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Erik Satie: Socrate |
2016-04-08 |
1.Trois Autres Mélodies: Les fleurs
2.Trois Mélodies: Sylvie
3.Socrate: Portrait de Socrate
4.Hymne
5.Trois Autres Mélodies: Chanson médiévale
6.Socrate: Les Bords d'illissus
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H. Abrahamsen: Let Me Tell You |
2016-01-15 |
1.Let Me Tell You, Pt. III: I Know You Are There
2.let me tell you, PT. II: no我ID哦not mind
3.let me tell you, PT. i: there wasa time, I remember
4.Let Me Tell You, Pt. II: Let Me Tell You How It Is
5.Let Me Tell You, Pt. I: O but Memory Is Not One but Many
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Gerald Barry: The Importance of Being Earnest (Live) |
2014-11-04 |
1.The Importance of Being Earnest, Act II: Orchestral Interlude (Live)
2.The Importance of Being Earnest, Act II: You Must Not Laugh at Me (Live)
3.The Importance of Being Earnest, Act III: I Am Miss Cardew's Guardian (Live)
4.the importance of being earnest, act III: Mister worthing, is Miss car的W (live)
5.the importance of being earnest, act II: Cecily, ever since i looked (live)
6.the importance of being earnest, act i: are your parents living? (live)
7.the importance of being earnest, act i: I feel bound to tell you (live)
8.The Importance of Being Earnest, Act III: Lady Bracknell, Who Am I? (Live)
9.The Importance of Being Earnest, Act III: Orchestral Introduction (Live)
10.The Importance of Being Earnest, Act III: Explosion! (Live)
11.The Importance of Being Earnest, Act I: Miss Fairfax, Ever Since I Met You (Live)
12.The Importance of Being Earnest, Act III: Is This the Handbag? (Live)
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Donaueschinger Musiktage 2001 |
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1.Here (To Be Found)
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The Passion Of Charlie Parker |
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1.The Epitaph Of Charlie Parker (The Funeral) [Vocal Version Of "Visa"]
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HANDEL: Rinaldo |
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1.Rinaldo, HW V 7:act i: overture
2.Rinaldo, HWV 7:Act I Scene 7: Recitative: Al valor del mio brando (Armida, Almirena, Rinaldo) - Prelude
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BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
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1.The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon)
2.The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily)
3.The Importance of Being Earnest:Act II: You are my little cousin Cecily (Algernon, Cecily)
4.The Importance of Being Earnest:Act II: I wish Uncle Jack would allow (Cecily)
5.The Importance of Being Earnest:Act II: I had no idea (Gwendolen, Cecily, Jack, Algernon)
6.The Importance of Being Earnest:Act II: Cecily, ever since I looked (Algernon, Cecily, Merriman)
7.The Importance of Being Earnest:Act II: Freude, schöner Gotterfunken (Miss Prism, Cecily, Merriman)
8.the importance of being earnest:act II: garden ATT和manor house: Cecily, Cecily! (Miss prism, Cecily)
9.the importance of being earnest:act III: pretty child! (Lady bra CK呢LL, Algernon, Cecily)
10.the importance of being earnest:act II: you must not laugh ATM E (Cecily, Algernon)
11.the importance of being earnest:act III: Lady bra CK呢LL (m而日漫, Lady bra CK呢LL, Gwen do了N, Jack, Algernon, Cecily)
12.the importance of being earnest:act II: he是going to send麼away (Algernon, Cecily, m而日漫)
13.the importance of being earnest:act II: Miss Fairfax (m而日漫, Cecily, Gwen do了N)
14.the importance of being earnest:act III: orchestral Introduction (Cecily)
15.the importance of being earnest:act II: Mister worthing! (Miss prism, chasuble, Jack, Cecily, Algernon)
16.the importance of being earnest:act III: explosion! (all, Jack, Gwen do了N, chasuble, Miss prism, Algernon, Cecily)
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Esa-Pekka Salonen Great Recordings |
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1.Correspondances - For Soprano And Orchestra:1. Gong (I)
2.Correspondances - For Soprano And Orchestra:2. Danse cosmique
3.Correspondances - For Soprano And Orchestra:5. De Vincent à Théo
4.correspond an CES - for soprano and orchestra:3. as lava ET Galina
5.Correspondances - For Soprano And Orchestra:4. Gong (II)
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HANDEL: Allegro, il Penseroso ed il Moderato (L) |
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1.l allegro, IL pens Eros OE的IL moderato, HW V 55:part i, no. 1: OU Vertu Re (concerto gross O, op. 6, no. 1)
2.l allegro, IL pens Eros OE的IL moderato, HW V 55:part III, no. 41: OU Vertu Re (concerto for organ and orchestra, op. 7, no. 1)
3.LAllegro, il Penseroso ed il Moderato, HWV 55:Part II, No. 24: Ouverture (Concerto grosso, Op. 6, No. 3)
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| 10 |
Writing to Vermeer |
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1.Scene 3
2.Scene 1
3.Scene 4
4.Scene 5
5.scene 2
6.scene 6
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