| Speak Low |
Kurt Weill
|
Bill Evans Gold Tracks |
| Giulio Cesare in Egitto, HWV 17: Act III, Da tempeste il legno infranto |
Julius Rudel
|
Händel: Julius Caesar, HWV 17 |
| Speak Low |
Kurt Weill
|
I Should Care |
| ManonAct 3:Quelle éloquence! |
Julius Rudel
|
Scènes Alsaciennes - Suite No.7 for Orchestra |
| Rigoletto, Act 3: "La donna è mobile" (Duca, Sparafucile, Rigoletto) |
Julius Rudel
|
the best classics...ever ! |
| Suite From The "Marriage At The Eiffel Tower": Blues For The Trouville Bathing Beauty - Slow Blues Style |
Orchestra of St. Lukes
|
Lou Harrison: Suite From The "Marriage At The Eiffel Tower" |
| Canti di prigionia: I. Preghiera di Maria Stuarda |
Concert Chorale Of New York
|
Dallapiccola: Canti di prigioniaCanti di liberazione |
| Speak Low |
Kurt Weill
|
Litter And Glitter |
| Variations for Orchestra: Variation V |
Orchestra of St. Lukes
|
George Walker, A Portrait |
| Thaïs: Act III: Scene 2: Sois le bienvenu dans nos tabernacles |
Julius Rudel
|
Massenet: Thaïs |
| Giulio Cesare in Egitto, HWV 17: Act II, E seguisti, o Niren |
Julius Rudel
|
Händel: Julius Caesar, HWV 17 |
| Die Dreigroschenoper - 'Little Threepenny Music', arranged by David Purser:Anstatt daß-Song |
Kurt Weill
|
Bernstein: West Side Story - Weill: Little Threepenny Music |
| SemiramideAct 1:Bel raggio lusinghier |
Orchestra of St. Lukes
|
Renée Fleming singt italienische Arien |
| Rigoletto, Act 3: "La donna è mobile" (Duke) |
Julius Rudel
|
100 Best Opera Classics |
| Cornelia, è tempo omai (1988 Remastered) |
Julius Rudel
|
Händel: Julius Caesar, HWV 17 |
| Mack the Knife |
Kurt Weill
|
Fox Trot Dance |
| Act 1: Sie Soll Sein Wie Ein Netz |
Kurt Weill
|
Rise And Fall Of The City Of Mahagonny |
| Seven Pieces From The Threepenny Opera: Ballad Of Mack The Knife |
Kurt Weill
|
Trails Of Creativity - Music From Between The Wars For Violin And Piano |
| Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Preghiera) |
Julius Rudel
|
Easter Classical |
| ManonAct 1:Holà! Hé! Monsieur l'H?telier? |
Julius Rudel
|
Scènes Alsaciennes - Suite No.7 for Orchestra |
| Cuore |
Kurt Weill
|
Unknown Lady |
| Aufstieg und Fall der Stadt Mahagonny: Alabama Song |
Kurt Weill
|
WantedSongs of Kurt Weill |
| Cantata BWV 171 "Gott wie dein Name so ist auch dein Ruhm":Aria "Jesus soll mein erstes Wort" (Soprano) |
Orchestra of St. Lukes
|
J.S. Bach: Arias for Soprano and Violin |
| Mefistofele, Prologue: "Salve, Regina!" (Penitenti, Falangi celesti, Cherubini) |
Julius Rudel
|
100 Best Choruses |
| ManonAct 2:Prélude - "Manon! Avez-vous peur que mon visage" |
Julius Rudel
|
Scènes Alsaciennes - Suite No.7 for Orchestra |
| The Road of Promise, Pt. 2:Two Prophets (Live) |
Orchestra of St. Lukes
|
The Road of Promise (Live) |
| Concerto for Amplified Violin & Orchestra: Quarter note = 60 |
Orchestra of St. Lukes
|
The Golden Dance |
| Rigoletto, Act 1: "Partite? Crudele!" (Duca, Contessa) |
Julius Rudel
|
Verdi: Rigoletto |
| Five - Concerto for Amplified Cello & Orchestra: Quarter note = 48-52 |
Orchestra of St. Lukes
|
The Golden Dance |
| Down in the Valley: Down in the Valley |
Kurt Weill
|
Weill: Down in the Valley, Lady in the Dark |
"lost int和stars", act 1, "lost int和stars"