante |
John Harbison
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American Viola Concertos |
Suite No. 3: Andante |
Caroline Stinson
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Lines |
Viola Concerto: Con moto, rubato |
John Harbison
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American Viola Concertos |
Cello Concerto: Con fantasia |
John Harbison
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Symphony No. 2 |
Trois Pieces: Vite et nerveusement rhythmé |
Caroline Stinson
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Lines |
Cello Concerto: Maestoso |
John Harbison
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Symphony No. 2 |
Suite No. 3: Allegro giocoso |
Caroline Stinson
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Lines |
Viola Concerto: Allegro brillante |
John Harbison
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American Viola Concertos |
Lit High, Reckon–Fly Low, Come Close |
Caroline Stinson
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Anna Weesner: Small and Mighty Forces |
Suite for solo cello: Sarabanda |
Caroline Stinson
John Harbison
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Lines |
Third String Quartet: Sensually, Mysteriously |
Caroline Stinson
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Andrew Waggoner: Terror and Memory |
Viola Concerto: Molto allegro, gioioso |
John Harbison
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American Viola Concertos |
Trois Pieces: Modéré |
Caroline Stinson
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Lines |
Dialoghi (Studi su un nome) |
Caroline Stinson
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Lines |
Improvisation |
Caroline Stinson
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Andrew Waggoner: Terror and Memory |
Cello Concerto: Allegro con fuoco |
John Harbison
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Symphony No. 2 |
Suite for solo cello: Fuga-Burletta |
Caroline Stinson
John Harbison
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Lines |
Suite for solo cello: Giga |
Caroline Stinson
John Harbison
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Lines |
For Violin Alone: V. Dance II |
John Harbison
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Bach & Beyond, Pt. 3 |
Suite No. 3: Allegro |
Caroline Stinson
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Lines |
Figment I |
Caroline Stinson
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Lines |