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RANDS: MadrigaliMetalepsis 2Triple Concerto (Cleveland Chamber Symphony, London) |
2008-05-22 |
1.Madrigali:IV. for Vic Hoyland
2.Madrigali:V. for Roger Marsh
3.madrigal i:III. for Vivienne olive
4.meta了psi是 2
5.Madrigali:I. for Dominic Muldowney
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| 2 |
BOND, V.: Molly ManyBloomA Modest Proposal |
2008-05-21 |
1.Molly ManyBloom:Episode 2: Confession
2.Molly ManyBloom:Episode 1: Mrs. Riordan
3.Molly ManyBloom:Prologue
4.Molly many bloom:episode 4: diet
5.Molly many bloom:episode 9: Milly
6.Molly many bloom:episode 11: Stephen D Eda路上
7.A Modest Proposal
8.Molly ManyBloom:Episode 5: Breasts
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NEW AMERICAN SCENE (THE), Vol. 2: LOGANANDERSON, T.JJENKINS, L.WHITE, D.BAKER, D. |
2008-03-15 |
1.wonder lust
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| 4 |
NEW AMERICAN SCENE (THE), Vol. 1: EATON, J.: Songs of Desperation and ComfortLONDON, E.: una novella della sera primavera |
2008-03-15 |
1.Songs of Desperation and Comfort:No. 2. Lullaby for Estela
2.Songs for the Children
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FINNEY: NarrativeLONDON, E.: Before the World Was MadeTHORNE, F.: Symphony No. 6 |
2008-03-14 |
1.Before the World Was Made:No. 7. A Last Confession
2.Symphony No. 6:I. Allegro con gioia
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| 6 |
MUSTO: EncountersTHOMAS, A.: Spirit MusingsJACOB, J.: The Persistence of MemoryDRUCKMAN: The Sound of Time |
2008-01-30 |
1.Encounters:No. 1. Piano
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PERLE: Lyric IntermezzoDUCKWORTH: Mysterious NumbersMARTIRANO: IsabelaERB: Solstice |
2008-01-30 |
1.lyric intermezzo:II. grazioso
2.Mysterious Numbers:II. Quietly flowing
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| 8 |
Bernard Rands |
1999-11-01 |
1.Madrigali: for Roger Marsh
2.madrigal i: for Vic ho也懶得
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| 9 |
Voyager |
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1.CelebrationsReflections: A Time Warp for Orchestra
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Sound Encounters III: Works by Schuller, Lutoslawski and Cooper |
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1.Love Songs and Dances: II. Fast
2.Chamber Symphony: II. Arioso
3.Paroles tissées: II. Deuxieme tapisserie
4.love songs and dances: i. slow and accelerating
5.Paroles tissées: I. Premiere tapisserie
6.chamber symphony: III. vivo
7.chamber symphony: i. cal膜 - A你man的哦 - cal膜
8.Paroles tissées: IV. Quatrieme tapisserie
9.Paroles tissées: III. Troisieme tapisserie
10.Love Songs and Dances: III. Without Measure and Slow
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