| 2 |
Mystery Sonatas, No. 5 in A Major, Child Jesus in the Temple: II, Pt. 3. Sarabande |
Biber: Mystery Sonatas
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| 4 |
Wir glauben all' an einen Gott, BWV 680 in Organo pleno con Pedale |
Bach: Organ Mass
|
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| 6 |
Sonata in C Major: I. Adagio |
Wodizka: Sonatas
|
|
| 8 |
Das Wohltemperierte Klavier. Part One, BWV 846-869: X. Prelude and Fugue in E minor, BWV 855 |
Bach: Well-Tempered Clavier, Part I
|
|
| 10 |
The Art of Fugue, BWV 1080: Contrapunctus 2 |
Bach: The Art of Fugue
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| 12 |
Sonata in D Minor: II. Andante |
Wodizka: Sonatas
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|
| 14 |
Mystery Sonatas, No. 3 in B Minor, The Nativity: III, Pt. 3. Adagio |
Biber: Mystery Sonatas
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| 16 |
Mystery Sonatas, No. 1 in D Minor, The Annunciation: II. Variatio - Aria. Allegro |
Biber: Mystery Sonatas
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| 18 |
The Art of Fugue, BWV 1080: Contrapunctus 11, a4 |
Bach: The Art of Fugue
|
|
| 20 |
The Art of Fugue, BWV 1080: Canon alla ottava |
Bach: The Art of Fugue
|
|
| 22 |
Compositions for Organ from Prague Studies: Chorale Fantasia |
Historic Organs of Bohemia III
|
|
| 24 |
Mystery Sonatas, No. 12 in C Major, The Ascension: IV, Pt. 3. Courante |
Biber: Mystery Sonatas, Vol. 2
|
|
| 26 |
The Yorkshire Feast Song, .: So! When the Glitt´ Ring Queen of Night |
Blow, Purcell: Welcome Evry Guest
|
|
| 28 |
Apparatus Musico-Organisticus: Toccata No. 8 in E minor |
Muffat: Apparatus musico-organisticus
|
|
| 30 |
Canonic Variations on the Christmas Hymn Vom Himmel hoch, da komm´ ich her, BWV 769: No. 4, Canon alla settima,cantus firmus im Sopran. Cantabile |
Bach: The Art of Fugue
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| 32 |
Mystery Sonatas: No. 4 in D Minor, The Presentation |
Biber: Mystery Sonatas
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| 34 |
Mystery Sonatas, No. 15 in C Major, Crowning of the Virgin Mary: II, Pt. 1. Aria con variazioni |
Biber: Mystery Sonatas, Vol. 2
|
|
| 36 |
Kanon in D |
Pachelbel: Historic Organs of Bohemia IV
|
|
| 38 |
8 Preludes and Fugues, B. 302: No. 7 in D Major, Fugue. Allegro moderato |
Historic Organs of Bohemia, Rychnov 1843
|
|
| 40 |
The Art of Fugue, BWV 1080: Contrapunctus 7, a4, per augmentationem et diminutionem |
Bach: The Art of Fugue
|
|
| 42 |
Amphion Anglicus, .: The Spheres, Those Instruments Divine, from Ode On St. Cecilia´s Day |
Blow, Purcell: Welcome Evry Guest
|
|
| 44 |
Praeludium et Fuga in C |
Pachelbel: Historic Organs of Bohemia IV
|
|
| 46 |
Mystery Sonatas, No. 12 in C Major, The Ascension: III. Allemanda |
Biber: Mystery Sonatas, Vol. 2
|
|
| 48 |
Das Wohltemperierte Klavier. Part One, BWV 846-869: XIX. Prelude and Fugue in A major, BWV 864 |
Bach: Well-Tempered Clavier, Part I
|
|
| 50 |
