| Götterdämmerung (Twilight of the Gods):Prologue: Mehr gabst du, Wunderfrau (Siegfried, Brünnhilde) |
Hong Kong Philharmonic Orchestra
Jaap Van Zweden
|
WAGNER, R. Ring des Nibelungen (Der): Götterdämmerung [Opera] (Barkmin, Brenna, Shenyang, Hong Kong Philharmonic Chorus and Orchestra, van Zweden) |
| Die Walküre:Act I Scene 3: Ein Schwert verhiess mir der Vater (Siegmund) |
Jaap Van Zweden
|
WAGNER, R.: Walküre (Die) (Goerne, DeYoung, Skelton, Melton, P. Lang, Struckmann, Hong Kong Philharmonic, van Zweden) |
| Dyeing |
Hong Kong Philharmonic Orchestra
|
Resonating Colours 5 |
| Finale (From West Side Story) |
Jaap Van Zweden
|
BrahmsBernstein: Clarinet Quintet and West Side Story |
| Symphony no. 3 in d minor: Finale. Allegro |
Jaap Van Zweden
|
Bruckner: Symphony no. 3 |
| Symphony No. 8 in E Flat Major "Symphony of a Thousand"Pt. 2:Hier ist die Aussicht frei - Freudig empfangen wir |
Simon ONeill
|
Mahler: Symphony No. 8 in E Flat Major "Symphony of a Thousand" |
| Night Poem |
Hong Kong Philharmonic Orchestra
|
Resonating Colours 5 |
| The Rumble (From West Side Story) |
Jaap Van Zweden
|
BrahmsBernstein: Clarinet Quintet and West Side Story |
| Dance At The Gym: Blues (From West Side Story) |
Jaap Van Zweden
|
BrahmsBernstein: Clarinet Quintet and West Side Story |
| Symphony No. 8 in E Flat Major "Symphony of a Thousand"Pt. 2:Höchste Herrscherin der Welt |
Simon ONeill
|
Mahler: Symphony No. 8 in E Flat Major "Symphony of a Thousand" |
| Violin Concerto 'La tempesta di mare' in E-Flat Major, Op. 8 No. 5: II. Largo |
Jaap Van Zweden
|
Vivaldi: Lamoroso |
| Le quattro stagioni (The Four Seasons), Concerto No. 3 'L'autunno' (Autumn) in F Major, Op. 8, RV 293: II. Adagio molto |
Jaap Van Zweden
|
Vivaldi: Le quattro stagioni (The Four Seasons) - Locatelli: Concerto No. 1 in D |
| Das Rheingold, WWV 86A, Scene 4 (Highlights): So grüß' ich |
Hong Kong Philharmonic Orchestra
|
Wagner: Der Ring des Nibelungen (Highlights) |
| ACT I: Weh! Weh!... Wer ist der Frevler? |
Jaap Van Zweden
|
Wagner: Parsifal |
| Great Mass in C Minor, K. 427: III. Laudamus te |
Valentina Farcas
|
Mozart: The Great Masses |
| ACT I: Recht so! - Habt Dank! - Ein wenig Rast |
Jaap Van Zweden
|
Wagner: Parsifal |
| Die Walküre:Act III Scene 3: Leb' wohl, du kühnes, herrliches Kind! (Wotan), "Wotan's Farewell" |
Jaap Van Zweden
|
WAGNER, R.: Walküre (Die) (Goerne, DeYoung, Skelton, Melton, P. Lang, Struckmann, Hong Kong Philharmonic, van Zweden) |
| Le Sacre du PrintempsPt 2: Le Sacrifice:Danse sacrale (L’ Élue) |
Jaap Van Zweden
|
Stravinsky Le Sacre du printemps; Debussy La Mer |
| Concerto No. 2 in C Minor, Op. 3: II. Largo |
Jaap Van Zweden
|
Locatelli: Larte del violino, Op. III, concertos no. 1, 2, 5 & 6 |
| Götterdämmerung (Twilight of the Gods):Act III Scene 3: Schluss (Conclusion) (Hagen) |
Hong Kong Philharmonic Orchestra
Jaap Van Zweden
|
WAGNER, R. Ring des Nibelungen (Der): Götterdämmerung [Opera] (Barkmin, Brenna, Shenyang, Hong Kong Philharmonic Chorus and Orchestra, van Zweden) |
| Violin Concerto 'La caccia' in B-Flat Major, Op. 8 No. 10: I. Allegro |
Jaap Van Zweden
|
Vivaldi: Lamoroso |
| Mass in C Minor, K. 427417a: VII. Quoniam tu solus |
Valentina Farcas
|
Mozart: Mass in C Minor |
| Pyrus Flower in Rain |
Hong Kong Philharmonic Orchestra
|
Resonating Colours 5 |
| Cross-Currents |
Hong Kong Philharmonic Orchestra
|
Resonating Colours 5 |
| Götterdämmerung (Twilight of the Gods):Act II Scene 2: Hoiho, Hagen! Müder Mann! (Siegfried, Hagen, Gutrune) |
Hong Kong Philharmonic Orchestra
Jaap Van Zweden
|
WAGNER, R. Ring des Nibelungen (Der): Götterdämmerung [Opera] (Barkmin, Brenna, Shenyang, Hong Kong Philharmonic Chorus and Orchestra, van Zweden) |
| La Mer: Trois esquisses symphoniques:1. De l'aube à midi sur la mer |
Jaap Van Zweden
|
Stravinsky Le Sacre du printemps; Debussy La Mer |
| Die Walküre:Act III Scene 2: Hier bin ich, Vater: gebiete die Strafe! (Brünnhilde, Wotan) |
Jaap Van Zweden
|
WAGNER, R.: Walküre (Die) (Goerne, DeYoung, Skelton, Melton, P. Lang, Struckmann, Hong Kong Philharmonic, van Zweden) |
Siegfried:Act II Scene 2: Ist mir doch fast, als sprächen die Vöglein zu mir (Siegfried, Voice of the Forest Bird)