Symphony No. 1 in D Major, Op. 25, "Classical": IV. Finale. Molto vivace |
Ernest Ansermet
LOrchestre de la Suisse Romande
|
50 Classical Music Tracks for Summer |
Otello, Act IV:Otello, Act IV: Mia madre aveva una povera ancella "Willow Song" (Live) |
Anton Dermota
|
Verdi: Otello |
ArabellaAct 3:Einleitung ... über seine Felder |
Anton Dermota
|
Vier letzte Lieder |
Pelléas et Mélisande - Incidental Music to Maeterlinck's play Op.46 (1905):6. Pastorale |
LOrchestre de la Suisse Romande
|
Piano Concerto No.1 in D, Op.17 |
TurandotAct 2:Gelo che ti da foco |
Dame Joan Sutherland
|
Puccini: Turandot (Highlights) |
Cantata No.147: Jesu, Joy of Man's Desiring |
Dame Joan Sutherland
|
50 Classics |
Debussy: Pelléas et Mélisande, L.88Act 2 - "Oui, c'est ici, nous y sommes" |
Ernest Ansermet
LOrchestre de la Suisse Romande
|
Pelléas et Mélisande, L.88Act 1 |
Ma mère l'oye M.60 - Suite:Le jardin féerique |
LOrchestre de la Suisse Romande
Ernest Ansermet
|
Decca Sound: The Analogue Years 1954 – 1968 |
St. Matthew Passion, BWV 244:Part I: Recitative: Da versammleten sich die Hohenpriester (Evangelist, Chorus, Jesus) |
Anton Dermota
|
FURTWÄNGLER, Wilhelm: Vienna Concerts (1944-1954) |
Romeo and Juliet, Op. 64, Act III: No. 38, Romeo and Juliet |
Ernest Ansermet
LOrchestre de la Suisse Romande
|
Relaxation Music: Study |
The Nutcracker, Op. 71, Act II, Tableau III: XII. Divertissement d. Candy Canes. Russian Dance |
LOrchestre de la Suisse Romande
|
The Great Russian Composers |
Otello, Act I:Otello, Act I: Già nella notte (Live) |
Anton Dermota
|
Verdi: Otello |
Symphony, No. 4 in A Major, Op. 53: IV. Allegro Molto |
Ernest Ansermet
|
Roussel: Symphony, No. 3 & 4 |
Nocturnes, L. 91: III. Sirénes |
LOrchestre de la Suisse Romande
|
Magic Moments with Classical Music |
Dies Bildnis ist bezaubernd schön (Die Zauberflöte) |
Anton Dermota
|
Lebendige Vergangenheit - Anton Dermota |
Symphony No.2 Op.9 "Antar":3. Allegro risoluto alla marcia |
LOrchestre de la Suisse Romande
Ernest Ansermet
|
Decca Sound: The Analogue Years 1954 – 1968 |
Symphony No. 8 in E-Flat Major "Symphony of a Thousand":Qui Paraclitus diceris |
Norma Procter
|
Mahler: Kindertotenlieder; Symphony No. 8 " Symphony of a Thousand" |
Pictures at an Exhibition: Gnomus |
Ernest Ansermet
|
Mussorgsky: Pictures at an ExhibitionBalakirew: Tamara |
Symphony No. 8 in E-Flat Major "Symphony of a Thousand":Jene Rosen, aus den Händen (Chor der jüngeren Engel) |
Norma Procter
|
Mahler: Kindertotenlieder; Symphony No. 8 " Symphony of a Thousand" |
Orpheus in the Underworld (Orphée aux enfers) - Overture (Extract) |
LOrchestre de la Suisse Romande
|
Ultimate Classics: The Essential Masterpieces |
Norma - "Vieni In Roma" |
Dame Joan Sutherland
|
Vincenzo Bellini : Norma (1952), Volume 1 |
Giovanna d'Arco, Act IV: "O ben s'addice questo torbido … Sempre all'alba'" |
LOrchestre de la Suisse Romande
|
Renata Tebaldi, Vol. 2 |
The Nutcracker, Op. 71, Act II, Tableau III: XII. Divertissement e. Dance of the Reed Flutes |
LOrchestre de la Suisse Romande
|
Bach to Life: Uplifting Classical Music |
Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg):Act III: Scene 4: Ein Kind ward hier geboren |
Arnold van Mill
|
WAGNER, R.: Meistersinger von Nurnberg (Die) (Karajan) (1951) |
TurandotAct 3:"Quel nome!" |
Dame Joan Sutherland
|
Puccini: Turandot (Highlights) |