The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
Thomas Adès
Birmingham Contemporary Music Group
Hilary Summers
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
The Diary of One Who Disappeared, JW V12:No. 8, Andante "Nehled'te, volecci, tesklivo k uvratim" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
Thomas Adès
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Five Eliot Landscapes Op. 1: II. Virginia |
Thomas Adès
|
British Composers - Ades: Life Story |
Under Hamelin Hill Op. 6: Preambulum (2 hands) |
Thomas Adès
|
British Composers - Ades: Life Story |
The Diary of One Who Disappeared, JW V12:No. 12, Adagio "Tmava olsinka, chladna studanka" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe |
Thomas Adès
|
British Composers - Ades: Life Story |
Asyla, Op. 17: IV |
Thomas Adès
|
Modern Classical Music |
The Diary of One Who Disappeared, JW V12:No. 7, Con moto "Ztratil jsem kolicek" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
Wonderful Town, Act 2: No. 18, Ballet at the Village Vortex |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
Wonderful Town, Act 1: No. 4, Conquering New York (Ruth, Eileen, A Cadet, Violet, Villagers) |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
Wonderful Town, Act 2: No. 14, Swing! (Villagers, Ruth) |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
The Diary of One Who Disappeared, JW V12:No. 22, Andante "Sbohem, rodny kraju" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
Thomas Adès
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Letter to H. Marx |
Birmingham Contemporary Music Group
|
Wilde Lieder Marx Music |
Catch Op. 4 |
Thomas Adès
|
British Composers - Ades: Life Story |
Die Produktion des Bewusstseins |
Birmingham Contemporary Music Group
|
Wilde Lieder Marx Music |
The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
Thomas Adès
Birmingham Contemporary Music Group
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
A Recollection, for Piano, JW VIII32 |
Thomas Adès
|
20th Century Classics: Leos Janácek |
The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
Thomas Adès
Birmingham Contemporary Music Group
Hilary Summers
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Sonata da Caccia, Op.11 (1993): I. Gravement - |
Thomas Adès
|
Adès: Living Toys |
Wonderful Town, Act 2: No. 20, Finale. It's Love Reprise (All) |
Birmingham Contemporary Music Group
|
Bernstein: Wonderful Town |
The Diary of One Who Disappeared, JW V12:No. 21, Meno mosso "Muj drahy taticku" |
Thomas Adès
|
20th Century Classics: Leos Janácek |