| Concerto for Contrabassoon: I. Andante tranquillo |
Randall Hodgkinson
|
Schulhoff, Phillips, Schuller and Stamitz: The Bass Nightingale: Music for Contrabassoon |
| 24 Preludes and Fugues, Book I: No. 10 Prelude in C-Sharp Minor |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| 24 Preludes and Fugues, Book I: No. 3 Fugue in G Major |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| 25 Preludes - "Polyphonic Notebook": No. 3 Ostinato |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| The Sealed Angel: III. L`istesso tempo - Sostenuto Assai |
Rodion Shchedrin
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Shchedrin: The Sealed Angel |
| The Sealed Angel: VII. May My Prayer Improve |
Rodion Shchedrin
|
Anthology of Russian Sacred Music |
| Carmen Suite for Strings and Percussion: V. Carmen’s Entrance and Habanera |
Rodion Shchedrin
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Shchedrin: Carmen Suite - Russian Photographs - Glorification |
| Concerto for Contrabassoon: II. Scherzo |
Randall Hodgkinson
|
Schulhoff, Phillips, Schuller and Stamitz: The Bass Nightingale: Music for Contrabassoon |
| Dead Souls, Act I: Songs "Ty polyn', polynechka trava" |
Rodion Shchedrin
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Shchedrin: Dead Souls |
| Dead Souls, Act III: Service of Prosecutor's Burial "Upokoy, Gospodi, dushu" |
Rodion Shchedrin
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Shchedrin: Dead Souls |
| Dead Souls, Act III: Rumors in the Town "Chto za pricha" |
Rodion Shchedrin
|
Shchedrin: Dead Souls |
| Piano Sonata No. 2: III. Presto possibile |
Rodion Shchedrin
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Anthology of Piano Music by Russian and Soviet Composers, Pt. 5 |
| 25 Preludes - "Polyphonic Notebook": No. 11 Counterpoint |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| 24 Preludes and Fugues, Book I: No. 8 Prelude in F-Sharp Minor |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| Sonata-Fantasia for Solo Cello in C Major: I. Andante sostenuto |
Karen Kaderavek
|
Cello Alchemy: Music from Russia & Eastern Europe |
| Carmen Suite (based on Bizet Opera): Carmen Suite: VII. Second Intermezzo |
Rodion Shchedrin
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Bizet-Schedrin - Carmen Suite & Stravinsky - Firebird Suite |
| Concerto in F Major for Bassoon and Orchestra: I. Allegro maestoso |
Randall Hodgkinson
|
Schulhoff, Phillips, Schuller and Stamitz: The Bass Nightingale: Music for Contrabassoon |
| The Sealed Angel: VIII. Lento assai |
Rodion Shchedrin
|
Shchedrin: The Sealed Angel |
| 24 Preludes and Fugues, Book II: No. 14 Prelude in E-Flat Minor |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| 24 Preludes and Fugues, Book I: No. 11 Fugue in B Major |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| The Sealed Angel: V. L`istesso tempo |
Rodion Shchedrin
|
Shchedrin: The Sealed Angel |
| 24 Preludes and Fugues, Book II: No. 18 Fugue in F Minor |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| Music for strings, oboes, horns and celesta (1986) based on the music of the ballet “The Lady with a Lap-Dog” |
Rodion Shchedrin
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Leningrad 1988: III. International Music Festival (Digitally Remastered) |
| Carmen Suite for Strings and Percussion: III. First Intermezzo |
Rodion Shchedrin
|
Shchedrin: Carmen Suite - Russian Photographs - Glorification |
| 25 Preludes - "Polyphonic Notebook": No. 4Fughetta |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| Dead Souls, Act III: Introduction to the Song "Ne bely snegi" |
Rodion Shchedrin
|
Shchedrin: Dead Souls |
| Sonata for Cello and Piano: II. Moderato |
Rodion Shchedrin
|
Shchedrin: Music for Cello and Piano |
| 24 Preludes and Fugues, Book II: No. 14 Fugue in E-Flat Minor |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
| Carmen Suite for Strings and Percussion: II. Dance |
Rodion Shchedrin
|
Shchedrin: Carmen Suite - Russian Photographs - Glorification |
| 24 Preludes and Fugues, Book II: No. 17 Prelude in A-Flat Major |
Rodion Shchedrin
|
Shchedrin plays Shchedrin |
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