| Part Two: Aria "How beautiful are the feet of them" (Soprano) (HandelMozart) |
Sir Charles Mackerras
|
Messiah - G.F. Handel, arr. W. A. Mozart |
| The Cunning Little Vixen (Prihody Lisky Bystrousky)Act 1:Hled'te sestry jakého máte vudce! |
Sir Charles Mackerras
|
Janácek: Operas |
| Le Sacre du printemps (The Rite of Spring), Part II: Le Sacrifice: Glorification de l'Élue |
Sir Charles Mackerras
|
Icon: Charles Mackerras |
| Pineapple Poll - Suite:I. Opening Dance |
Sir Charles Mackerras
|
100 Best Ballet |
| Movement VII:Crises 'The World You're Coming Into' (Mary Dee) |
Royal Liverpool Philharmonic Orchestra
|
Selections From Liverpool Oratorio |
| Études d'exécution transcendante, S. 139: IV. Mazeppa (Allegro) |
Andrew Keener
|
50 Best Liszt |
| Endless Pleasure |
Sir Charles Mackerras
|
Endless Pleasure |
| Prince Igor, Polovtsian Dances: DanceII |
Royal Liverpool Philharmonic ChoirRoyal Liverpool Philharmonic OrchestraSir Charles Mackerras
Simon Foster
Mike Clements
Andrew Keener
Sir Charles Mackerras
Royal Liverpool Philharmonic Orchestra
Royal Liverpool Philharmonic Choir
|
Russian Music |
| The Dream of Gerontius, Op. 38: Pt. 1 Conclusion - Pt. 2 |
Royal Liverpool Philharmonic Orchestra
|
Elgar: The Dream of Gerontius |
| Sinfonia antartica [No. 7]: II.Scherzo (Moderato) |
Royal Liverpool Philharmonic Orchestra
|
Vaughan Williams Sinfonia antartica, Serenade to Music, Partita for double string orchestra |
| JenufaAct 1:Jak razem vsecko to Stevkovo vypináni schiplo |
Sir Charles Mackerras
|
Janácek: Operas |
| Idomeneo KV 366, Act 3, Ballet:Chaconne: Pour le ballet (KV 367January 1781) |
Sir Charles Mackerras
|
Mozart: Idomeneo |
| Symphony No. 16 in C major, K.128: III. Rondo: Allegro |
Sir Charles Mackerras
|
Mozart: Symphonies No. 14, No. 15, No. 16, No. 17, No. 18 |
| From Meadow to Mayfair - Suite (1988 Digital Remaster): I. In the Country (Rustic Dance) |
Sir Charles Mackerras
|
The Music of Eric Coates |
| Part Two: Chorus "Let us break their bonds asunder" (HandelMozart) |
Sir Charles Mackerras
|
Messiah - G.F. Handel, arr. W. A. Mozart |
| Violin Concerto In D Major, Op.35, TH.59:II. Canzonetta (Andante) |
Royal Liverpool Philharmonic Orchestra
|
100 Violin Masterworks |
| Messiah, HWV 56: Part I - Thus Saith the Lord |
Royal Liverpool Philharmonic Orchestra
|
Messiah, HWV 56 |
| Suite for string orchestra:Andante con moto |
Sir Charles Mackerras
|
Concertino for piano and chamber orchestra |
| Symphony No. 18 in F major, K.130: IV. Molto allegro |
Sir Charles Mackerras
|
Mozart: Symphonies No. 14, No. 15, No. 16, No. 17, No. 18 |
| Concerto for 2 Oboes, Trumpet and Strings in D Major: V. Vivace |
Sir Charles Mackerras
|
Music for Trumpet |
| Gloriana, Op.53Act 3 Scene 3:53. Penepole Rich's Pleading |
Sir Charles Mackerras
|
Britten: Gloriana |
| Concertino for piano and chamber orchestra:3. Con moto |
Sir Charles Mackerras
|
Concertino for piano and chamber orchestra |
| Two Aquarelles:Lento, ma non troppo |
Sir Charles Mackerras
|
Two Aquarelles |
| Movement VII:Crises 'The World You're Coming Into' (Mary Dee) |
Royal Liverpool Philharmonic Orchestra
|
Liverpool Oratorio |
Prince Igor, Act 2: Polovtsian Dances (Excerpt, Dance No. 4)