The Yeoman of the Guard, Act I: "Is life a boon?" |
Sir Malcolm Sargent
|
Highlights From Gilbert & Sullivan, Vol. 3 |
Ruddigore (or, The Witch's Curse), Act I: If somebody there chanced to be (Rose) |
Sir Malcolm Sargent
|
Gilbert & Sullivan: Ruddigore |
Hary Janos Suite: I. Prelude: The Fairy-tale Begins |
London Symphony Orchestra
|
Kodaly ha RY Janos suite and aria是, dance so FG Alan ta, the peacock variations |
Estancia, Op. 8: II. Wheat Dance |
London Symphony Orchestra
|
Alberto Evaristo Ginastera: Ballet Suites (Digitally Remastered) |
Cello Concerto in D: III. Molto vivace |
Sir Malcolm Sargent
|
Gilbert & Sullivan: The Gondoliers |
Piano Concerto No. 1: II. Chaconne |
London Symphony Orchestra
|
Rawsthorne: Symphonic Studies & Piano Concertos Nos. 1 & 2 |
Israel in Egypt, HWV 54:Part I: Recitative: Then sent He Moses His servant (Tenor) |
Sir Malcolm Sargent
|
HANDEL: Israel in Egypt (Morrison, SinclairHuddersfield Choral SocietyLiverpool PhilharmonicSargent) (1956) |
Symphony No. 5 in C Minor: I. Allegro |
London Symphony Orchestra
|
101 Greatest Classics - Vol. 3 |
Magic Circles |
London Symphony Orchestra
|
The Golden Age of Light Music: Great English Light Orchestras |
Double Bass Concertino in C Minor (version of Double Bass Concerto No. 2 for double bass and strings):II. Andante |
London Symphony Orchestra
|
BOTTESINI COLLECTION (The), Vol. 2 |
Moths around the Candle Flame |
London Symphony Orchestra
|
The Golden Age of Light Music: The 1930s |
12. The world is but a broken toy |
Sir Malcolm Sargent
|
Pineapple Poll |
Symphony No. 6: III. Passacaglia. Con anima |
London Symphony Orchestra
|
Chávez: Complete Symphonies |
The Dream of Gerontius, Op. 38: Pt. 1 Conclusion - Pt. 2 |
Sir Malcolm Sargent
|
Elgar: The Dream of Gerontius |
Iolanthe (or, The Peer and the Peri), Act I: Good morrow, good lover (Phyllis, Strephon) |
Sir Malcolm Sargent
|
Gilbert & Sullivan: Iolanthe |
The Begger's Opera, Act III: Complete |
Sir Malcolm Sargent
|
The Beggar's Opera |
Vier ernste Gesänge, Op. 121: I Denn es gehet dem Menschen wie dem Vieh (arr. Sargent) |
Sir Malcolm Sargent
|
Chausson: Poème de lamour et de la mer - Brahms: Vier ernste Gesänge - Bach: Arias |
Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude |
London Symphony Orchestra
|
Hannibal - The Classical Soundtrack Collection Series 1-3 |
Variations On An Original Theme, Op. 36 Enigma: VI. ModeratoVII. Andantino |
Sir Malcolm Sargent
|
Elgar Variations On An Original Theme |
Cantata Academica, Op.62:VI: Et Gubernacula. VII: Ut Ad Longaeva Tempora |
London Symphony Orchestra
|
Britten Rarities |
Ruddigore, Act II: "When the night wind howls" |
Sir Malcolm Sargent
|
Highlights From Gilbert & Sullivan, Vol. 3 |
Concerto for 2 Violins, Strings and Continuo in D Minor, BWV 1043: II. Largo ma non tanto |
Sir Malcolm Sargent
|
The 50 Best Classical Songs Ever |
Die Entführung aus dem serail, K. 384: Martern aller Arten (Recorded 1923) |
London Symphony Orchestra
|
Divas, Vol. 2 (Recorded 1909-1940) |
Messiah, HWV 56: Part I - Thus Saith the Lord |
Sir Malcolm Sargent
|
Messiah, HWV 56 |
Belshazzar's Feast Suite, Op. 51:IV. Khadra's Dance |
London Symphony Orchestra
|
SIBELIUS, J.: Symphony No. 2Belshazzars Feast SuiteKarelia Suite (excerpts) (Kajanus Conducts Sibelius, Vol. 2) (1930-1932) |
The Immortals (Concert Overture) |
London Symphony Orchestra
|
The Golden Age of Light Music: The 1930s |
Act 1 (Beginning) (from "The Sorcerer") |
Sir Malcolm Sargent
|
The Pirates Of Penzance & The Sorcerer Original Soundtrack Recording |
Violin Concerto in D, Op. 35: II. Canzonetta (Andante) |
London Symphony Orchestra
|
Classical Romance: Tchaikovsky |
Suite From The Dramatic Music Of Purcell: Minuet |
Sir Malcolm Sargent
|
Elgar Variations On An Original Theme |
Ariadne, Op. 31 |
London Symphony Orchestra
|
Crosse: Changes and Ariadne |