| Valses nobles et sentimentales, M.61:8. Epilogue (Lent) |
The London Symphony Orchestra
|
Ravel: The Complete Edition |
| Wi' A Hundred Pipers |
Kenneth McKellar
|
Scottish Classics |
| Messiah: Part 3, No. 49 - Then Shall Be Brought to Pass |
Adrian Boult
|
Handel: Messiah (Complete Version, Original Instrumentation) |
| Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai |
George Malcolm
|
Essential Baroque |
| Le Sacre du Printemps, Part 2: "The Sacrifice": Glorification of the Chosen One |
The London Symphony Orchestra
|
Classical Revision: Stravinsky |
| Béatrice et Bénédict H.138Act 1:"Vous soupirez madame?...Nuit paisible et sereine!" |
The London Symphony Orchestra
|
Shakespeare in Music & Words |
| An Eriskay Love Lilt |
Kenneth McKellar
|
Roamin in the Gloamin |
| L'heure espagnole, Comédie en un acte, M.52:Il n'est pour l'horloger (Scenes XX-XXI) |
The London Symphony Orchestra
|
Ravel Autumn Study Vibes |
| Havanaise For Violin And Orchestra, Op. 83 |
The London Symphony Orchestra
|
Classics for Autumn: Saint-Saëns |
| Piano Concerto No. 1 in E-Flat Major, S. 124:IIb. Allegretto vivace - Allegro animato |
The London Symphony Orchestra
|
Cosy Fireplace with Liszt |
| On The Town:No. 10 "Carnegie Hall Pavane" (Live From Barbican Centre, London 1992) |
The London Symphony Orchestra
|
The Leonard Bernstein Collection - Volume 1 - Part 2 |
| Tapiola, Op. 112 |
The London Symphony Orchestra
|
Jean Sibelius - essential works |
| Rhapsody On A Theme Of Paganini, Op.43:Variation 2 |
The London Symphony Orchestra
|
Landscapes: Rachmaninoff |
| The Cunning Little Vixen (Příhody lišky Bystroušky), JW I9, Act II: Scene V, Memnesthó anér agathos einai |
The London Symphony Orchestra
|
Janáček: The Cunning Little Vixen, Sinfonietta |
| Herminie, H. 29: "Que Clorinde est heureuse ! " |
The London Symphony Orchestra
|
Berlioz: The Complete Works |
| Scatter of Ash |
David Ward
|
Transitioning |
| The Barber Of Seville, Act I: There Is A Voice Within My Heart |
The London Symphony Orchestra
|
Favourite Coloratura Arias And Songs |
| CandideAct I:Candide Begins His Travels - It Must Be Me (Candide's Second Meditation) |
The London Symphony Orchestra
|
Theatre Works on Deutsche Grammophon |
| Children's Corner Suite: II. Jimbo's Lullaby |
The London Symphony Orchestra
|
Classics for Children |
| Symphony No. 6 in F Major, Pastoral, Op. 68: Peasants' Merrymaking |
The London Symphony Orchestra
|
Beethoven: Symphonies Nos. 4, 5 & 6 |
| Carmen Suite, WD 31: II. "Les dragons d'Alcala" |
The London Symphony Orchestra
|
Spanish Fiesta |
| Háry János Suite:Viennese Musical Clock |
The London Symphony Orchestra
|
Decca Sound: The Analogue Years 1954 – 1968 |
| Summer |
The London Symphony Orchestra
|
Melodyphony~Best of Joe Hisaishi~ |
| Symphony No. 8: Part II: xii. Alles Vergangliche |
London Symphony Chorus
The London Symphony Orchestra
|
Mahler: Symphonies Nos.1-9 |
| Le Sacre du Printemps, Part 1: "The Adoration Of The Earth": Ritual of the Rival Tribes |
The London Symphony Orchestra
|
Classical Revision: Stravinsky |
| Snowball, Op. 471 |
The London Symphony Orchestra
|
A Viennese New Year Concert |
| Norma - "Vieni In Roma" |
Dame Joan Sutherland
|
Vincenzo Bellini : Norma (1952), Volume 1 |
| Symphony No. 92 in G Major, Hob. I:92 - "Oxford Symphony": III. Menuetto: Allegretto |
The London Symphony Orchestra
|
Haydn: Symphonies Nos. 92, 93, &97 - 99 |
| Double Concerto For 2 Violins, Strings, And Continuo In D Minor, BWV 1043:2. Largo, ma non tanto |
George Malcolm
|
100 Violin Masterworks |
Why do the nations?