| 2 |
Canzon III a 4, Ch. 188 |
Croce: Motetti & Sacrae Cantiones
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| 4 |
Das Hohelied Salomos: Setze mich wie ein Siegel auf dein Herz |
Come to My Garden - German Early Baroque Lovesongs
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| 6 |
Das Hohelied Salomos: Steh auf, meine Freundin |
Das Hohelied Salomos: Steh auf, meine Freundin
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| 8 |
In qual parte si ratto |
Larte del madrigale
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| 10 |
O Filli, schön und subtil |
Come to My Garden - German Early Baroque Lovesongs
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| 12 |
Hor si rallegri il cielo |
Larte del madrigale
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| 14 |
Toccata |
Croce: Motetti & Sacrae Cantiones
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| 16 |
Cantiam lieti cantiamo |
Larte del madrigale
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| 18 |
Canzon Settimadecima |
Croce: Motetti & Sacrae Cantiones
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| 20 |
Potrò viver io più |
Larte del madrigale
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| 22 |
Das Hohelied Salomos: Siehe meine Freundin |
Come to My Garden - German Early Baroque Lovesongs
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| 24 |
Sorgi e rischiara al tuo apparir il cielo |
Larte del madrigale
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| 26 |
Passacaglia |
Larte del madrigale
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| 28 |
Missa pro defunctis: IV. Offertorium |
Bernardi: Lux Æterna. Ein Salzburger Requiem
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| 30 |
Das Hohelied Salomos: Wo ist denn dein Freund hingegangen |
Come to My Garden - German Early Baroque Lovesongs
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| 32 |
Pulchra es amica mea |
Come to My Garden - German Early Baroque Lovesongs
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| 34 |
Cupido blind, das Venuskind |
Come to My Garden - German Early Baroque Lovesongs
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| 36 |
Sinfonia seconda concertata |
Bernardi: Lux Æterna. Ein Salzburger Requiem
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| 38 |
Tota pulchra es |
Come to My Garden - German Early Baroque Lovesongs
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| 40 |
De profundis clamavi ad te, Domine |
Bernardi: Lux Æterna. Ein Salzburger Requiem
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| 42 |
In Filli schönen Äugelein |
Come to My Garden - German Early Baroque Lovesongs
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| 44 |
Missa pro defunctis: VIII. Libera me, Domine |
Bernardi: Lux Æterna. Ein Salzburger Requiem
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| 46 |
Canzona per Cembalo (Improvisation) |
Come to My Garden - German Early Baroque Lovesongs
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