| CarmenAct 4:Les voici les voici (Toreador Chorus) |
Sir Georg Solti
|
The World of Bizet |
| St. Matthew Passion, BWV 244 - Part One:No.4e Evangelist, Jesus: "Da das Jesus merkete" |
Sir Georg Solti
|
Mass in B minor, BWV 232 |
| Eugene Onegin, Op.24, TH.5Act 2:Mazurka and Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski? |
Sir Georg Solti
|
Tchaikovsky: A Classical Atmosphere |
| Elijah Op.70 MWV A25Part 2:Hear ye Isael; Be not afraid; The Lord hath exalted |
London Philharmonic Choir
|
Mendelssohn: Elijah |
| Berlioz: Symphonie fantastique, Op.14 - 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) |
Sir Georg Solti
|
Symphonic Dances, Op.45 |
| Die Entführung aus dem SerailAct 3:"Welch ein Geschick!" |
Sir Georg Solti
|
The Art of Edita Gruberová |
| Don GiovanniAct 2:"Il mio tesoro intanto" |
Sir Georg Solti
|
Essential Mozart Opera |
| Così fan tutteAct 2:"Il cor vi dono" |
Sir Georg Solti
|
Mozart: Cosi fan tutte |
| Eugene Onegin, Op.24, TH.5Act 2:(Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" |
Sir Georg Solti
|
Eugene Onegin, Op.24Act 2 |
| La traviataAct 1 : "E strano!" - "Ah, fors'è lui" (Live In London1994) |
Sir Georg Solti
|
La traviataAct 3 |
| Symphony No. 3 "The Song of the Night": III. Largo |
London Philharmonic Choir
|
Vladimir Jurowski: 10 Years |
| Don CarloAct 2:"La Regina!" |
Sir Georg Solti
|
La traviataAct 3 |
| ParsifalAct 2:"Parsifal! Weile!" |
Sir Georg Solti
|
100 Greatest Wagner (Live At Bayreuther Festspiele1966) |
| Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" ( |
London Philharmonic Choir
|
150th Anniversary Box - Mahler |
| G?tterd?mmerungZweiter Aufzug:"Vertraue mir betrogne Frau" |
Sir Georg Solti
|
Wagner: Götterdämmerung |
| Belshazzar's Feast:IX. Then sing aloud to God |
London Philharmonic Choir
|
Walton: Belshazzars Feast |
| Don Giovanni, ossia Il dissoluto punito, K.527Act 2:"Ah! dov'è il perfido?" |
Sir Georg Solti
|
|
| Die Zauberflöte K.620Act 2:"Ein M?dchen oder Weibchen" |
Sir Georg Solti
|
Mozart: Die Zauberflöte |
| Don GiovanniAct 1:"Alfin siam liberati" |
Sir Georg Solti
|
Solti - Mozart - The Operas |
| Vier letzte Lieder:2. September |
Sir Georg Solti
|
Vier letzte Lieder |
| Messiah: Part 3, No. 49 - Then Shall Be Brought to Pass |
London Philharmonic Choir
|
Handel: Messiah (Complete Version, Original Instrumentation) |
| Così fan tutteAct 1:"Ah scostati!" - "Smanie implacabili" - "Signora Dorabella" |
Sir Georg Solti
|
Solti - Mozart - The Operas |
| Der fliegende Holländer, WWV 63Act 2:"Du böses Kind, wenn du nicht spinnst" |
Sir Georg Solti
|
Wagner: Der fliegende Holländer |
| Das RheingoldScene 4:"Gezahlt hab'ich: nun la?t mich ziehn!" |
Sir Georg Solti
|
Wagner: Das Rheingold |
| Die Frau ohne Schatten Op.65 - Act 1:"Ach Herrin sü?e Herrin!" |
Sir Georg Solti
|
Vier letzte Lieder |
| Overture "Les francs-juges", Op.3 |
Sir Georg Solti
|
Famous Overtures (2 CDs) |
| Messiah, HWV 56, Pt. II: 31. He Was Cut Off Out of the Land of the Living |
London Philharmonic Choir
|
Weihnachten zu Hause: Der Messias, HWV 56 |
| Bluebeard's Castle Sz. 48 (Op.11):Door 7. "Lásd a régi aszszonyokat" |
Sir Georg Solti
|
Bluebeards Castle, Sz. 48 (Op.11) |
| Die Frau ohne Schatten Op.65 - Act 2:Orchesterzwischenspiel (Orchestral Interlude) |
Sir Georg Solti
|
Vier letzte Lieder |
| Act IV: La donna è mobile |
Sir Georg Solti
|
Classical 111 |
Belshazzar sf east:8. then sing aloud to God our strength