| 8 Folk Song Arrangements:Bonny at Morn |
Carlos Bonell
|
BRITTEN: Folk Song Arrangements (English Song, Vol. 10) |
| Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: II. Andantino semplice - Prestissimo - Tempo primo |
Andrew Keener
|
100 Best Tchaikovsky |
| Symphony No. 6 in F Major, Op. 68, "Pastoral":IV. Gewitter, Sturm |
Andrew Keener
|
Beethoven Symphonies Nos. 4 & 6 Pastoral |
| Études d'exécution transcendante, S. 139: VII. Eroica (Allegro) |
Andrew Keener
|
50 Best Liszt |
| Études d'exécution transcendante, S. 139: IV. Mazeppa (Allegro) |
Andrew Keener
|
50 Best Liszt |
| Fantasia para un gentilhombre: I. Villano y ricercar |
Carlos Bonell
|
Joaquín Rodrigo: Essential Works |
| Suite in A Major, Op. 98a, B. 190, "American":IV. Andante |
Andrew Keener
|
The Very Best of Dvorak |
| Études d'exécution transcendante, S. 139: XI. Harmonies du soir (Andantino) |
Andrew Keener
|
100 Best Liszt |
| The Protecting Veil:VI. The Resurrection |
Andrew Keener
|
20th Century Classics: John Tavener |
| Pulcinella (Complete Ballet): No. 2, Serenata for Tenor "Mentre l'erbetta pasce l'agnella" (Larghetto) |
Andrew Keener
|
100 Best Adagios |
| English Dances - Op. 33 No.1: 5. Allegro non troppo |
Andrew Keener
|
Essential British Classics |
| Fantasia on a Theme by Thomas Tallis |
Andrew Keener
|
Elgar Enigma Variations, Vaughan Williams The Lark Ascending [The National Gallery Collection] (The National Gallery Collection) |
| Symphony No. 6 in F Major, Op. 68, "Pastoral":II. Szene am Bach |
Andrew Keener
|
Beethoven Symphonies Nos. 4 & 6 Pastoral |
| Sonata for Cello and Piano:II. Sérénade et Finale. Moderato animé |
Andrew Keener
|
Debussy Ravel - Chamber and Vocal Music |
| Chansons de Bilitis, Musique de scène, L. 102: IX. L'eau pure du bassin |
Andrew Keener
|
Debussy: The Complete Chamber Music |
| 5 Morceaux de fantaisie, Op. 3:No. 1, Elégie in E-Flat Minor |
Andrew Keener
|
The Very Best of Rachmaninov |
| Prince Igor, Polovtsian Dances: DanceII |
Andrew Keener
|
Russian Music |
| Chansons de Bilitis, Musique de scène, L. 102: VI. Bilitis |
Andrew Keener
|
Debussy: Chamber Music, Vol. 1 |
| Fantasie in C Major, Op. 17:I. Durchaus phantastisch und leidenschaftlich vorzutragen |
Andrew Keener
|
Schumann: Davidsbündlertänze, Op. 6 & Fantasie, Op. 17 |
| Suite from the Gadfly, Op. 97a:V. Barrel Organ Waltz (Arr. Atovmyan) |
Andrew Keener
|
SchoenbergShostakovich - Chamber Music |
| Folk Song Arrangements, Vol. 6, "England":Sailor-boy |
Carlos Bonell
|
BRITTEN: Folk Song Arrangements (English Song, Vol. 10) |
| Piano Sonata No. 23 in F minor 'Appassionata', Op. 57: III. Allegro, ma non troppo - Presto |
Andrew Keener
|
100 Best Piano |
| Prince Igor: Overture (orch. Glazunov) |
Andrew Keener
|
Mussorgsky - Pictures at an Exhibition, etc |
| Les Chansons de Bilitis: V. La Partie d'osselets |
Andrew Keener
|
Debussy Piano Chamber & Orchestral Works |
| Samson HWV57:Let the bright Seraphim |
Andrew Keener
|
Essential Handel |
| Prince Igor: Overture (orch. Glazunov) |
Andrew Keener
|
Russian Music |
| Violin Concerto in D Major, Op. 61:II. Larghetto |
Andrew Keener
|
Zen Violin |
| Chansons de Bilitis, Musique de scène, L. 102: XII. La pluie du matin |
Andrew Keener
|
Debussy: Chamber Music, Vol. 1 |
| String Quartet in D: II. Lento ed espressivo |
Andrew Keener
|
Britten: Chamber & Instrumental Works |
| Clarinet Concerto in A K622: II. Adagio |
Andrew Keener
|
Mozart Clarinet Concerto & Quintet, Oboe Quartet [The National Gallery Collection] (The National Gallery Collection) |
nocturnal after John Dowland, op. 70:V. March-立刻