Mystery Sonatas, No. 1 in D Minor, The Annunciation: I. Praeludium |
Biber: Mystery Sonatas
|
|
| 52 |
The Art of Fugue, BWV 1080: Fuga a 3 soggetti (Incomplete) |
Bach: The Art of Fugue
|
|
| 54 |
Sonata solemnis: I. Allegro |
Historic Organs V. Rychnov nad Kneznou
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|
| 56 |
Ricercare II: Ricercar II. Toni |
HasslerLuytonHassler: Organ Recital
|
|
| 58 |
Sonata solemnis in D Minor: III. Fugue. Energico |
Historic Organs of Bohemia, Rychnov 1843
|
|
| 60 |
Das Wohltemperierte Klavier. Part One, BWV 846-869: IV. Prelude and Fugue in C sharp minor, BWV 849 |
Bach: Well-Tempered Clavier, Part I
|
|
| 62 |
Mystery Sonatas, No. 15 in C Major, Crowning of the Virgin Mary: II, Pt. 2. Canzone |
Biber: Mystery Sonatas, Vol. 2
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|
| 64 |
Mystery Sonatas, No. 9 in A Minor, Carrying the Cross: II, Pt. 1. Corrente |
Biber: Mystery Sonatas, Vol. 2
|
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| 66 |
Church Sonata No. 3 in D Major, K. 69 |
Classical Mozart 1
|
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| 68 |
Das Wohltemperierte Klavier. Part One, BWV 846-869: XI. Prelude and Fugue in F major, BWV 856 |
Bach: Well-Tempered Clavier, Part I
|
|
| 70 |
Mystery Sonatas, No. 8 in B-Flat Major, The Crown of Thorns: II, Pt. 1. Gigue |
Biber: Mystery Sonatas, Vol. 2
|
|
| 72 |
Sonata in G Major: I. Adagio |
Wodizka: Sonatas
|
|
| 74 |
Das Wohltemperierte Klavier. Part One, BWV 846-869: XVI. Prelude and Fugue in G minor, BWV 861 |
Bach: Well-Tempered Clavier, Part I
|
|
| 76 |
Preludes and Fugues for Organ, B. 302: I. Prelude in D major. Piu moderato |
Historic Organs V. Rychnov nad Kneznou
|
|
| 78 |
Mystery Sonatas, No. 7 in F Major, The Scourging of Jesus: II. Variatio |
Biber: Mystery Sonatas
|
|
| 80 |
The Art of Fugue, BWV 1080: Contrapunctus 3 |
Bach: The Art of Fugue
|
|
| 82 |
Priëre No. 5, Op. 20 |
Historic Organs of Bohemia II
|
|
| 84 |
Mystery Sonatas, No. 12 in C Major, The Ascension: IV, Pt. 1. Courante |
Biber: Mystery Sonatas, Vol. 2
|
|
| 86 |
8 Preludes and Fugues, B. 302: No. 4 in B-Flat Major, Prelude. Allegretto |
Historic Organs of Bohemia, Rychnov 1843
|
|
| 88 |
Mystery Sonatas, No. 15 in C Major, Crowning of the Virgin Mary: III, Pt. 1. Sarabande |
Biber: Mystery Sonatas, Vol. 2
|
|
| 90 |
The Art of Fugue, BWV 1080: Contrapunctus 8, a3 |
Bach: The Art of Fugue
|
|
| 92 |
St. Wenceslas Triptych for Organ, Op. 70: I. Toccata |
Historic Organs of Bohemia III
|
|
| 94 |
Das Wohltemperierte Klavier. Part One, BWV 846-869: I. Prelude and Fugue in C major, BWV 846 |
Bach: Well-Tempered Clavier, Part I
|
|
| 96 |
The Art of Fugue, BWV 1080: Contrapunctus 13, a3 (Rectus) |
Bach: The Art of Fugue
|
|
| 98 |
St. Wenceslas Triptych for Organ, Op. 70: II. Chaconne |
Historic Organs of Bohemia III
|
|
| 100 |
Church Sonata No. 4 in D Major, K. 144 |
Mozart: Church Sonatas Nos. 1 - 17
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