| The Importance of Being Earnest:Act II: I wish Uncle Jack would allow (Cecily) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Trois Autres Mélodies: Chanson médiévale |
Barbara Hannigan
|
Erik Satie: Socrate |
| The Importance of Being Earnest:Act II: Cecily, ever since I looked (Algernon, Cecily, Merriman) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Scene 1 |
Barbara Hannigan
|
Writing to Vermeer |
| Correspondances - For Soprano And Orchestra:5. De Vincent à Théo |
Barbara Hannigan
|
Esa-Pekka Salonen Great Recordings |
| The Importance of Being Earnest:Act II: Freude, schöner Gotterfunken (Miss Prism, Cecily, Merriman) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Trois Mélodies: Sylvie |
Barbara Hannigan
|
Erik Satie: Socrate |
| Hymne |
Barbara Hannigan
|
Erik Satie: Socrate |
| Correspondances - For Soprano And Orchestra:1. Gong (I) |
Barbara Hannigan
|
Esa-Pekka Salonen Great Recordings |
| The Importance of Being Earnest, Act II: You Must Not Laugh at Me (Live) |
Barbara Hannigan
|
Gerald Barry: The Importance of Being Earnest (Live) |
| Scene 3 |
Barbara Hannigan
|
Writing to Vermeer |
| The Importance of Being Earnest, Act II: Orchestral Interlude (Live) |
Barbara Hannigan
|
Gerald Barry: The Importance of Being Earnest (Live) |
| Let Me Tell You, Pt. III: I Know You Are There |
Barbara Hannigan
|
H. Abrahamsen: Let Me Tell You |
| The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest, Act III: I Am Miss Cardew's Guardian (Live) |
Barbara Hannigan
|
Gerald Barry: The Importance of Being Earnest (Live) |
| the importance of being earnest:act II: garden ATT和manor house: Cecily, Cecily! (Miss prism, Cecily) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| the importance of being earnest:act III: pretty child! (Lady bra CK呢LL, Algernon, Cecily) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| l allegro, IL pens Eros OE的IL moderato, HW V 55:part i, no. 1: OU Vertu Re (concerto gross O, op. 6, no. 1) |
Barbara Hannigan
|
HANDEL: Allegro, il Penseroso ed il Moderato (L) |
| let me tell you, PT. II: no我ID哦not mind |
Barbara Hannigan
|
H. Abrahamsen: Let Me Tell You |
| Trois Autres Mélodies: Les fleurs |
Barbara Hannigan
|
Erik Satie: Socrate |
| Scene 4 |
Barbara Hannigan
|
Writing to Vermeer |
| let me tell you, PT. i: there wasa time, I remember |
Barbara Hannigan
|
H. Abrahamsen: Let Me Tell You |
| the importance of being earnest, act II: Cecily, ever since i looked (live) |
Barbara Hannigan
|
Gerald Barry: The Importance of Being Earnest (Live) |
| The Importance of Being Earnest:Act II: You are my little cousin Cecily (Algernon, Cecily) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Scene 5 |
Barbara Hannigan
|
Writing to Vermeer |
| the importance of being earnest, act III: Mister worthing, is Miss car的W (live) |
Barbara Hannigan
|
Gerald Barry: The Importance of Being Earnest (Live) |
| Socrate: Portrait de Socrate |
Barbara Hannigan
|
Erik Satie: Socrate |
| Correspondances - For Soprano And Orchestra:2. Danse cosmique |
Barbara Hannigan
|
Esa-Pekka Salonen Great Recordings |
| The Importance of Being Earnest:Act II: I had no idea (Gwendolen, Cecily, Jack, Algernon) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Trois Autres Mélodies: Chanson médiévale