| Dido and Aeneas, Z. 626: When I Am Laid in Earth (Dido's Lament) |
The King's Consort
|
Classical Music for Mourning, Loss and Grieving |
| Premiere Lecon de Tenebres: Jerusalem, convertere |
The King's Consort
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Couperin - Trois Leçons de Ténèbres |
| Confitebor Tibi Domine, S. 56: "Gloria Patri et Filio" (Chorus) |
The King's Consort
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Delalande: De Profundis & Grands Motets |
| Miserere, S. 120 for Soprano, Chorus and Continuo |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| Z804: I. Grave - Largo |
The King's Consort
|
PurcellTen Sonatas in Four Parts |
| Dido and Aeneas, Z.626, Act III: "When I am laid in Earth" (Dido's Lament) |
The King's Consort
|
Henry Purcell: Essential Works |
| Arise, my Muse : And since the time's distress |
The King's Consort
|
Purcell - Birthday Odes for Queen Mary |
| Troisieme Lecon de Tenebres: O vos omnes |
The King's Consort
|
Couperin - Trois Leçons de Ténèbres |
| Z809: I. AdagioCanzona |
The King's Consort
|
PurcellTen Sonatas in Four Parts |
| Premiere Lecon de Tenebres: Viae Sion lugent |
The King's Consort
|
Couperin - Trois Leçons de Ténèbres |
| Confitebor Tibi Domine, S. 56: "Magna opera Domini" (Chorus) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| De Profondis, S. 23: "A Custodia matutina" (Chorus) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| Dietro l'orme fugaci, HWV 105 "Armida abbandonata":V. Venti, fermate, si |
The King's Consort
|
Abbandonata: Handel's Italian Cantatas |
| Nisi Dominus, RV 803: VII. Gloria Patri |
The King's Consort
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Vivaldi: Laudate PueriNisi Dominus |
| De Profondis, S. 23: "Quia apud Dominum misericordia" (Countertenor, Flute) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| De Profondis, S. 23: "De profondis clamavi" (Baritone, Chorus) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| Dietro l'orme fugaci, HWV 105 "Armida abbandonata":II. Ah! Crudele, e pur ten vai |
The King's Consort
|
Abbandonata: Handel's Italian Cantatas |
| Z810: I. [Allegro] Largo |
The King's Consort
|
PurcellTen Sonatas in Four Parts |
| Z804: II. Adagio - Canzona - Vivace - Grave |
The King's Consort
|
PurcellTen Sonatas in Four Parts |
| De Profondis, S. 23: "Quia apud te propitiatio" (Trio) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| Motet pour le jour de Paques: O Jesu salus |
The King's Consort
|
Couperin - Trois Leçons de Ténèbres |
| De Profondis, S. 23: "Sustinuit anima mea" (Soprano, Oboe) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| Premiere Lecon de Tenebres: Gimel |
The King's Consort
|
Couperin - Trois Leçons de Ténèbres |
| Z810: II. CanzonaGraveAllegro |
The King's Consort
|
PurcellTen Sonatas in Four Parts |
| Dietro l'orme fugaci, HWV 105 "Armida abbandonata":VII. Siciliana. In tanti affanni miei |
The King's Consort
|
Abbandonata: Handel's Italian Cantatas |
| Confitebor Tibi Domine, S. 56: "Memoriam fecit" (Baritone) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| De Profondis, S. 23: "Et ipse redimet ... Requiem aeternam" (Chorus) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| Parry: I was glad |
The King's Consort
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I was glad: Sacred Music of Stanford and Parry |
| Confitebor Tibi Domine, S. 56: "Confessio et magnificentia" (Countertenor, Violin) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| Z802: I. AdagioCanzona |
The King's Consort
|
PurcellTen Sonatas in Four Parts |
Z803: I. AdagioCanzona